Wender·Vista
Faneuil Hall
shown on ceramic, 12-inch tileUnited States
on the Freedom Trail, by Boston's waterfront

Faneuil Hall

— the room the speeches were made in.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

Faneuil Hall has stood at the head of the Long Wharf since 1742, given to Boston by the merchant Peter Faneuil as a public market with a meeting room above. Samuel Adams and the Sons of Liberty argued the colonies toward revolution in that upper room, which is why later generations called the building the Cradle of Liberty. Charles Bulfinch enlarged it in 1806 and the brick still carries his lines. from the studio

from the studio
Faneuil Hall
— bring it home

Faneuil Hall, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Faneuil Hall

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Faneuil Hall stands at the head of the old Long Wharf in downtown Boston, Massachusetts, between Government Center and the waterfront. The original hall, given to the town by the merchant Peter Faneuil and designed by the painter John Smibert, opened in 1742 as a public market on the ground floor with a meeting room above. It is now a unit of Boston National Historical Park, operated by the National Park Service, and is one of the most visited stops on the Freedom Trail, the brick-marked walking route through colonial-era Boston.

the stone

The brick building visitors see today is largely the work of Charles Bulfinch, who in 1806 widened the hall to its present footprint of about a hundred feet by eighty, raised it to three storeys, and added the wooden cupola with the gilded grasshopper weathervane that has marked the roof since Shem Drowne first cast it in 1742. The Great Hall on the second floor is hung with the 1851 Healy painting of Webster's reply to Hayne. The Ancient and Honorable Artillery Company keeps its armoury on the top floor, as it has since 1746.

the visit

Entry to the Great Hall and the ground-floor visitor centre is free, with park rangers giving short talks roughly every half hour through the day, though the meeting room closes for civic events without notice. The marketplace around it, redeveloped in the 1970s under James Rouse, takes in Quincy Market and the North and South market buildings, with food stalls and shops through the colonnades. Faneuil Hall itself sits a five-minute walk from the Old State House and the site of the Boston Massacre.

where
United States · Boston, Massachusetts
within
Boston National Historical Park
position
42.3601° N · 71.0568° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
0.1 km E
Quincy Market
market hall
0.4 km SW
Old State House
colonial statehouse
0.6 km N
Paul Revere House
colonial home
1 km SW
Boston Common
public park
N
Faneuil Hall
Quincy Market
Old State House
Paul Revere House
Boston Common
common questions

What people ask.

A few questions we get about Faneuil Hall — and about bringing the piece home.
about the place

In downtown Boston, Massachusetts, between Government Center and the waterfront, at the head of the old Long Wharf. It is a stop on the Freedom Trail and part of Boston National Historical Park.

Samuel Adams and the Sons of Liberty held the meetings in the upper hall that argued the Massachusetts colony toward revolution. Later generations of orators kept up the tradition, and the nickname carried.

The original 1742 building was a gift from the merchant Peter Faneuil and was designed by the painter John Smibert. Charles Bulfinch widened it to its present form in 1806, adding the third storey.

A gilded copper weathervane cast by Shem Drowne in 1742, modelled on the grasshopper on London's Royal Exchange. It has marked the roof of the building for more than two hundred and eighty years.

Yes. Entry to the Great Hall and the ground-floor visitor centre is free, with National Park Service rangers giving short talks through the day. The hall closes for civic events without notice.

Faneuil Hall is the 1742 civic building with the Great Hall upstairs. Quincy Market is the long granite market hall just east, built in 1826 and redeveloped in the 1970s as a food and shopping arcade.

about the piece in your home

Yes. Faneuil Hall sits alongside the Old State House as one of the most recognised Boston civic buildings. A Medium with a handwritten note from the studio carries well as a relocation or alumni gift.

The brick, copper, and gold-cupola palette sits in New England Traditional interiors with painted panelling, in Colonial-modern rooms with brass and dark wood, and in studies with leather and oil portraits.

Yes. Civic-history pieces are returning to studies and entry walls. The Large above a console reads as a quieter alternative to the Boston skyline print and pairs with linen, walnut, and aged brass.

Above a standard three-seat sofa or console, a single Large reads as a focal piece. For a longer wall, a four-tile Mural or nine-tile Mural lets the brick facade carry at near-architectural scale.

Yes, in Dura Satin or Matte. Both finishes are scratch-resistant and built for steam and splash. Glossy is for dry wall display and framed pieces.

A soft microfibre cloth and warm water. The colour is slowly infused into the ceramic surface under high heat and pressure and lives beneath a thin glossy finish, so it will not lift with cleaning.

Yes. Reid Wender is the curator and the eye of the studio. Every WenderVista place is drawn in-house and hand-finished in Knoxville, Tennessee. Nothing is licensed in.

if this one stayed with you

A few you might also love.

Hand-picked by the eye that found Sorapis. Same air, same kind of quiet.