Wender·Vista
Tacoma Museum of Glass and the Bridge of Glass
shown on ceramic, 12-inch tileWashington
on the Thea Foss Waterway, downtown Tacoma

Tacoma Museum of Glass and the Bridge of Glass

— a tilted cone, and a bridge the sky comes through.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

A leaning stainless-steel cone on the Thea Foss Waterway, and a five-hundred-foot pedestrian bridge over the freeway that connects it back to downtown Tacoma. The Museum of Glass opened in 2002; the Bridge of Glass, designed with Dale Chihuly, opened the same year and carries his Seaform Pavilion overhead, two Crystal Towers, and a long Venetian Wall. Visitors look up walking under the ceiling of glass and the light shifts with the weather. Inside the cone, glassblowers work at the Hot Shop most days. From the studio.

from the studio
Tacoma Museum of Glass and the Bridge of Glass
— bring it home

Tacoma Museum of Glass and the Bridge of Glass, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Tacoma Museum of Glass and the Bridge of Glass

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Museum of Glass opened on Tacoma's Thea Foss Waterway in July 2002, designed by Canadian architect Arthur Erickson. The building's most recognisable feature is a 90-foot stainless-steel cone that leans 17 degrees toward the water and houses the museum's working Hot Shop. The Chihuly Bridge of Glass, designed in collaboration with Tacoma-born glass artist Dale Chihuly, opened the same year. The 500-foot pedestrian bridge crosses Interstate 705 and reconnects the museum to the Washington State History Museum and the downtown core. The pairing anchors Tacoma's Museum District.

the light

The Bridge of Glass carries three distinct Chihuly installations along its length. The Seaform Pavilion runs overhead as a long ceiling of suspended glass; pedestrians look up walking beneath it and the light passing through the forms reads differently in sun, rain, and dusk. Two 40-foot Crystal Towers rise on the downtown end like cut blue ice. Between them, the Venetian Wall holds 109 sculptures behind clear glass on a long display run. After dark, the cone of the Hot Shop glows orange from the working furnace inside. The waterway holds the reflection.

the visit

The Museum of Glass sits at 1801 Dock Street on the Thea Foss Waterway and is open Wednesday through Sunday, with hours that shift seasonally; current hours and admission are listed at museumofglass.org. The Hot Shop is the working heart of the building and visitors can watch resident artists and visiting artists work most days the museum is open. The Bridge of Glass is a public pedestrian crossing, free, open at all hours, and the easiest way to walk from downtown Tacoma to the museum without crossing freeway ramps. Both reward an unhurried visit.

where
United States · Tacoma, Washington
position
47.2461° N · 122.4339° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
0.3 km W
Union Station
Chihuly rotunda
0.3 km W
Washington State History Museum
museum
9 km NW
Point Defiance
city park
N
Tacoma Museum of Glass and the Bridge of Glass
Union Station
Washington State History Museum
Point Defiance
common questions

What people ask.

A few questions we get about Tacoma Museum of Glass and the Bridge of Glass — and about bringing the piece home.
about the place

The Museum of Glass opened on Tacoma's Thea Foss Waterway in July 2002. The building was designed by Canadian architect Arthur Erickson and is built around a working Hot Shop housed in its leaning stainless-steel cone.

The Chihuly Bridge of Glass was designed by Tacoma-born glass artist Dale Chihuly in collaboration with architect Arthur Andersson. It opened in 2002, the same year as the museum, and crosses Interstate 705 to reconnect the museum to downtown Tacoma.

The stainless-steel cone over the Hot Shop stands 90 feet tall and leans 17 degrees toward the Thea Foss Waterway. It functions as the working chimney for the museum's glassblowing studio inside.

The 500-foot bridge carries three Chihuly installations: the Seaform Pavilion overhead, two 40-foot Crystal Towers, and the Venetian Wall, which holds 109 glass sculptures behind clear panels along its length.

Yes. The Hot Shop is the working heart of the museum, and visitors can watch resident and visiting artists at work most days the museum is open. Schedules are posted at museumofglass.org.

Yes. The Chihuly Bridge of Glass is a public pedestrian crossing, free to walk at any hour, and is the easiest route between downtown Tacoma and the Museum of Glass without crossing freeway ramps.

about the piece in your home

Yes. The Museum of Glass and the Bridge of Glass are core Tacoma landmarks and a point of city pride. The piece reads as a specific home city, not generic Pacific Northwest. A Medium or Large is the usual choice.

The blues, silvers, and glass-light tones sit naturally with modern, jewel-tone, and pacific-northwest interiors. It also lifts a contemporary room with concrete, steel, or dark wood finishes.

Yes. The piece carries deep aquas and cobalt against warm steel, which suits the jewel-tone and modern-maximalist direction many rooms are moving in now without leaning into pattern overload.

A single Large reads well above a console or a smaller sofa. Above a standard three-seater, the four-tile Mural carries the wall; the nine-tile Mural is the choice for a full feature wall.

Yes. For humid or splash-prone spots, order the Dura Satin or Matte finish. The colour is slowly infused into the ceramic surface under high heat and pressure and will not lift with steam.

A soft microfibre cloth and plain water. No abrasive pads, no harsh cleaners. The thin glossy finish wipes clean easily and the colour lives in the surface.

Yes. Every WenderVista piece is original work by Reid Wender, hand-finished in our Knoxville studio. We do not license outside art.

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