Wender·Vista
Beartooth Highway scenic switchbacks
shown on ceramic, 12-inch tileWyoming
on the climb out of Rock Creek Canyon toward the Beartooth Plateau

Beartooth Highway scenic switchbacks

— a road that folds back on itself to reach the sky.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

The hairpins of US 212 climbing the Beartooth Front, stacked one above the other up the side of Rock Creek Canyon. From the West Summit overlook on the Montana side the road shows as a series of ribbons cut into the cliff face, each turn rising about 250 feet above the last. Charles Kuralt called the highway the most beautiful drive in America when CBS Sunday Morning ran the route in the 1980s. The switchbacks are the reason. They are also the work of Civilian Conservation Corps crews in the early 1930s. from the studio

from the studio
Beartooth Highway scenic switchbacks
— bring it home

Beartooth Highway scenic switchbacks, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Beartooth Highway scenic switchbacks

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The switchback section of US 212 climbs the Beartooth Front from roughly 5,500 feet at Red Lodge to about 10,947 feet at Beartooth Pass over a distance of about 25 miles, with the steepest run concentrated in the hairpins that ascend the wall of Rock Creek Canyon. The road was built between 1931 and 1936 with substantial labour from the Civilian Conservation Corps under the Federal Aid Highway Act, opened in 1936, and rebuilt several times after slides; the 2005 washout at the Mae West curve closed the Montana side for a full season. The highway is administered as Federal Highway Administration route under joint Wyoming-Montana DOT maintenance.

the light

Late afternoon is the hour the switchbacks read best. The sun comes around the west wall of Rock Creek Canyon between four and six in the summer months and rakes the cut face of each hairpin in turn, picking up the gravel shoulder and the snow patches that linger into July at the higher turns. The West Summit overlook, near 9,400 feet on the Montana side, is the standard viewpoint for the stack of curves. Storms build over the plateau most summer afternoons and can move down the canyon faster than the road can lose elevation.

the visit

The most photographed view is from the West Summit pullout on the Montana side, about ten miles south of Red Lodge, where the stacked hairpins fill the frame. The road is open roughly Memorial Day through mid-October; the switchback section is usually the first to clear in spring and among the last to be plowed in autumn. Cyclists ride the climb in numbers in July; motorists should expect slow-moving traffic and limited passing. RV travel is permitted but tight at the inside corners. No services on the climb itself; Red Lodge holds the nearest fuel.

where
United States · Park County, Wyoming
within
Shoshone National Forest
elevation
2,865 m · 9,400 ft
position
45.0231° N · 109.4044° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
15 km NE
Red Lodge
Montana mountain town
15 km SW
Beartooth Pass
high pass
60 km SW
Cooke City
Yellowstone gateway
N
Beartooth Highway scenic switchbacks
Red Lodge
Beartooth Pass
Cooke City
common questions

What people ask.

A few questions we get about Beartooth Highway scenic switchbacks — and about bringing the piece home.
about the place

On the Montana side, climbing the wall of Rock Creek Canyon between Red Lodge and the West Summit. The hairpins lift the road from roughly 5,500 feet to about 9,400 feet over a short series of stacked curves.

Civilian Conservation Corps crews did much of the labour between 1931 and 1936, under the Federal Aid Highway Act. The route opened in 1936 and has been rebuilt several times after slides, including a major reconstruction after the 2005 Mae West curve washout.

The phrase comes from Charles Kuralt of CBS Sunday Morning, who used it on air in the 1980s. The reputation rests mainly on the switchback climb and the open tundra of the Beartooth Plateau above it.

The stacked hairpins finish near the West Summit overlook around 9,400 feet on the Montana side. The road continues climbing more gently from there to the high point at Beartooth Pass at 10,947 feet.

Permitted but tight. Inside corners are narrow, and grades approach seven percent in places, so larger rigs should plan for slow ascents and use the pullouts to let faster traffic by.

Roughly Memorial Day weekend through mid-October. The switchback grade is usually one of the first sections cleared in spring and among the last to be plowed in autumn before winter closure.

about the piece in your home

Yes. The switchbacks are the section drivers remember most clearly, and the piece reads as a marker of that specific climb rather than a generic mountain road.

Mountain-modern, alpine-traditional, and clean-lined lodge interiors. The high-canyon palette of pale stone, deep pine, and cold sky sits well against oak, leather, and blackened steel.

It fits the alpine-modern direction in Mountain West interiors, where specific scenic-byway pieces are replacing generic peak imagery. The Voynich treatment keeps it contemporary rather than nostalgic.

A single Large suits a console or a narrow sofa wall. For a standard three-seat sofa, a four-tile Mural reads at scale, and a nine-tile Mural anchors a wider great-room wall without crowding.

Yes, on the Dura Satin or Matte finish. Both are scratch-resistant and humidity-tolerant, which makes them suitable for backsplashes, shower walls, and powder rooms.

A soft microfibre cloth and clean water. The colour is infused into the ceramic surface under high heat and pressure, so the surface holds up to routine cleaning without losing its finish.

Yes. Every WenderVista piece is curated by Reid Wender and hand-finished at the studio in Knoxville, with no licensed art and no third-party prints.

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