Wender·Vista
North Head Lighthouse
shown on ceramic, 12-inch tileWashington
above the Columbia's mouth, on the Long Beach Peninsula

North Head Lighthouse

a small white tower in a hundred-mile wind.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

A 65-foot tower on a basalt headland near Ilwaco, Washington, lit in 1898 to mark the approach from the north after ships kept losing Cape Disappointment Light a mile south. The focal plane stands roughly 194 feet above the Pacific. The keeper's house is white, the trim red, the trail down to the rocks steep enough that you watch your feet. The wind here has been clocked above a hundred miles an hour. Somewhere a buoy is ringing.

from the studio
North Head Lighthouse
— bring it home

North Head Lighthouse, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about North Head Lighthouse

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

North Head Lighthouse stands at the northern entrance to the Columbia River, on a basalt headland inside Cape Disappointment State Park near Ilwaco, in Pacific County, Washington. The tower is 65 feet tall and the focal plane sits 194 feet above the Pacific. The United States Lighthouse Service built it in 1898 to supplement Cape Disappointment Light, which is a mile south and hidden from ships running down the coast by the same headland the new tower stands on. The Coast Guard automated the station in 1961. The keeper's quarters are now a vacation rental managed by Washington State Parks.

the air

The headland faces straight into the open Pacific with no shelter to the west and takes the full weight of every storm that comes in. The National Weather Service cooperative station at North Head has recorded gusts above 120 miles per hour, and the site averages roughly a hundred inches of rain a year. The basalt the tower is bolted into has been worn by that weather for thousands of years. On a clear afternoon the view runs north along the Long Beach Peninsula, eighteen straight miles of sand up to Leadbetter Point, and west into the open ocean where the Columbia bar rolls white about a mile offshore.

the light

The original optic at North Head was a first-order Fresnel lens shipped from Paris and first lit on May 16, 1898. The lens is now on display at the Columbia River Maritime Museum in Astoria, Oregon, about ten miles south across the bar. The current beacon is an LED unit the United States Coast Guard maintains as an active aid to navigation, with a flashing white characteristic visible to mariners at the southwestern approach to the Columbia. Together with Cape Disappointment Light, lit in 1856, North Head guards one of the most dangerous river bars on the Pacific coast.

where
United States · Pacific County, Washington
within
Cape Disappointment State Park
elevation
59 m · 194 ft
position
46.2978° N · 124.0792° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
2 km S
Cape Disappointment Lighthouse
lighthouse
5 km N
Long Beach Peninsula
barrier peninsula
4 km E
Ilwaco
fishing town
16 km SE
Astoria, Oregon
river-mouth town
16 km SE
Columbia River Maritime Museum
museum
40 km N
Leadbetter Point
wildlife refuge
N
North Head Lighthouse
Cape Disappointment Lighthouse
Long Beach Peninsula
Ilwaco
Astoria, Oregon
Columbia River Maritime Museum
Leadbetter Point
common questions

What people ask.

A few questions we get about North Head Lighthouse — and about bringing the piece home.
about the place

The United States Lighthouse Service finished the tower in 1898 to supplement Cape Disappointment Light, which is a mile south and hidden from ships running down the coast by the same headland. The first-order Fresnel lens was lit on May 16, 1898, and the Coast Guard automated the station in 1961.

The tower itself is 65 feet tall. Because it stands on a basalt headland inside Cape Disappointment State Park, the focal plane of the light sits 194 feet above the Pacific, which is the elevation mariners actually see from offshore.

The headland faces straight into Pacific storms with no shelter to the west. The National Weather Service cooperative station there has recorded gusts above 120 miles per hour, making it one of the windiest measured locations in the contiguous United States.

Yes. The lighthouse is inside Cape Disappointment State Park near Ilwaco, Washington. A short trail leads from the parking area to the tower, and Washington State Parks offers seasonal interpretive tours of the tower. A Discover Pass is required for vehicle parking.

Cape Disappointment Light, lit in 1856, sits a mile south and guides ships across the Columbia River bar. North Head, lit in 1898, was added because Cape Disappointment is hidden by the same headland from vessels approaching from the north along the coast.

Yes. The original Fresnel lens is now displayed at the Columbia River Maritime Museum in Astoria, but the United States Coast Guard maintains a modern LED beacon in the tower as a working aid to navigation at the southwestern approach to the Columbia.

about the piece in your home

It has been a meaningful gift for our customers who grew up around Ilwaco, Long Beach, or Astoria, and for anyone who has stayed in the North Head keeper's house. A Coaster or Small with a handwritten card from the studio reads as a considered, place-specific gift rather than a generic souvenir.

Pacific-Northwest-modern, coastal-modern, and storm-coast contemporary. The deep blues of the Pacific and the white-and-red of the tower give it enough quiet contrast for a Japandi wall and enough colour to anchor a more layered, jewel-toned room. Pairs with weathered wood and brushed brass.

Coastal-modern has moved away from beach-house pastels toward weathered, working-coast imagery, and a lighthouse on a basalt headland reads cleanly in that direction. The art carries a real place rather than a generic seascape, which is the move buyers are making in 2026.

Above a standard sofa a single Large reads as a strong focal piece. A four-tile Mural lengthens the line across a longer wall, and a nine-tile Mural is the right scale for stairwells and high-ceilinged great rooms. A Medium suits a console; a Small suits a desk shelf.

Yes, in the Dura Satin or Matte finish. Both are soft-sheen, scratch-resistant, and rated for vertical installation in showers, backsplashes, and powder rooms. The Glossy finish is reserved for framed wall pieces in dry rooms.

A soft microfibre cloth with water is enough for routine dust and fingerprints. For a kitchen or bath installation, a mild non-abrasive household cleaner is fine on the Dura Satin and Matte finishes. No solvents and no scouring pads.

Yes. Every WenderVista piece is original work from the studio in Knoxville, Tennessee, with Reid Wender as the curating eye. The art is not licensed from stock libraries and is not produced by other studios under our name.

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