Wender·Vista
Mount of the Holy Cross snow cross Sawatch Range Ceramic Art Tile
shown on ceramic, 12-inch tileColorado · United States
in the Sawatch Range, west of Vail

Mount of the Holy Cross snow cross Sawatch Range Ceramic Art Tile

— the cross the snow holds into July.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
Above the bench, in a warm oak surround.
Above the bench, in a warm oak surround.
Beside the kettle, propped on the counter.
Beside the kettle, propped on the counter.
Above the linens, in a slim black surround.
Above the linens, in a slim black surround.
On the nightstand, on a light oak stand.
On the nightstand, on a light oak stand.
On a picture ledge, where the light comes in.
On a picture ledge, where the light comes in.
a note from the studio

A fourteen-thousand-foot peak in the Sawatch Range, west of the Continental Divide. On the northeast face two couloirs cross. The vertical arm runs roughly 1,500 feet and the horizontal somewhere near 750, and the snow holds the figure into July. William Henry Jackson photographed it for the Hayden Survey in 1873; the print travelled, and a country that needed a sign found one. Longfellow wrote his sonnet six years later. The right arm has eroded since, and the snow keeps less of the line, but it still keeps enough.

from the studio
shown in a slim black floating frame · 6 × 6 in
shown in a slim black floating frame · 6 × 6 in
— bring it home

Mount of the Holy Cross snow cross Sawatch Range Ceramic Art Tile, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

comes gift-ready
comes gift-ready

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

or build a grouping
or build a grouping

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

about Mount of the Holy Cross snow cross Sawatch Range Ceramic Art Tile

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Mount of the Holy Cross stands at 14,011 feet in the Sawatch Range of central Colorado, inside the Holy Cross Wilderness of the White River National Forest. Eagle County contains it; the nearest towns are Minturn and Red Cliff, both within fifteen miles to the east. The peak is reached most commonly from the Half Moon trailhead at the end of Tigiwon Road, with the standard route climbing the north ridge over Half Moon Pass. The classic vantage for the cross itself is Notch Mountain, across the valley to the east, where a 1924 stone shelter at 13,077 feet looks straight at the northeast face.

the season

The cross appears as two intersecting snow couloirs on the northeast face. The vertical arm runs roughly 1,500 feet long, the horizontal arm about 750 feet, and the figure is most legible from late May through mid-July, when the spring snowpack has set and summer melt has not yet reached the upper face. By August the right arm has usually thinned past recognition; by the first October storms the cross returns. The right arm has also eroded geologically over the past century: a rockslide and the gradual deepening of the gully have shortened it, which the Department of the Interior cited when it stripped the site of its 1929 National Monument designation in 1950.

the silence

The Holy Cross Wilderness covers 122,797 acres of the Sawatch Range, designated by Congress in 1980. The Notch Mountain Trail, which pilgrims took by the tens of thousands between 1912 and the 1930s, climbs to a stone shelter built by the Forest Service in 1924. The shelter still stands and is open to the public. The pilgrimages ended after the Second World War, partly because the right arm of the cross had begun to fail and partly because the cars that brought the pilgrims now carried them elsewhere. Today most parties on the standard north-ridge route summit before midmorning to be off the exposed ridge by the early-afternoon thunderstorm cycle.

where
United States · Eagle County, Colorado
within
Holy Cross Wilderness
elevation
4,271 m · 14,011 ft
position
39.4669° N · 106.4819° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
4 km ESE
Notch Mountain
viewpoint peak
10 km E
Red Cliff
mountain town
14 km NE
Minturn
mountain town
17 km ESE
Tennessee Pass
Continental Divide pass
22 km NE
Vail
ski-resort town
31 km S
Mount Massive
14er peak
N
Mount of the Holy Cross snow cross Sawatch Range Ceramic Art Tile
Notch Mountain
Red Cliff
Minturn
Tennessee Pass
Vail
Mount Massive
common questions

What people ask.

A few questions we get about Mount of the Holy Cross snow cross Sawatch Range Ceramic Art Tile — and about bringing the piece home.
about the place

Mount of the Holy Cross is a 14,011-foot peak in the Sawatch Range of central Colorado, inside the Holy Cross Wilderness of the White River National Forest. Eagle County contains it. The nearest towns are Minturn and Red Cliff, both within fifteen miles to the east.

Two natural couloirs on the northeast face intersect at a near-right angle. The vertical arm runs roughly 1,500 feet long and the horizontal arm about 750 feet, and snow holds the figure into July most years. The right arm thins first as summer melt advances up the face.

William Henry Jackson photographed Mount of the Holy Cross in August 1873 for the Hayden Survey, hauling a wet-plate camera to the ridge of Notch Mountain to get a straight view of the northeast face. The print circulated widely and made the mountain a national symbol within months.

Yes, in the right window. The cross is most legible from late May through mid-July. By August the right arm has usually thinned past recognition. Geological erosion has also degraded the right couloir over the past century, but the figure still forms each spring on the upper face.

The classic vantage is Notch Mountain, across the valley to the east. The Notch Mountain Trail climbs from the Half Moon trailhead at the end of Tigiwon Road to a 1924 stone shelter at 13,077 feet, which faces the northeast face directly. The round trip is about ten miles.

Herbert Hoover designated Mount of the Holy Cross a National Monument in 1929. The Department of the Interior revoked the designation in 1950, citing erosion of the right arm of the cross and a steep decline in pilgrim visitation after the war. The peak is now inside the Holy Cross Wilderness.

Henry Wadsworth Longfellow wrote the sonnet 'The Cross of Snow' in 1879, six years after Jackson's photograph circulated. The sonnet was an elegy for his wife Frances and used the snow figure on the mountain as its closing image. It was published posthumously in 1886.

about the piece in your home

Yes. Mount of the Holy Cross is among the more remote and storied of Colorado's fourteen-thousand-foot peaks, and the snow figure on the northeast face gives the tile a marker no other 14er carries. A Medium or Large with a handwritten note from the studio works well for a climber's home office or a cabin wall.

The tile reads in deep stained-glass blues, snow whites, and dark stone, which pairs with Mountain-modern, Alpine-modern, and Jewel-tone Maximalist rooms. It also lives quietly in a more traditional or devotional interior where the snow figure carries the room without dominating it.

Yes. Alpine-modern has favored handworked surfaces, restrained palettes, and place-specific art for several seasons running. A ceramic tile of a named Colorado peak with a known snow figure fits that program without leaning on a generic mountain print.

Above a standard 84-inch sofa, the single Large reads as a focused devotional piece; a 4-tile Mural fills the wall above a console; a 9-tile Mural carries a full living-room wall. Above a console table on its own, the Medium or a 2x2 Mural is the common choice.

Yes. Choose the Dura Satin finish for a bathroom, mudroom, or backsplash; choose Matte for the same uses with no sheen. The colour is slowly infused into the ceramic surface under high heat and pressure, so steam and splash do not affect it.

A microfibre cloth and water, no chemicals. The colour lives in the surface beneath a thin glossy finish on the standard tile, so household dust wipes off and the colour stays put. The same routine works for a kitchen backsplash or shower install.

Yes. Every WenderVista piece originates with Reid Wender, the curator and eye of the studio. Nothing is licensed in or out. Each ceramic tile is hand-finished in Knoxville, Tennessee, before it leaves the studio.

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