Wender·Vista
Cape Flattery the northwest tip of the lower 48
shown on ceramic, 12-inch tileWashington
at the northwestern corner of the lower 48, on Makah land

Cape Flattery the northwest tip of the lower 48

the corner where the map runs out of land.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

The continent's furthest north-west corner, on the Makah Reservation at the tip of the Olympic Peninsula. A short cedar boardwalk drops through old-growth forest to four wooden platforms cantilevered above sea caves. Tatoosh Island sits offshore with its small lighthouse, automated since the 1970s. Vancouver Island sits across the Strait of Juan de Fuca. Gray whales pass close in spring. Most of the year the wind is doing something to the water. The Makah have lived here for thousands of years and issue a Recreation Pass at the village in Neah Bay. There is no other way in, and nothing further out.

from the studio
Cape Flattery the northwest tip of the lower 48
— bring it home

Cape Flattery the northwest tip of the lower 48, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Cape Flattery the northwest tip of the lower 48

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Cape Flattery is the northwesternmost point of the lower 48, on the Makah Indian Reservation at the head of the Olympic Peninsula. The cape forms the southern lip of the Strait of Juan de Fuca where it meets the open Pacific. From the trailhead a path of roughly three-quarters of a mile, much of it cedar boardwalk, drops through old-growth coastal rainforest to four wooden viewing platforms above the sea caves. Tatoosh Island lies offshore. Vancouver Island sits across the strait. The whole peninsula north of U.S. 101 is part of either the Makah Reservation or Olympic National Park.

the air

Air this far west and this far north comes off the open Pacific with nothing to soften it. Annual rainfall at Neah Bay averages around 100 inches; fog is common through the summer when interior heat draws marine air inland. The cape is one of the windiest stretches of the Washington coast, since the strait acts as a funnel, especially in winter. In summer the coastal cedar gives off a resin scent on the boardwalk that you carry back to the car. Bald eagles are common on the headlands; pelagic seabirds work the offshore waters when the swell is up.

the silence

This is the end of the road in the contiguous United States; there is no town further west, no further pull-off, no further trail. Neah Bay, with a population around 800, is the only settlement on the peninsula west of Sekiu. The Makah have lived on this coast for thousands of years; the Ozette site, uncovered in the 1970s, preserved a complete coastal village under a mudslide around 1750. The platforms hold only a handful of visitors most weekday afternoons, even in summer. The sound is the swell working the sea caves below the cliffs and the wind in the spruce.

where
United States · Makah Reservation, Clallam County, Washington
position
48.3851° N · 124.7367° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
13 km E
Neah Bay
Makah village
1 km W
Tatoosh Island
lighthouse island
13 km S
Shi Shi Beach
sea-stack beach
40 km S
Lake Ozette
coastal lake
28 km E
Sekiu
fishing village
N
Cape Flattery the northwest tip of the lower 48
Neah Bay
Tatoosh Island
Shi Shi Beach
Lake Ozette
Sekiu
common questions

What people ask.

A few questions we get about Cape Flattery the northwest tip of the lower 48 — and about bringing the piece home.
about the place

Cape Flattery, on the Makah Indian Reservation in Clallam County, Washington. The viewing platforms above the sea caves mark the corner where the Strait of Juan de Fuca meets the open Pacific, with Tatoosh Island and its lighthouse just offshore.

The Makah Tribe, whose reservation covers the western tip of the Olympic Peninsula. The main village is Neah Bay, with a population around 800. The Makah have lived on this coast for thousands of years, with long, documented occupation at the nearby Ozette site.

No. Cape Flattery is on the Makah Reservation, which sits west of the national park boundary. Olympic National Park covers most of the peninsula's interior and the coastal strip from Shi Shi Beach south, but the cape itself is Makah tribal land.

Ozette is a Makah coastal village preserved under a mudslide around 1750 and excavated between 1970 and 1981 by Washington State University archaeologists working with the Makah Tribe. The recovered artifacts are housed at the Makah Cultural and Research Center in Neah Bay.

Drive State Route 112 west from Port Angeles for about three hours to Neah Bay, then continue past the village on local roads to the Cape Flattery trailhead. A Makah Recreation Pass is required and is sold at shops in Neah Bay.

The boardwalk sections are sturdy and flat, but the trail also has stairs and dirt sections, with a few hundred feet of descent overall. The viewing platforms are wooden and have railings. The trail is not rated as wheelchair accessible end to end.

about the piece in your home

It has carried well for many of our customers with ties to the peninsula. Cape Flattery is the corner of the country and a part of Makah identity; people who grew up out there tend to recognise it from across a room. A Medium or a Large with a note from the studio works.

The cool greys, slate blues, and dark green of the coastal forest sit well in Pacific Northwest modern interiors, mountain-modern rooms, and Japandi spaces. The piece also reads well against warm cedar or driftwood, which is closer to the actual look of a Neah Bay house.

Yes. The palette runs cool and Pacific rather than tropical-coastal, which is the current direction of the regional interior style. The piece pairs cleanly with hemlock, fir, and matte black metal hardware.

Above a console, a single Large carries on its own. Above a standard sofa, a 4-tile Mural in a 2 by 2 grid reads from across the room; a 9-tile Mural in a 3 by 3 grid gives the seascape room to open. The Medium and Coaster Set work on a shelf or a bedside.

Yes, in the Dura Satin or Matte finish. Both are scratch-resistant and don't pick up bathroom glare the way the Glossy can. Glossy is the show-piece finish for framed wall art; Dura Satin and Matte are the right calls for backsplashes and showers.

A microfibre cloth and water are enough. The colour lives in the ceramic surface beneath a thin glossy finish, so it doesn't lift with normal cleaning. Avoid abrasive pads and bleach-based sprays; a drop of mild dish soap is fine for kitchen splatter on a backsplash tile.

Yes. Every WenderVista piece is original work by Reid Wender, the curator of the studio. Nothing is licensed in or licensed out. The atlas of places is the studio's own.

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