Wender·Vista
Astoria Column on Coxcomb Hill
shown on ceramic, 12-inch tileOregon
above the mouth of the Columbia, in Astoria

Astoria Column on Coxcomb Hill

a hundred and twenty-five feet of painted history.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

A concrete tower built in 1926 on the highest hill in Astoria, decorated with a spiral sgraffito frieze of Pacific Northwest history. The 164 steps inside open onto a platform six hundred feet above the river. Visitors buy a balsa glider at the gift shop and throw it from the railing, a small tradition the city has kept for generations. — from the studio

from the studio
Astoria Column on Coxcomb Hill
— bring it home

Astoria Column on Coxcomb Hill, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Astoria Column on Coxcomb Hill

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Astoria Column stands 125 feet tall on top of Coxcomb Hill, the highest point in Astoria, Oregon, at about 600 feet above the Columbia River. It was completed in 1926 from a design by New York architect Electus Litchfield, paid for jointly by Vincent Astor, great-grandson of John Jacob Astor, and the Great Northern Railway. A 164-step spiral staircase inside opens to a viewing platform that overlooks the mouth of the Columbia, the Pacific Ocean, and the leading edge of the Coast Range to the south.

the stone

The column is reinforced concrete, faced with a sgraffito frieze that spirals fourteen times around the shaft and tells a fourteen-scene history of the Pacific Northwest, from Indigenous settlement through the arrival of the transcontinental railroad. The frieze was painted by Italian-born artist Attilio Pusterla in 1926 and is one of the largest surviving examples of sgraffito work in North America. The most recent restoration, completed in 2015, used a lime-based plaster system matched to the original recipe Pusterla worked from on site.

the visit

The column and surrounding park are free to enter, with a five-dollar annual parking pass that supports upkeep. The staircase climb is 164 steps, narrow at the top, and the platform is open to weather year round. Balsa wood gliders sold at the gift shop are the customary thing to launch from the railing. The tradition has run more or less continuously since the 1960s, and the gift shop staff walk the meadow once a week to gather what landed.

where
United States · Astoria, Clatsop County, Oregon
elevation
183 m · 600 ft
position
46.1817° N · 123.8203° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
1 km N
Columbia River
river
1 km N
Downtown Astoria
historic downtown
18 km W
Fort Stevens State Park
coastal park
35 km S
Saddle Mountain
coast range peak
22 km NW
Cape Disappointment
headland
N
Astoria Column on Coxcomb Hill
Columbia River
Downtown Astoria
Fort Stevens State Park
Saddle Mountain
Cape Disappointment
common questions

What people ask.

A few questions we get about Astoria Column on Coxcomb Hill — and about bringing the piece home.
about the place

The column itself is 125 feet tall and stands on Coxcomb Hill at about 600 feet above sea level, which puts the viewing platform roughly 725 feet above the Columbia River.

The column was designed by New York architect Electus Litchfield and dedicated in 1926. It was funded jointly by Vincent Astor and the Great Northern Railway to commemorate their role in opening the West.

The sgraffito frieze, painted by Attilio Pusterla in 1926, spirals fourteen times around the shaft and shows fourteen scenes of Pacific Northwest history, from Indigenous settlement through the arrival of the transcontinental railroad.

There are 164 steps in the interior spiral staircase from the ground floor to the viewing platform at the top. The climb takes most visitors about five minutes.

Visitors buy a small balsa wood glider at the gift shop, climb the column, and launch it from the platform. The tradition has been part of the visit since the 1960s and the staff gather the gliders weekly.

On a clear day the platform takes in the mouth of the Columbia, Washington's Long Beach Peninsula across the river, the Pacific to the west, and Saddle Mountain in the Coast Range to the south.

about the piece in your home

It has been a meaningful gift for customers who grew up in Astoria or with family on the Lower Columbia. The column is one of the most recognized landmarks on the Oregon coast. A Small or Medium with a handwritten studio note carries well.

The painted frieze and tall vertical line read well in Coastal-modern, Historic-traditional, and Maximalist rooms. It also works against painted wainscoting and warm whites in older houses.

The piece fits the current heritage-coastal direction: historic landmarks treated as fine art rather than as souvenirs, paired with linen, aged brass, and natural wood.

The vertical proportion suits a Large in portrait orientation above a console. For a wider wall a 4-tile Mural carries the column and surrounding park; a 9-tile Mural treats the hill as a full scene.

Yes, in Dura Satin or Matte. Both finishes are scratch-resistant and intended for vertical installations like backsplashes, showers, and powder rooms.

A soft microfibre cloth and water. The colour is held inside the ceramic surface beneath a thin glossy finish, so nothing wipes off or fades with normal cleaning.

Yes. Every WenderVista tile is original Wender Studios work, slowly infused into the ceramic surface under high heat and pressure. No licensing, no third-party art.

if this one stayed with you

A few you might also love.

Hand-picked by the eye that found Sorapis. Same air, same kind of quiet.