Wender·Vista
Palouse rolling wheat fields
shown on ceramic, 12-inch tileWashington
in southeast Washington and northern Idaho, west of Moscow

Palouse rolling wheat fields

hills the wind built and the wheat keeps.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

The rolling wheat country of southeast Washington and northern Idaho. The hills look like waves because they were made by wind: windblown silt called loess, piled across the basalt over tens of thousands of years, in places more than two hundred feet deep. The fields turn through the year. Wheat goes in soft green in May, ripens to a long gold in July, comes off in August and leaves a corduroy of stubble. The view most photographers know comes from Steptoe Butte, a quartzite knob that rises above the surrounding farms at 3,612 feet, looking west into Whitman County.

from the studio
Palouse rolling wheat fields
— bring it home

Palouse rolling wheat fields, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Palouse rolling wheat fields

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Palouse is a region of roughly three thousand square miles spanning southeast Washington and northern Idaho, bounded loosely by Spokane to the north, the Snake River to the south, Pullman and Moscow at the centre, and the Channeled Scablands to the west. Its rolling hills are dunes of loess, windblown glacial silt deposited atop the Columbia River Basalt during the Pleistocene, in places reaching depths of more than two hundred feet. The soil is among the most productive dryland wheat ground in North America. The hills' wave-like shapes follow the prevailing winds of the late ice age. Steptoe Butte, a 3,612-foot quartzite knob in Whitman County, is the canonical viewpoint.

the light

The Palouse is a photographer's country because the light works on the contours. Long oblique light at the start and end of the day rakes across the hills and turns each one into a sculpted form, every fold and shadow visible. Summer evenings stretch past nine at this northern latitude, and the dust raised by the harvest catches the gold of the low sun. Steptoe Butte, an isolated quartzite outlier rising 3,612 feet from the surrounding farms, provides the elevation that makes the photographs work. The butte was donated to Washington State Parks in 1946 by Virgil McCroskey, who also founded the neighbouring Idaho park on Mineral Mountain.

the season

The agricultural year on the Palouse runs through four distinct visual seasons. Winter wheat goes into the ground in autumn and overwinters under occasional snow. Spring greens the hills from late April through early June, when the fields read as soft and saturated. Ripening turns them gold by mid-July. Harvest runs from late July through August, leaving alternating bands of stubble and tilled earth that hold their corduroy patterns into autumn. The fallow rotations and the contour ploughing along the slopes give the Palouse its layered look from above. The peak photography window is the first three weeks of June and the last two of July.

— informed by Wikipedia: Palouse
where
United States · Whitman County, Washington
within
Steptoe Butte State Park
elevation
1,101 m · 3,612 ft
position
47.0231° N · 117.2989° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
at the lake
Steptoe Butte summit
viewpoint
15 km W
Colfax
county-seat town
33 km SE
Pullman
university town
23 km S
Kamiak Butte
county park butte
50 km SE
Moscow, Idaho
university town
12 km NE
Oakesdale
farming town
N
Palouse rolling wheat fields
Steptoe Butte summit
Colfax
Pullman
Kamiak Butte
Moscow, Idaho
Oakesdale
common questions

What people ask.

A few questions we get about Palouse rolling wheat fields — and about bringing the piece home.
about the place

The Palouse is a region of rolling wheat country covering roughly three thousand square miles of southeast Washington and northern Idaho. Its hills are dunes of windblown silt, called loess, laid down during the Pleistocene over the underlying Columbia River Basalt. It is one of the most productive dryland wheat regions in North America.

The hills are made of loess, windblown glacial silt deposited atop the basalt bedrock during the last ice age. Prevailing winds shaped them into wave-like dune forms reaching depths of more than two hundred feet in places. The pattern still follows the wind direction of roughly fifteen thousand years ago.

Two windows. The fields are softest green in late May through early June, when winter wheat has come up. They are at their gold peak in late July, just before harvest begins. Long oblique light at the start and end of the day gives the hills their sculpted look from any viewpoint.

Steptoe Butte State Park in Whitman County, Washington. The butte rises 3,612 feet, almost a thousand feet above the surrounding farms, and a paved road spirals to the summit. From the top the wheat hills extend in every direction. The land was donated to Washington State by Virgil McCroskey in 1946.

Soft white winter wheat is the main crop, with rotations of spring wheat, barley, lentils, and dry peas. The Palouse produces some of the highest dryland wheat yields in North America thanks to its deep loess soils and dependable winter precipitation. Most farms have been worked by the same families for four or five generations.

Pullman, Washington, home to Washington State University, and Moscow, Idaho, home to the University of Idaho, anchor the central Palouse. Colfax is the Whitman County seat. Smaller towns include Garfield, Palouse, Oakesdale, and Genesee. Spokane lies to the north and the Snake River canyon to the south.

about the piece in your home

It carries well for someone from a multi-generational wheat family or who came up through Pullman or Moscow. The Palouse runs deep with people who remember the harvest light and the long summer evenings as home. A Small or Medium with a handwritten card from the studio reads as a real gift rather than a generic farm print.

Modern-farmhouse interiors with warm wood, linen, and putty read it cleanly. It also sits well in mountain-modern rooms with sage and slate, and in jewel-tone maximalist walls where the stained-glass linework becomes a focal piece. Stark grey-and-white minimalism tends to flatten the green and gold of the fields.

Yes. Modern-farmhouse has moved toward more painterly, regionally specific artwork over the last few years, away from generic landscape prints and shiplap signs. A piece in the green-and-gold of the Palouse sits inside that direction. The Large or a 4-tile Mural reads as a focal piece above a dining sideboard.

Above a standard sofa the single Large reads as a focal piece. A 4-tile Mural carries the layered hills across a wider wall, and a 9-tile Mural is the right scale for great rooms or above a long sideboard. A Medium suits a console; a Small suits a desk or a narrow shelf.

Yes, in the Dura Satin or Matte finish. Both are soft-sheen, scratch-resistant, and rated for vertical installation in showers, kitchen backsplashes, and powder rooms. The Glossy finish is reserved for framed wall pieces in dry rooms.

A soft microfibre cloth with plain water is enough for everyday dust. For a kitchen or bath installation, a damp cloth with a drop of mild dish soap is safe on the Dura Satin and Matte finishes. No abrasive pads, no scouring powders, no bleach.

Yes. Every WenderVista piece is original work from the studio in Knoxville, Tennessee, with Reid Wender as the curating eye. The art is not licensed from stock libraries and is not produced by other studios under our name.

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