Wender·Vista
Liberty Bell Mine Telluride San Juans Ceramic Art Tile
shown on ceramic, 12-inch tileColorado · United States
above Telluride, high in the San Juans

Liberty Bell Mine Telluride San Juans Ceramic Art Tile

the wood that outlasted the gold.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
Above the bench, in a warm oak surround.
Above the bench, in a warm oak surround.
Beside the kettle, propped on the counter.
Beside the kettle, propped on the counter.
Above the linens, in a slim black surround.
Above the linens, in a slim black surround.
On the nightstand, on a light oak stand.
On the nightstand, on a light oak stand.
On a picture ledge, where the light comes in.
On a picture ledge, where the light comes in.
a note from the studio

A gold mine ran in the basin above Telluride from 1898 into the 1920s. The morning of February 28, 1902, three avalanches came down the slope above the boardinghouse. The first took the buildings. The second took the rescuers. The third took the men on the trail. Sixteen lost. The ruins are still up there in the high cirque, weathered timber against rock the colour of bone.

from the studio
shown in a slim black floating frame · 6 × 6 in
shown in a slim black floating frame · 6 × 6 in
— bring it home

Liberty Bell Mine Telluride San Juans Ceramic Art Tile, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

comes gift-ready
comes gift-ready

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

or build a grouping
or build a grouping

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

about Liberty Bell Mine Telluride San Juans Ceramic Art Tile

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Liberty Bell Mine sits about two miles north of Telluride, Colorado, in a steep alpine basin within the San Juan Mountains. William Cornett located the original claim in 1876, and the property reached full production under the Liberty Bell Gold Mining Company in December 1898. The mine workings cluster around 11,299 feet on the slopes above Cornet Creek, in San Miguel County. The site is reached today by the Black Bear and Bridal Veil jeep roads, or on foot from the valley floor, both unmaintained and snow-closed most of the year. The standing ruins still hold the slope: weathered timber framing, the tramway terminus, and stone foundations.

the stone

The Telluride mining district pulled gold from a tight band of igneous and volcanic rock laid down across the San Juans in the Tertiary period. The Liberty Bell vein ran through that band, and from 1898 the company milled it on site, first with a 20-stamp mill and then with an 80-stamp mill that processed up to 400 tons of ore each day. The mill was the first in the San Juans to use the South African cyanide process, a chemistry brought from the Witwatersrand for handling oxidised gold ore. What stands today on the basin floor is the answer: stone foundations cut from local rock, half-buried machinery, and the long timber bones of the tramway that carried ore down to the valley.

— informed by Western Mining History
the season

The basin is an avalanche corridor for half the year. On February 28, 1902, three slides ran the slope above the mine in a single morning. The first took the boardinghouse and tramway station. The second swept the rescue party. The third caught the men on the trail below. Reports place the toll between sixteen and nineteen lives lost, the worst avalanche disaster in Colorado history. The company answered with a snowslide deflector and a 3,000-foot crosscut tunnel at a safer elevation. The ruins are reachable from late June through September, after the snow off the high cirques recedes and the road dries enough for jeeps and high-clearance trucks.

where
United States · San Miguel County, Colorado
elevation
3,444 m · 11,299 ft
position
37.9700° N · 107.7833° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
3 km S
Telluride
mountain town
3 km SE
Bridal Veil Falls
waterfall· on a tile
3 km E
Tomboy Mine
mine ruins
5 km SE
Black Bear Pass
mountain pass
5 km NE
Imogene Pass
mountain pass
N
Liberty Bell Mine Telluride San Juans Ceramic Art Tile
Telluride
Bridal Veil Falls
Tomboy Mine
Black Bear Pass
Imogene Pass
common questions

What people ask.

A few questions we get about Liberty Bell Mine Telluride San Juans Ceramic Art Tile — and about bringing the piece home.
about the place

The Liberty Bell Mine sits about two miles north of Telluride, in San Miguel County, Colorado. The ruins cluster around 11,299 feet on the slopes above Cornet Creek, in the Telluride mining district of the San Juan Mountains.

On the morning of February 28, 1902, three avalanches ran the slope above the mine in succession. The first destroyed the boardinghouse and tramway station. The second struck the rescue party. The third caught men on the trail below. Sixteen to nineteen lives were lost, the worst avalanche disaster in Colorado history.

William Cornett located the original claim in 1876, in the basin north of Telluride that still bears his name. Arthur Winslow, the former Missouri state geologist, consolidated and capitalised the property in 1897, with full production starting under the Liberty Bell Gold Mining Company in December 1898.

No. The mine ran from 1898 into the 1920s as one of the major gold producers in the Telluride mining district. Today only ruins remain on the slope: stone foundations, weathered timber, the tramway terminus, and scattered machinery from the stamp mill and surface works.

Yes, on foot or by 4WD vehicle from late June through September. The Black Bear and Bridal Veil jeep roads above Telluride pass close to the site. The road is unmaintained, narrow, and snow-closed most of the year, and the ruins themselves should be viewed from outside the structures.

The Liberty Bell was a leading producing mine during the San Juan gold boom of 1890 to 1925. Under Superintendent Charles A. Chase, output grew from 50 tons of ore per day to 400 tons, with employment and tax revenue underwriting much of the town's growth during that era.

On site, in a stamp mill that grew from 20 to 80 stamps. Because the ore was oxidised, the company adopted the South African cyanide process, becoming the first mill in the San Juans to use it. The process pulled gold out of crushed rock with a cyanide solution.

about the piece in your home

It travels well in that direction. The Liberty Bell ruins are part of Telluride's founding story, and the basin road above town is on many residents' summer routine. A Small or Medium with a handwritten note from the studio reads as a piece of the town, not a souvenir.

The artwork's deep cobalts, ochres, and weathered greys read well in Mountain-modern rooms, in Western-eclectic studies, and in Jewel-tone Maximalist living rooms where warm wood, blackened steel, and rich darks already share the space.

Yes. The current direction in mountain-modern moves away from antlers-and-plaid toward weathered industrial textures and deep jewel-toned art. A Liberty Bell tile carries the colour of old mining country into a room that is already running warm leather, blackened steel, and reclaimed timber.

Above a standard 84-inch sofa, the Large is the right hero piece, a 4-tile Mural reads bigger and frames the wall, and a 9-tile Mural anchors a great room. Above a console table, the Medium or a 4-tile Mural typically holds the wall well.

Yes. The tile is moisture-resistant and the colour lives in the surface. For showers, backsplashes, or any vertical wet installation, choose the Dura Satin or Matte finish, which is scratch-resistant and reads less reflective than the Glossy used for framed wall pieces.

A soft microfibre cloth with water is enough for everyday cleaning. For kitchen splatter on a Dura Satin or Matte installation, a drop of mild dish soap is fine. Avoid abrasive scrubbers, ammonia, and bleach.

Yes. Every WenderVista piece is original to our studio in Knoxville, Tennessee. We do not license artwork from third parties, and we do not sell the same piece through other ceramic-tile printers. The art lives only on a Wender Studios tile.

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