— the city the boulevards built.
“Two rivers meet here, and the city grew up around the meeting. Jazz came out of 18th and Vine in the twenties and never quite left. The barbecue is slow and dark with molasses. The boulevards run for miles, the Plaza lights up at Thanksgiving, and the fountains keep their old promise to outnumber every city but Rome.
Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.
Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.
Kansas City sits at the confluence of the Missouri and Kansas Rivers, straddling the state line between Missouri and Kansas. The Missouri side holds the larger share, around 510,000 people in the city proper and 2.2 million across the metro area. The street grid was shaped in the early twentieth century by J.C. Nichols, whose Country Club Plaza opened in 1922 as the first American shopping district designed for the automobile. The Kauffman Center for the Performing Arts, designed by Moshe Safdie and opened in 2011, anchors the downtown skyline.
The civic calendar leans on a few fixed dates. The Plaza Lights have switched on the night of Thanksgiving since 1930, outlining roughly fifteen blocks of Spanish-tiled rooflines until mid-January. The American Royal World Series of Barbecue draws around five hundred teams to the Kansas Speedway grounds each autumn. The 18th and Vine Jazz District peaks in late summer, with the American Jazz Museum and the Mutual Musicians Foundation hosting late sets that recall the Pendergast-era clubs of Bennie Moten and Count Basie.
The compact downtown is walkable from Union Station south to the Crossroads Arts District, and the free KC Streetcar runs the two-mile spine of Main Street between River Market and Union Station. Country Club Plaza sits a further two miles south and is best reached by car. The Nelson-Atkins Museum of Art keeps free general admission and is open Wednesday through Sunday; its south lawn carries Claes Oldenburg's four giant shuttlecocks. Allow a full day for the museum and another for the Negro Leagues Baseball Museum nearby.