Wender·Vista
Iiwi Ohia Lehua Big Island Ceramic Art Tile
shown on ceramic, 12-inch tileHawaii · United States
in the upland forests of the Big Island

Iiwi Ohia Lehua Big Island Ceramic Art Tile

— two reds that need each other.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
Above the bench, in a warm oak surround.
Above the bench, in a warm oak surround.
Beside the kettle, propped on the counter.
Beside the kettle, propped on the counter.
Above the linens, in a slim black surround.
Above the linens, in a slim black surround.
On the nightstand, on a light oak stand.
On the nightstand, on a light oak stand.
On a picture ledge, where the light comes in.
On a picture ledge, where the light comes in.
a note from the studio

The scarlet honeycreeper that fits the scarlet flower. The ʻiʻiwi's long curved bill evolved alongside the lehua bloom, a coevolution Native Hawaiians have been telling stories about for centuries. Today the bird survives mostly above four thousand feet, where the air is still cold enough to keep introduced mosquitoes out. The forests of Hawaiʻi Volcanoes National Park, on the windward slopes of Kīlauea, are one of the last places the meeting still happens in numbers. The studio painted what the forest still holds.

from the studio
shown in a slim black floating frame · 6 × 6 in
shown in a slim black floating frame · 6 × 6 in
— bring it home

Iiwi Ohia Lehua Big Island Ceramic Art Tile, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

comes gift-ready
comes gift-ready

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

or build a grouping
or build a grouping

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

about Iiwi Ohia Lehua Big Island Ceramic Art Tile

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Big Island is the youngest and largest of the Hawaiian Islands, roughly 4,028 square miles built up from five overlapping shield volcanoes. The ʻiʻiwi and the ʻōhiʻa lehua meet in the wet upland forests on the windward sides of Mauna Loa and Mauna Kea, with the most accessible stretch inside Hawaiʻi Volcanoes National Park, set aside as federal land in 1916 and recognised as a UNESCO World Heritage Site in 1987. The Kīpukapuaulu (Bird Park) trail, near the summit of Kīlauea, runs through a kīpuka of old-growth ʻōhiʻa surrounded by younger lava. The pairing also persists in the Hakalau Forest National Wildlife Refuge on the eastern slope of Mauna Kea.

the colour

Both reds are real and they are not the same red. The lehua blossom is a tuft of stamen-rich filaments, scarlet most often but occasionally yellow, orange, or pale pink across the recognised varieties of Metrosideros polymorpha. The ʻiʻiwi (Drepanis coccinea), first described from specimens collected on Cook's third voyage in 1780, carries a deeper vermilion across body and tail, with black wings and a long sickle-curved bill that evolved to drink the lehua's nectar without crushing the flower. In Hawaiian legend, ʻŌhiʻa was a young man and Lehua a young woman; the volcano goddess Pele turned them into the tree and the flower so they would never be parted, and picking a lehua blossom is said to call the rain.

the air

The bird now lives almost entirely above four thousand feet. Below that altitude, introduced southern house mosquitoes (Culex quinquefasciatus) carry avian malaria, which ʻiʻiwi have no resistance to, and infection is usually fatal within days. The remaining stronghold is the Big Island, where the great majority of the global population persists in the cooler upland forests. The trees that hold them are themselves under pressure: Rapid ʻŌhiʻa Death, a fungal disease first identified on the Big Island around 2014, has killed more than a million ʻōhiʻa trees on the island. The U.S. Fish and Wildlife Service listed the ʻiʻiwi as a threatened species in 2017.

where
United States · Hawaiʻi Island, Hawaiʻi
within
Hawaiʻi Volcanoes National Park
elevation
1,219 m · 4,000 ft
position
19.4194° N · 155.2885° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
1 km SW
Halemaʻumaʻu Crater
volcanic crater
3 km W
Kīpukapuaulu (Bird Park)
old-growth ʻōhiʻa kīpuka
3 km E
Nāhuku (Thurston Lava Tube)
lava tube
2 km S
Devastation Trail
lava-flow walking trail
3 km NE
Volcano
village
N
Iiwi Ohia Lehua Big Island Ceramic Art Tile
Halemaʻumaʻu Crater
Kīpukapuaulu (Bird Park)
Nāhuku (Thurston Lava Tube)
Devastation Trail
Volcano
common questions

What people ask.

