Wender·Vista
Chrysler Building Art Deco crown
shown on ceramic, 12-inch tileNew York
above Lexington Avenue at 42nd Street, midtown Manhattan

Chrysler Building Art Deco crown

— a stainless crown that catches every weather.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

The Art Deco crown of the Chrysler Building rises above Lexington Avenue at 42nd Street: seven setback arches of stainless steel, sunburst triangle windows cut into each, and a tapered spire above. William Van Alen finished the building in 1930, and for eleven months it was the tallest in the world before the Empire State Building overtook it. The crown changes by the hour. Cold morning light reads it as silver. Late sun turns the arches honey. Storms turn the whole crown to lead, then it lifts again. — from the studio

from the studio
Chrysler Building Art Deco crown
— bring it home

Chrysler Building Art Deco crown, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Chrysler Building Art Deco crown

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Chrysler Building stands at 405 Lexington Avenue, at the corner of 42nd Street in midtown Manhattan. It was designed by William Van Alen for Walter P. Chrysler and completed in 1930, rising to 1,046 feet across 77 floors. For eleven months it was the tallest building in the world, until the Empire State Building topped out in May 1931. It was declared a National Historic Landmark in 1976 and is widely regarded as the finest surviving example of New York Art Deco architecture. The building remains an office tower with no observation deck, so most visitors see it from the street or from neighbouring rooftops.

the stone

The crown is sheathed in Nirosta — a German trade name for chromium-nickel stainless steel — across seven terraced arches stacked into a tapered dome. Each arch carries triangular sunburst windows in a radial pattern, four to a face, with the corners trimmed in ornamental steel. Below the crown, gargoyles modelled on 1929 Chrysler radiator caps project from the 61st-floor setback. The spire above was assembled in secret inside the building's fire shaft and raised through the top in October 1929, adding 125 feet in 90 minutes and securing the height record from the rival Bank of Manhattan project at 40 Wall Street.

the visit

The Chrysler Building is a private office tower and is not open to the public above the lobby. The lobby itself, faced in red African marble with an inlaid ceiling mural by Edward Trumbull, is open during business hours and is worth the walk in. The closest subway is Grand Central — 42nd Street, served by the 4, 5, 6, 7, and S lines, one block west. The best views of the crown from the street are from along 42nd Street and from the public observation decks at the Empire State Building, Top of the Rock, and the new Summit One Vanderbilt across from Grand Central.

where
United States · Midtown Manhattan, New York
position
40.7516° N · 73.9755° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
at the lake
Grand Central Terminal
rail terminal
1 km W
Bryant Park
midtown park
1 km SW
Empire State Building
Art Deco skyscraper
1 km E
United Nations Headquarters
international complex
N
Chrysler Building Art Deco crown
Grand Central Terminal
Bryant Park
Empire State Building
United Nations Headquarters
common questions

What people ask.

A few questions we get about Chrysler Building Art Deco crown — and about bringing the piece home.
about the place

Architect William Van Alen, working for Walter P. Chrysler. Construction began in 1928 and the building was completed in 1930 at 405 Lexington Avenue, at the corner of 42nd Street in midtown Manhattan.

It stands 1,046 feet across 77 floors. For eleven months from May 1930 it was the tallest building in the world, until the Empire State Building topped out at 1,250 feet in May 1931.

Nirosta-brand chromium-nickel stainless steel, formed into seven terraced arches with triangular sunburst windows on each face, capped by a tapered spire. The cladding is original to the 1930 construction and has never been replaced.

Only the lobby is open to the public. The lobby is faced in red African marble and carries a 1930 ceiling mural by Edward Trumbull. The upper floors are private offices, and there is no observation deck.

The 125-foot spire was assembled in secret inside the fire shaft and raised through the roof in 90 minutes in October 1929. The hoist took the building past the rival 40 Wall Street project, which had been the tallest until that morning.

Art Deco. It was declared a National Historic Landmark in 1976 and is widely considered the finest surviving example of the New York Art Deco skyscraper, with stainless-steel crown, eagle gargoyles, and a red-marble lobby.

about the piece in your home

It has been a meaningful gift for customers with ties to midtown and for collectors of Deco design. The Small with a handwritten note travels well; for a study or office, the Medium hangs nicely above a desk or credenza.

Art Deco revival, jewel-tone maximalist, and warm urban-modern. The silvers, blacks, and amber sunset tones read well against lacquered furniture, brass detail, and walnut panelling in a study or library.

Yes. The piece sits inside the Deco-revival movement that has reshaped hotel and bar interiors over the last decade, and works as a focal anchor in rooms that lean toward brass, marble, and dark walnut.

Above a console, a single Large reads cleanly. Above a sofa, a 4-tile Mural carries the wall; for a long entry wall or above a banquette, a 9-tile Mural holds the room without crowding.

Yes. For a powder room, a Deco-style bar back, or a kitchen accent wall, request the Dura Satin or Matte finish — both are scratch-resistant and stand up to moisture. The Glossy finish is best kept to dry wall display.

A soft microfibre cloth and water. The colour lives in the ceramic surface beneath a thin glossy finish, so handling and bar splatter wipe off cleanly. No solvents, no abrasive cleaners.

Yes. Every WenderVista piece is made by the studio in Knoxville, Tennessee, and the artwork is original to Reid Wender. We do not license imagery in or out.

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