Mount St Helens from Johnston Ridge

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

Johnston Ridge is a high east-west ridge in the blast zone of Mount St Helens, in Cowlitz County, Washington. It sits about five miles north of the crater rim at the upper end of State Route 504, the 52-mile Spirit Lake Memorial Highway from Interstate 5.

David A. Johnston was a USGS volcanologist monitoring Mount St Helens from a station near this ridge on the morning of May 18, 1980. He radioed Vancouver as the eruption began and was killed by the lateral blast moments later. The observatory and the ridge carry his name.

Access has been disrupted since a May 2023 landslide on State Route 504 closed the road above milepost 49. The Forest Service has staged repairs over subsequent seasons. Current status should be checked with Gifford Pinchot National Forest before traveling.

The observatory sits about five miles north of the Mount St Helens crater rim, on a ridge at roughly 4,300 feet elevation. The view looks straight into the open crater along the path the May 1980 lateral blast travelled, with the lava dome visible inside.

The blast zone covers about 230 square miles around the volcano, where the May 18, 1980 lateral blast flattened or scorched mature forest in under two minutes. Most of it is now inside the Mount St. Helens National Volcanic Monument, with much of the Pumice Plain still bare.

The Johnston Ridge Observatory opened in 1997, built by the United States Forest Service inside the Mount St. Helens National Volcanic Monument. It replaced earlier roadside pullouts as the primary north-side interpretive site for the 1980 eruption and the recovery that followed.

It carries the weight that page of history has for the Pacific Northwest. The view in this piece is the one David Johnston gave his name to. A Small or Medium with a handwritten note from the studio is the common scale for a remembrance-weight gift.

The cool greys, slate blue, and pale steam read well in Pacific Northwest modern, mountain-modern cabins, and quiet Minimalist rooms with concrete or basalt textures. The piece also holds against deeper jewel-toned walls if a more saturated setting is preferred.

Yes. The current biophilic palette favours grounded greys, raw stone, and warm whites, which is exactly the surface a volcanic-ridge subject lives in. This piece anchors that palette with a centre of weight rather than competing with it.

Above a standard sofa, the single Large reads well at eye height. For more presence, a 4-tile Mural fills the wall above a 7- to 8-foot sofa. A 9-tile Mural is the room-anchoring choice above a console in an entry or a wide hallway.

Yes. The Dura Satin finish is scratch-resistant and built for vertical installations in moist rooms: kitchen backsplashes, shower walls, powder-room features. The Matte finish carries the same use cases with no sheen, if a flatter look suits the room.

A soft microfibre cloth with plain water is enough for everyday dust. For a kitchen or bath installation, a damp cloth with a drop of mild dish soap is safe. Avoid abrasive pads, scouring powders, and bleach-based cleaners on the surface.

Yes. Every WenderVista piece is made by Reid Wender, the studio's curator and the eye behind the line. The work is not licensed from another artist and is not sold through any other store.