Wender·Vista
9/11 Memorial framed with reverence: reflecting pools, names cast in bronze, dignified palette. No tourist-photo aesthetic
shown on ceramic, 12-inch tileNew York
in Lower Manhattan, where the towers stood

9/11 Memorial framed with reverence: reflecting pools, names cast in bronze, dignified palette. No tourist-photo aesthetic

— water falling into the place a building used to be.

— Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
— On the nightstand, a 6-inch on a walnut stand
— Among the books, a 6-inch leaning into the spines
— Beside the kettle, a 12-inch propped
— Down a quiet hall, an 18-inch floating off the wall
— Above the fire, the 24-inch in a walnut surround
— a note from the studio

“Two square voids in the footprints of the North and South Towers. Water falls roughly thirty feet down the granite sides into a smaller square at the center that has no visible bottom. Around the rim, the names cut clean through bronze. The plaza is loud with the city and quiet at the parapet. People run a finger along a name. Nobody hurries.

from the studio
9/11 Memorial framed with reverence: reflecting pools, names cast in bronze, dignified palette. No tourist-photo aesthetic
— bring it home

9/11 Memorial framed with reverence: reflecting pools, names cast in bronze, dignified palette. No tourist-photo aesthetic, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
— size
6 × 6 in
15 cm
— weighs
1.6 lb
solid in the hand
— surface
ceramic, hand-finished
art rests beneath a thin glossy finish
— from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

— about 9/11 Memorial framed with reverence: reflecting pools, names cast in bronze, dignified palette. No tourist-photo aesthetic

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
— the place

The National September 11 Memorial occupies the eight-acre plaza where the Twin Towers of the World Trade Center stood in Lower Manhattan. Two reflecting pools, each nearly an acre, sit in the exact footprints of the North and South Towers. Water falls roughly thirty feet down their granite walls into a smaller central void. The plaza is bordered by more than 400 swamp white oaks chosen by landscape architect Peter Walker. The memorial opened on September 11, 2011, the tenth anniversary of the attacks.

— the stone

The names of 2,983 people are cut through bronze parapets at the edge of each pool: the 2,977 killed on September 11, 2001 and the six killed in the World Trade Center bombing of February 26, 1993. The design, by architect Michael Arad, is titled Reflecting Absence and was chosen from more than 5,200 entries in an international competition. Names are arranged by affiliation and adjacency rather than alphabetically, so first responders rest near the colleagues they tried to reach.

— the visit

The memorial plaza is open daily and free to enter. The adjacent 9/11 Memorial Museum, opened in May 2014, sits below the plaza and requires a timed ticket. The entrance is on Greenwich Street between Liberty and Fulton. The nearest subway stops are the WTC Cortlandt 1 train, Fulton Street, and the World Trade Center station served by the PATH. Voices stay low at the parapets; security and quiet are both observed throughout the grounds.

— where
United States · Manhattan, New York City
— position
40.7115° N · 74.0134° W
— the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
at the lake
One World Trade Center
skyscraper
at the lake
Oculus
transit hub
at the lake
Trinity Church
Episcopal church
1 km S
Battery Park
waterfront park
N
9/11 Memorial framed with reverence: reflecting pools, names cast in bronze, dignified palette. No tourist-photo aesthetic
One World Trade Center
Oculus
Trinity Church
Battery Park
— common questions

What people ask.

A few questions we get about 9/11 Memorial framed with reverence: reflecting pools, names cast in bronze, dignified palette. No tourist-photo aesthetic — and about bringing the piece home.
— about the place

Each pool sits inside the exact footprint of one of the original Twin Towers. The voids preserve the buildings' absence at the scale at which they stood, which is the memorial's central idea.

Bronze parapets carry 2,983 names: the 2,977 killed in the September 11, 2001 attacks at the World Trade Center, the Pentagon, and aboard Flight 93, plus the six killed in the 1993 World Trade Center bombing.

Architect Michael Arad designed Reflecting Absence, chosen from over 5,200 international entries in 2004. Landscape architect Peter Walker shaped the surrounding plaza of swamp white oaks. The memorial opened September 11, 2011.

The outdoor memorial plaza is free and open daily. The 9/11 Memorial Museum below the plaza requires a timed-entry ticket, with reduced and free hours offered on a limited schedule each week.

Names are grouped by affiliation (flight, tower, agency, employer) and within those groups by meaningful adjacency, so colleagues, first responders, and families requested to be near each other rest side by side.

A Callery pear recovered from the rubble in October 2001, nursed back at a Bronx nursery, and replanted on the plaza in 2010. It now stands among the swamp white oaks near the south pool.

— about the piece in your home

We send this with care to families and first responders. The tone is reverent, not iconographic. Many hang the Small or Medium in a quiet hallway or on a memorial shelf. A handwritten note ships with every order.

The bronze, dark water, and dim sky settle into rooms with restrained materials: dark woods, brushed metal, deep neutrals. It suits a memorial wall, a library, or an office where the subject is held with quiet rather than display.

It fits the current quiet-luxury and dignified-modern direction: restrained palette, civic gravity, no decoration for its own sake. Suited to Belgian-modern and contemporary-traditional rooms where the art does most of the speaking.

A single Large reads well above a console. Above a sofa or fireplace, a four-tile Mural carries the scale of the place; a nine-tile Mural is the choice for a memorial corridor or a larger civic space.

Yes, in the Dura Satin or Matte finish. The Glossy is meant for framed wall pieces. For a backsplash, mudroom, or any vertical surface that sees moisture, ask for Dura Satin at checkout.

A soft microfibre cloth, dry or with a little water. Avoid abrasive pads and ammonia cleaners. The colour is slowly infused into the ceramic surface beneath a thin glossy finish, so it will not fade with cleaning.

Yes. Every WenderVista piece is painted by Reid Wender in our Knoxville studio and hand-finished in-house. We do not license images from third parties; each place is rendered fresh in our signature stained-glass and alcohol-ink language.

— if this one stayed with you

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