Wender·Vista
Saint-Gaudens National Historical Park Cornish
shown on ceramic, 12-inch tileNew Hampshire
in the Connecticut River valley, across from Windsor, Vermont

Saint-Gaudens National Historical Park Cornish

— a sculptor's garden the country kept.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

Saint-Gaudens National Historical Park preserves the home, studios, and gardens of Augustus Saint-Gaudens, the Irish-born American sculptor who shaped the bronze face of the Civil War and the Gilded Age. He moved to Cornish in 1885 and stayed until his death in 1907. The grounds carry full-scale casts of the Shaw Memorial and the Adams Memorial. From the studio, it reads as a working garden someone has just stepped out of.

from the studio
Saint-Gaudens National Historical Park Cornish
— bring it home

Saint-Gaudens National Historical Park Cornish, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Saint-Gaudens National Historical Park Cornish

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Saint-Gaudens National Historical Park sits on about 190 acres above the Connecticut River in Cornish, New Hampshire, across the water from Windsor, Vermont. The sculptor Augustus Saint-Gaudens, born in Dublin in 1848, bought the property in 1885 and renamed the farmhouse Aspet after his father's birthplace in southern France. He worked here every summer and finally year-round until his death in 1907. The site joined the National Park Service in 1965 and was redesignated a National Historical Park in 2020. It is the only NPS unit in the state of New Hampshire.

the stone

The grounds carry full-scale recasts of Saint-Gaudens' major public commissions. The Shaw Memorial, original in bronze on Boston Common, stands as a plaster cast on the property; the Adams Memorial, original in Rock Creek Cemetery in Washington, sits in a hedged enclosure modeled on the original. The Farragut statue, completed in 1881, made his New York reputation; the gold-leaf double eagle coin he designed in 1907 carried his line into every American pocket of that decade. Aspet itself, the white farmhouse, dates to about 1817 and was renovated with help from Stanford White.

— informed by National Park Service
the visit

The park is open from late May through October, generally Memorial Day weekend to the last Sunday of the month. Hours are 9:00 to 4:30. A standard NPS entrance fee applies; America the Beautiful passes are honoured. The site is reached from NH Route 12A, about 12 miles north of Claremont and 9 miles south of Hanover. Sunday-afternoon concerts run through July and August in the Little Studio, a chamber-music tradition the park has kept since 1971. The grounds, picnic lawn, and forest trails are accessible without admission outside operating hours.

— informed by National Park Service
where
United States · Cornish, Sullivan County, New Hampshire
within
Saint-Gaudens National Historical Park
position
43.5010° N · 72.3740° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
2 km W
Cornish-Windsor Covered Bridge
covered bridge
3 km W
Windsor, Vermont
town
8 km SW
Mount Ascutney
peak
22 km N
Dartmouth College
college
N
Saint-Gaudens National Historical Park Cornish
Cornish-Windsor Covered Bridge
Windsor, Vermont
Mount Ascutney
Dartmouth College
common questions

What people ask.

A few questions we get about Saint-Gaudens National Historical Park Cornish — and about bringing the piece home.
about the place

An Irish-born American sculptor (1848 to 1907) who shaped much of the public bronze of the post-Civil-War United States. His Shaw Memorial on Boston Common and Adams Memorial in Washington are his best-known works.

He bought the Cornish property in 1885 and used it as a summer studio until 1900, when he moved year-round after a cancer diagnosis. He died there in 1907 and is interred on the property.

Yes. The site became Saint-Gaudens National Historic Site in 1965 and was redesignated a National Historical Park in 2020. It is the only unit of the National Park System within New Hampshire.

The Aspet farmhouse, the Little Studio, the New Gallery, full-scale plaster casts of the Shaw and Adams Memorials, the formal gardens, and roughly two miles of forest trails on the 190-acre property.

Yes, a per-person entrance fee in the standard NPS range. Children under 16 are free. America the Beautiful passes and other NPS interagency passes are accepted at the visitor centre.

about the piece in your home

Often. Saint-Gaudens shaped the public face of post-Civil-War America, and a piece of his Cornish studio reads warmly to anyone who knows the Shaw or Adams memorials.

The painting reads well in New England Traditional, Studio Library, and warm Gallery-tone rooms. The grey stone and garden greens settle into wood-furnished spaces without fighting the existing palette.

Yes. The subject is a working sculptor's studio, and the painting reads as a quiet companion to a drafting table or easel rather than a finished gallery piece.

Above a console, the Large holds the wall. Above a full sofa, a 4-tile Mural carries the garden depth; a 9-tile Mural is for a long stair landing or office wall.

Yes, with the Dura Satin or Matte finish. Both handle humidity and resist scratches. The Glossy finish is reserved for framed wall pieces.

A microfibre cloth and clean water. No solvents, no abrasive pads. The colour is infused into the ceramic surface and will not lift.

Yes. Painted in our Knoxville studio by Reid Wender, the curator. We do not license outside imagery.

if this one stayed with you

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