Wender·Vista
Bighorn Basin Painted Desert
shown on ceramic, 12-inch tileWyoming
in north-central Wyoming, between the Bighorns and the Absarokas

Bighorn Basin Painted Desert

— red and ochre laid down in bands, then weathered open.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

Between the Bighorn Mountains and the Absarokas, the Bighorn Basin opens into a hundred-mile bowl of layered sediments worn into badlands of red, ochre, and ash grey. The Willwood Formation holds one of the densest early Eocene mammal-fossil records on Earth. In late afternoon the colour stack reads almost vertical, the sun catching one band at a time as it crosses the slopes.

from the studio
Bighorn Basin Painted Desert
— bring it home

Bighorn Basin Painted Desert, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Bighorn Basin Painted Desert

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Bighorn Basin is a structural depression in north-central Wyoming, bounded by the Bighorn Mountains to the east, the Absaroka Range to the west, and the Owl Creek Mountains to the south. It covers roughly 22,000 square miles and includes the towns of Cody, Greybull, Worland, and Lovell. The basin's exposed sediments belong primarily to the Willwood, Wasatch, and Chugwater Formations, laid down between the Triassic and early Eocene. Erosion has stripped these layers into badlands and painted hills, especially along the basin's western edge between Meeteetse and Greybull.

the colour

The reds and oranges come from oxidised iron in the Chugwater Formation, a Triassic siltstone exposed in long bands along the basin's flanks. Above and below it, the Willwood and Wasatch Formations contribute paler yellows, whites, and grey-greens from variegated paleosols. Geologists working the Willwood since the 1880s have used the colour bands as stratigraphic markers; the same bands carry one of the world's most complete records of early Eocene mammal evolution. The colour stack reads strongest in the hour before sunset, when the sun rakes the slopes at a low angle.

— informed by USGS: Willwood Formation
the light

The basin sits in a rain shadow between two ranges and runs dry through most of the year. Average annual precipitation in Worland is around 8.5 inches, less than parts of the Mojave. Clear skies and low humidity give the painted slopes a flat, even, slightly raking light through long mid-summer afternoons; in winter the same light comes in earlier and lower and reads almost vermillion. Bureau of Land Management lands along US-20 and Wyoming Highway 31 offer the most open views of the colour bands.

— informed by NOAA Worland climate
where
United States · Washakie and Big Horn Counties, Wyoming
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
at the lake
Worland
town
55 km N
Greybull
town
110 km NW
Cody
town
130 km NE
Bighorn Canyon Recreation Area
national recreation area
N
Bighorn Basin Painted Desert
Worland
Greybull
Cody
Bighorn Canyon Recreation Area
common questions

What people ask.

A few questions we get about Bighorn Basin Painted Desert — and about bringing the piece home.
about the place

The basin lies in north-central Wyoming between the Bighorn Mountains to the east and the Absaroka Range to the west, with the Owl Creek Mountains forming its southern wall.

The reds come from iron-oxide-rich siltstone in the Triassic Chugwater Formation. Paler yellows and greys above it come from the Willwood and Wasatch Formations, deposited during the early Eocene.

The Willwood holds one of the world's most complete early Eocene mammal records, with continuous deposition across the Paleocene-Eocene Thermal Maximum about 56 million years ago. Smithsonian crews have worked it for decades.

The Bighorn Basin covers roughly 22,000 square miles and contains the towns of Cody, Powell, Lovell, Greybull, and Worland. It is the largest of Wyoming's intermontane basins.

The most exposed bands run along the basin's western edge between Meeteetse and Greybull, and along US-20 between Worland and Thermopolis. BLM lands keep most of these views undeveloped.

No designated national park, but Bighorn Canyon National Recreation Area sits on the basin's northeast edge and Buffalo Bill State Park anchors the west. Most painted-desert country is BLM-administered public land.

about the piece in your home

It carries well for that recipient. The painted bands are the basin's signature and rarely show up in conventional Wyoming art, which makes the piece read as specifically Cody-Greybull country.

The palette runs Chugwater red, ochre, and ash grey, sitting comfortably in Southwestern-modern, Desert-modernist, and Earth-tone Maximalist rooms. It reads well against terracotta tile and warm leather.

The banded reds and earth-tone treatment fit the current desert-modern direction. Pair the Large with raw clay, woven jute, and unfinished oak for a coherent earth-toned room.

A single Large anchors most sofas. A 4-tile Mural extends the bands across a wider wall; a 9-tile Mural turns the wall into a long horizontal horizon.

Yes. Order the Dura Satin or Matte finish for backsplashes, shower walls, and humid rooms. The colour lives in the ceramic surface and handles daily wear without dulling.

A soft microfibre cloth with water handles most marks. Dish soap is fine for kitchen splatter. Skip abrasive pads, scouring powders, and acidic or bleach-based cleaners.

Yes. Reid Wender curates and finishes every piece in our Knoxville studio. The WenderVista atlas is single-eye work and not licensed from any third party.

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