A few questions we get about Iiwi Ohia Lehua Big Island Ceramic Art Tile — and about bringing the piece home.
about the place

The ʻiʻiwi (Drepanis coccinea) is a Hawaiian honeycreeper, scarlet across body and tail with black wings, recognised by its long sickle-curved bill. It feeds on the nectar of ʻōhiʻa lehua and other native flowers. The species is endemic to the Hawaiian Islands and was listed as threatened by the U.S. Fish and Wildlife Service in 2017.

ʻŌhiʻa lehua (Metrosideros polymorpha) is the most widespread native Hawaiian tree. It is usually the first plant to colonise fresh lava flows, and its pom-pom flowers, called lehua, are the principal nectar source for native honeycreepers. The species shows several recognised varieties across the Hawaiian Islands.

The most accessible site is Hawaiʻi Volcanoes National Park, particularly the Kīpukapuaulu (Bird Park) trail and the forests around Kīlauea's summit. Most sightings are above four thousand feet. Hakalau Forest National Wildlife Refuge, on the eastern slope of Mauna Kea, holds the strongest remaining population but is largely closed to general visitors.

The bill is the result of coevolution with the lehua blossom and other native nectar flowers. Its sickle curve matches the inner geometry of the bloom, letting the bird reach the nectar without damaging the flower. The relationship is one of the most cited examples of island coevolution in the Pacific.

Below about four thousand feet, introduced southern house mosquitoes carry avian malaria, which is fatal to ʻiʻiwi. The cooler upland forests stay below the temperature mosquitoes need to breed. As the climate warms, that refuge is shrinking and the mosquito line is creeping uphill.

Rapid ʻŌhiʻa Death is a fungal disease, caused by two species of Ceratocystis, that kills mature ʻōhiʻa trees within weeks of infection. It was first identified on the Big Island around 2014 and has since killed more than a million trees. Public-facing prevention rules focus on cleaning boots and gear between forests.

In Hawaiian tradition, ʻŌhiʻa and Lehua were young lovers. The volcano goddess Pele turned ʻŌhiʻa into the tree and Lehua into the flower so they would never be parted. The story holds that picking a lehua blossom calls down the rain, the lovers weeping at being separated.

about the piece in your home

It's been a meaningful gift for our customers with ties to the islands, especially those whose families remember the upland forests of the Big Island. The ʻiʻiwi and the lehua are both close to Native Hawaiian tradition. A Small or Medium with a handwritten note from the studio carries well.

The scarlet-on-deep-green palette and the stained-glass linework sit well with Tropical-modern interiors, Maximalist colour-block rooms, and Mid-century rattan-and-teak settings. The colour weight is enough to anchor a wall by itself. It also reads as a single accent above a darker piece of furniture.

Yes. Biophilic design favours native species over generic botanicals, and the ʻiʻiwi and ʻōhiʻa lehua are among the most recognised endemic pairings in the Pacific. The piece reads as place-specific rather than decorative, which is the distinction biophilic interiors are looking for.

Above a standard sofa, the Large reads at the right scale for an eight-foot wall. For a longer wall or a larger statement, a four-tile Mural works well. Above a console or in a hallway, a Medium or a nine-tile Mural in narrow grid orientation carries the space.

Yes, with the Dura Satin or Matte finish. Both are scratch-resistant and rated for vertical installation in steam-prone rooms. The Glossy finish is reserved for framed wall pieces and dry rooms. Order the same artwork in either finish at the tile size you need.

Microfibre cloth and water. The colour lives in the ceramic surface beneath a thin glossy or satin finish, so it will not fade with regular cleaning. Avoid abrasive sponges and citrus or ammonia-based sprays, which can dull the finish over time.

Yes. Every WenderVista piece is original to Wender Studios, hand-finished in the studio in Knoxville, Tennessee. No licensing, no stock library. The eye is Reid Wender's; the studio is a small family operation.

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