Wender·Vista
Terminal Island
shown on ceramic, 12-inch tileUnited States
in the Port of Los Angeles, between San Pedro and Long Beach

Terminal Island

— the harbor a whole village was taken from.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

A working harbor island between San Pedro and Long Beach, mostly cranes and container stacks now. Before the war it held Furusato, a Japanese fishing village of about three thousand people, a tuna cannery row, and a Japanese-language school. In February 1942 the residents were given forty-eight hours to leave and the village was cleared. Two storefronts on Tuna Street still stand. The Terminal Islanders, the surviving families and their descendants, return each year to the small memorial near the old village site. The container traffic moves through it all without slowing down.

from the studio
Terminal Island
— bring it home

Terminal Island, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Terminal Island

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Terminal Island is a man-made island of about 2,800 acres in the San Pedro Bay, divided between the cities of Los Angeles and Long Beach. It sits inside the combined Port of Los Angeles and Port of Long Beach, the largest container-port complex in the Western Hemisphere. The island is reached by the Vincent Thomas Bridge from San Pedro and the Commodore Schuyler F. Heim Bridge from Long Beach. Before the Second World War the island held the Japanese-American fishing village of Furusato and a row of canneries on Tuna Street. Today it is almost entirely industrial: container terminals, a federal prison, and a Coast Guard base.

the silence

On February 25, 1942, the roughly three thousand Japanese-American residents of Furusato were given forty-eight hours by the U.S. Navy to leave the island. The village, the Japanese-language school, and the Shinto shrine were demolished in the weeks that followed. Two brick storefronts on the 700 block of Tuna Street — Nanka Shoten and A. Nakamura Co. — survived and were designated a Los Angeles Historic-Cultural Monument in 2002. The Terminal Islanders Club, founded in 1971 by surviving residents and their descendants, maintains a small memorial nearby and returns each year. The site is listed by the National Park Service as part of the Japanese American Confinement Sites story.

the visit

The island is open and reachable by car across the Vincent Thomas Bridge from San Pedro, but most of it is restricted port property and not for casual walking. The Tuna Street memorial and the two surviving storefronts on the 700 block are visible from the public sidewalk. The Battleship USS Iowa Museum, on the San Pedro side of the channel, is a short drive from the bridge and the closest cultural anchor for a visit. The Port of Los Angeles runs occasional guided tours of the harbor through its waterfront program. There is no visitor center on the island itself.

— informed by Port of Los Angeles
where
United States · Los Angeles County, California
position
33.7456° N · 118.2589° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
2 km W
San Pedro
neighborhood
3 km E
Long Beach
city
1 km W
Vincent Thomas Bridge
bridge
2 km W
USS Iowa Museum
museum ship
N
Terminal Island
San Pedro
Long Beach
Vincent Thomas Bridge
USS Iowa Museum
common questions

What people ask.

A few questions we get about Terminal Island — and about bringing the piece home.
about the place

In San Pedro Bay, between San Pedro and Long Beach in Los Angeles County, California. It sits inside the combined Port of Los Angeles and Port of Long Beach complex.

The Japanese-American fishing village on Terminal Island before the Second World War. About three thousand residents lived there, working the tuna canneries on Tuna Street, with a Japanese-language school and a Shinto shrine.

On February 25, 1942, the U.S. Navy gave the village's residents forty-eight hours to leave. The community was cleared and the buildings demolished in the weeks that followed, before broader Japanese-American incarceration began.

Two brick storefronts on the 700 block of Tuna Street — Nanka Shoten and A. Nakamura Co. — were designated Los Angeles Historic-Cultural Monument No. 731 in 2002. A small memorial stands nearby.

About 2,800 acres, almost entirely man-made through harbor dredging and landfill. It is now dominated by container terminals, a federal prison, and a Coast Guard base.

A club founded in 1971 by surviving Furusato residents and their descendants. They maintain the memorial on Tuna Street and gather each year to honor the lost village.

about the piece in your home

Yes, for many families with roots on the island the piece carries weight. A Small or Medium with a handwritten note from the studio is a quiet way to honor the village without overstating.

The harbor blues and weathered industrial tones read well in Coastal-modern rooms, California Craftsman interiors, and quiet studies with wood and brass. It also holds against a darker library wall.

It fits. Place-based décor that honors specific local histories has steady momentum, especially in California homes. The Medium works well above a desk or a low credenza.

Above a standard sofa, a single Large reads cleanly. Over a wider sofa or a console, a 4-tile Mural opens the scale, and a 9-tile Mural turns the wall into the harbor.

Yes, in the Dura Satin or Matte finish. Both resist steam and splash and keep the colour saturated. The Glossy finish is best kept to dry walls.

A soft microfibre cloth and plain water. No solvents, no abrasive pads. The colour lives in the ceramic surface, not on top of it, so it does not fade with cleaning.

Yes. Every WenderVista tile is original to our studio, curated by Reid Wender, hand-finished in Knoxville, Tennessee. We do not license the artwork to anyone else.

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