Wender·Vista
Robert Frost Place Franconia
shown on ceramic, 12-inch tileNew Hampshire
in Franconia, the White Mountains north of the Notch

Robert Frost Place Franconia

— the porch that looked at the mountains.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

A clapboard farmhouse on Ridge Road in Franconia, set against the long ridge of the Franconia Range. Frost bought the place in 1915, after returning from England, and summered here through 1920. He wrote much of Mountain Interval and the title sequence of New Hampshire in the small back room and on the porch. The view east to Mount Lafayette is essentially the one he kept. from the studio

from the studio
Robert Frost Place Franconia
— bring it home

Robert Frost Place Franconia, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Robert Frost Place Franconia

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Frost Place sits on Ridge Road in Franconia, in the northern White Mountains, with a long view east across the valley to Mount Lafayette and the Franconia Range. Frost bought the farm in 1915, after returning from three years in England, and the family lived here summers from 1915 through 1920, then kept it as a writing retreat into the 1930s. He drafted much of Mountain Interval (1916) and the title sequence of New Hampshire (1923) on the property. The house is now owned by the town of Franconia and operated by the nonprofit Frost Place as a poetry centre, museum, and summer residency.

— informed by Wikipedia, The Frost Place
the air

The farm sits at about 1,500 feet on the western shoulder of Sugar Hill, looking east across the Gale River valley to Mount Lafayette at 5,260 feet and the long Franconia Range. The summer air carries balsam from the higher slopes and turns cold by late August; the first frost on the porch usually arrives in early September. Frost wrote about the weather of this place directly in the New Hampshire sequence. The view from the porch is essentially unchanged: the same line of ridge, the same band of cloud that holds against Lafayette in the afternoon.

the visit

The Frost Place opens for the season from late May through mid-October, with the museum room and the writing room available for self-guided visits. The nonprofit hosts a Conference on Poetry each summer and supports a poet-in-residence who lives in the house from June through August. A marked half-mile poetry trail loops through the woods behind the barn, with placards of Frost poems set at the points in the landscape they describe. Admission is by donation; the Conference and the residency are application-only. The address is 158 Ridge Road; parking is on site.

— informed by The Frost Place
where
United States · Franconia, New Hampshire
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
8 km S
Franconia Notch State Park
state park
3 km W
Sugar Hill
village
12 km S
Cannon Mountain
mountain
14 km E
Mount Lafayette
mountain
N
Robert Frost Place Franconia
Franconia Notch State Park
Sugar Hill
Cannon Mountain
Mount Lafayette
common questions

What people ask.

A few questions we get about Robert Frost Place Franconia — and about bringing the piece home.
about the place

The Frost family bought the farm in 1915 after returning from England and summered here from 1915 through 1920. They kept the property as a writing retreat into the 1930s.

The town of Franconia owns the property; a nonprofit called The Frost Place operates it as a museum, poetry trail, and summer residency. A poet-in-residence lives in the house each summer.

Yes, from late May through mid-October. The museum and writing room are open for self-guided visits, and the half-mile poetry trail through the back woods is open during the same season.

The porch faces east across the Gale River valley to Mount Lafayette and the Franconia Range, with Cannon Mountain to the south. The view is essentially the one Frost described in the New Hampshire sequence.

Much of Mountain Interval (1916) and the title sequence of New Hampshire (1923) were drafted at Franconia. The Road Not Taken, begun in England, was completed here before its 1916 publication.

At 158 Ridge Road in Franconia, New Hampshire, about three miles north of Sugar Hill village and eight miles north of Franconia Notch State Park, in the northern White Mountains.

about the piece in your home

It has been a meaningful gift for readers, poets, and writing-conference alumni with ties to the Franconia residency. A Small or Medium with a handwritten studio note carries the Ridge Road years well.

The cool blues and ridge-line greens read into Mountain Modern, New England Traditional, and quiet Cabin interiors. The piece also sits cleanly in a study with warm wood and a north window.

Yes. Long-ridge silhouettes and the cold afternoon light of the Whites are core to the regional vocabulary, and the ceramic surface gives a depth that printed canvas does not match.

A single Large reads cleanly above a console or small sofa. For a longer wall, a four-tile Mural or nine-tile Mural carries the long Franconia ridge across the full composition.

Yes, in the Dura Satin or Matte finish. Both are scratch-resistant and rated for vertical wet installations. The Glossy finish is reserved for framed wall display in dry rooms.

A microfibre cloth with water. The colour is slowly infused into the ceramic surface under high heat and pressure, beneath a thin glossy finish, so there is no painted layer to scratch off.

Yes. Every WenderVista tile is original studio work from Reid Wender's own visual vocabulary. We do not license or reproduce other artists' work.

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