Wender·Vista
Crestone Needle and Crestone Peak Sangre de Cristos Ceramic Art Tile
shown on ceramic, 12-inch tileColorado · United States
high in the Sangres, above the San Luis Valley

Crestone Needle and Crestone Peak Sangre de Cristos Ceramic Art Tile

— the red the dusk leaves on the stone.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
Above the bench, in a warm oak surround.
Above the bench, in a warm oak surround.
Beside the kettle, propped on the counter.
Beside the kettle, propped on the counter.
Above the linens, in a slim black surround.
Above the linens, in a slim black surround.
On the nightstand, on a light oak stand.
On the nightstand, on a light oak stand.
On a picture ledge, where the light comes in.
On a picture ledge, where the light comes in.
a note from the studio

Two peaks above 14,000 feet on the spine of the Sangre de Cristos. The Needle and the Peak stand a half mile apart above South Colony Lakes, both built from the same coarse conglomerate that makes the rock grip a boot. The Spanish gave the range its name for the red the dusk leaves on the high stone, seen from the San Luis Valley to the west. The little town of Crestone sits below the peaks on the valley side. The traverse between the two summits is counted among the four Great Traverses of Colorado.

from the studio
shown in a slim black floating frame · 6 × 6 in
shown in a slim black floating frame · 6 × 6 in
— bring it home

Crestone Needle and Crestone Peak Sangre de Cristos Ceramic Art Tile, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

comes gift-ready
comes gift-ready

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

or build a grouping
or build a grouping

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

about Crestone Needle and Crestone Peak Sangre de Cristos Ceramic Art Tile

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The two summits stand on the eastern spine of the Sangre de Cristo Range, the long mountain wall that bounds the San Luis Valley on its east. Crestone Peak rises to 14,294 feet, the seventh-highest summit in Colorado; Crestone Needle, half a mile to the southeast, reaches 14,197 feet. Both lie inside the Sangre de Cristo Wilderness on the boundary between Saguache and Custer counties, jointly managed by the Rio Grande and San Isabel National Forests. The standard climb starts from the east at the South Colony Lakes trailhead above Westcliffe; the longer western approach climbs from the small town of Crestone through Cottonwood or Willow Creek.

the stone

What makes the two peaks unusual among Colorado fourteeners is the rock. The summits are carved from the Crestone Conglomerate, a Precambrian formation of rounded quartzite and granite cobbles cemented into a coarse matrix that protrudes from the surrounding stone like inlaid grip. Climbers report the friction holds boots better than most granite. The first recorded ascent of Crestone Peak was by Albert Ellingwood and Eleanor Davis in July 1916, the last of the state's fourteeners to be officially climbed. The traverse between the two summits, a Class 5.2 ridge run, is counted among the four Great Traverses of Colorado.

the light

The Spanish name Sangre de Cristo, the Blood of Christ, was given by early travellers for the deep red the setting sun leaves on the high peaks. The view that gave the range its name is from the San Luis Valley side, where the town of Crestone sits at about 7,900 feet and the peaks rise above it to the east. The quartzite and feldspar in the Crestone Conglomerate catch the long wavelengths of low-angled sun and hold them after the surrounding rock has cooled to grey. The eastern side, above the South Colony Lakes basin at roughly 11,800 feet, catches the same red at dawn. The effect is strongest in late autumn, when the air is thinnest and the sun rides lowest.

where
United States · Saguache County, Colorado
within
Sangre de Cristo Wilderness
elevation
4,357 m · 14,294 ft
position
37.9665° N · 105.5853° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
3 km ENE
Humboldt Peak
fourteener
3 km N
Kit Carson Peak
fourteener
4 km N
Challenger Point
fourteener
2 km E
South Colony Lakes
alpine lake basin
10 km W
Crestone, Colorado
mountain town
N
Crestone Needle and Crestone Peak Sangre de Cristos Ceramic Art Tile
Humboldt Peak
Kit Carson Peak
Challenger Point
South Colony Lakes
Crestone, Colorado
common questions

What people ask.

A few questions we get about Crestone Needle and Crestone Peak Sangre de Cristos Ceramic Art Tile — and about bringing the piece home.
about the place

The two summits sit on the eastern spine of the Sangre de Cristo Range in south-central Colorado, on the boundary between Saguache and Custer counties, inside the Sangre de Cristo Wilderness. The nearest towns are Crestone to the west and Westcliffe to the east.

Crestone Peak reaches 14,294 feet (4,357 m), the seventh-highest summit in Colorado. Crestone Needle stands half a mile to the southeast at 14,197 feet (4,327 m). Both rank as fourteeners with the saddle prominence required to count as independent summits.

The summits are carved from the Crestone Conglomerate, a Precambrian formation of rounded quartzite and granite cobbles set in a coarse matrix. The cobbles weather out as raised holds, giving the rock unusual friction for climbing.

The Spanish name means Blood of Christ. Early Spanish travellers gave it for the deep red alpenglow that lights the peaks at sunset, viewed from the San Luis Valley. The Crestones, with their conglomerate stone, hold the colour longer than the granite ranges further west.

Crestone Peak was first climbed in July 1916 by Albert Ellingwood and Eleanor Davis. It was the last of Colorado's fourteeners to receive a recorded ascent. Crestone Needle was first climbed by the same party on the same trip, by way of the south face.

The eastern approach uses the South Colony Lakes trailhead, reached by a four-wheel-drive road from Westcliffe in the Wet Mountain Valley. The western approach climbs from the town of Crestone via Cottonwood or Willow Creek; these western trails are longer but better-graded.

The Crestone Peak to Crestone Needle traverse is a half-mile ridge climb at Class 5.2, one of the four Great Traverses of Colorado. It is considered the most sustained of the four, and most parties tackle it from the Peak to the Needle.

about the piece in your home

It has been a meaningful gift for many of our customers with ties to the Sangre de Cristos. Climbers recognize the conglomerate texture and the ridge line; people who grew up below the range recognize the silhouette from the valley floor. A Medium or Large carries well; a Coaster Set works for someone newer to the place.

The piece sits comfortably in mountain-modern, jewel-tone maximalist, and contemporary western interiors. The red-and-violet alpenglow palette plays against warm wood and leather; the stained-glass treatment holds up against more saturated walls without going flat.

Mountain-modern remains the dominant high-altitude home style in the Rockies, and the alpenglow palette of this piece runs warmer than the cool grey-and-snow defaults of the look. It works as the colour accent that the rest of a mountain-modern room is built to set off.

A single Large covers a 6-to-7-foot sofa from the centre line. For a longer wall, a 4-tile Mural reads from across the room; a 9-tile Mural anchors a high-ceiling great room or a tall stairwell. Above a console, the Medium is the usual choice.

Yes, in the Dura Satin or Matte finish; both are scratch-resistant and tolerant of steam and splatter. The Glossy finish is best kept to drier rooms. The colour is slowly infused into the ceramic surface under high heat and pressure, so it does not fade with cleaning.

A microfibre cloth and water. Avoid abrasive pads and ammonia-based cleaners; neither is needed. The colour lives in the surface, not on top of it, so day-to-day cleaning is the same as for any quality ceramic tile.

Yes. Every WenderVista piece is original to Wender Studios, in our distinctive stained-glass and alcohol-ink visual language. Reid Wender is the curator and the eye behind every place that enters the atlas; the work is not licensed and is not sold through other retailers.

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