Wender·Vista
Camp Bird Mine Ouray San Juans Ceramic Art Tile
shown on ceramic, 12-inch tileColorado · United States
above Ouray, in the San Juans

Camp Bird Mine Ouray San Juans Ceramic Art Tile

— a high basin you have to earn.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
Above the bench, in a warm oak surround.
Above the bench, in a warm oak surround.
Beside the kettle, propped on the counter.
Beside the kettle, propped on the counter.
Above the linens, in a slim black surround.
Above the linens, in a slim black surround.
On the nightstand, on a light oak stand.
On the nightstand, on a light oak stand.
On a picture ledge, where the light comes in.
On a picture ledge, where the light comes in.
a note from the studio

The historic camp sits at the head of Imogene Basin, high above Ouray, where a rough road switches up Canyon Creek past spruce and into open rock. Thomas Walsh staked the claims in 1896 and sold them six years later to a London syndicate for roughly five million dollars, the same fortune that later bought his daughter the Hope Diamond. What remains stands at about eleven thousand feet: bunkhouses, mill foundations, a few tin roofs, weather-bleached and still privately held. The road keeps climbing past the mine to Imogene Pass and over to Telluride. The view from up there is mostly sky.

from the studio
shown in a slim black floating frame · 6 × 6 in
shown in a slim black floating frame · 6 × 6 in
— bring it home

Camp Bird Mine Ouray San Juans Ceramic Art Tile, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

comes gift-ready
comes gift-ready

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

or build a grouping
or build a grouping

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

about Camp Bird Mine Ouray San Juans Ceramic Art Tile

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The mine sits at roughly 11,000 feet at the head of Imogene Basin in the Sneffels Range of the San Juan Mountains, about six miles southwest of Ouray, Colorado. The road in (Forest Service Road 853, locally Camp Bird Road) climbs from town along Canyon Creek, past the Yankee Boy Basin turn-off and the historic mill site at Sneffels, before reaching the camp. Beyond the mine the route turns into one of Colorado's highest passable jeep tracks, crossing Imogene Pass at 13,114 feet and dropping to Telluride. Most of the surface buildings stand on patented mining claims still in private ownership; the surrounding peaks are public land in the Uncompahgre National Forest.

the stone

The buildings that survive at the mine sit at roughly eleven thousand feet on patented claims around Imogene Basin: bunkhouses, the old mill foundations, a stone office, weathered tin roofs. Thomas Walsh, an Irish-born prospector, consolidated the early claims in 1896 and named the property for the gray jays that scavenged the camp. In 1902 he sold the mine to a London syndicate, Camp Bird Limited, for a reported five million dollars plus royalties. The proceeds funded the Walsh family's move to Washington and, in 1911, his daughter Evalyn Walsh McLean's purchase of the Hope Diamond from Pierre Cartier. The complex remains privately owned.

the visit

The mine itself is private property and not open to the public; the buildings can be seen from the road and from neighbouring trails. Camp Bird Road (FSR 853) is graded gravel to roughly the mine, then becomes a high-clearance four-wheel-drive route as it climbs toward Imogene Pass. The seasonal window is narrow, typically late June through late September depending on snowpack, and the upper road is closed by snow for the rest of the year. Most visitors continue past to Yankee Boy Basin for wildflowers or attempt the Imogene Pass crossing to Telluride, a roughly seventeen-mile jeep route over alpine tundra.

where
United States · Ouray County, Colorado
within
Uncompahgre National Forest
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
10 km N
Ouray
mountain town
2 km W
Yankee Boy Basin
alpine basin
5 km SW
Imogene Pass
high pass
5 km NW
Mount Sneffels
fourteener
2 km N
Sneffels
ghost mill site
9 km N
Box Canyon Falls
waterfall
27 km SW
Telluride
mountain town
25 km SW
Bridal Veil Falls
waterfall
N
Camp Bird Mine Ouray San Juans Ceramic Art Tile
Ouray
Yankee Boy Basin
Imogene Pass
Mount Sneffels
Sneffels
Box Canyon Falls
Telluride
common questions

What people ask.

A few questions we get about Camp Bird Mine Ouray San Juans Ceramic Art Tile — and about bringing the piece home.
about the place

Camp Bird Mine sits at roughly 11,000 feet at the head of Imogene Basin in the Sneffels Range of the San Juan Mountains, about six miles southwest of Ouray, Colorado. It is reached by Forest Service Road 853 (Camp Bird Road).

Thomas Walsh, an Irish-born prospector, recognised the value of the basin's volcanic ore in 1896 and consolidated several existing claims into the Camp Bird Mine. He sold the property to a London syndicate in 1902 for a reported five million dollars.

Thomas Walsh's daughter, Evalyn Walsh McLean, inherited much of the family fortune built on Camp Bird. In 1911 she bought the Hope Diamond from Pierre Cartier for around $180,000, money traceable to the mine's gold and silver production.

The mine and surface buildings are on private patented claims and are not open to the public. Visitors can see the complex from Camp Bird Road and from nearby trails. The surrounding peaks and basins are in the Uncompahgre National Forest.

The road is typically passable from late June through late September, depending on snowpack. The lower section to roughly the mine is graded gravel; above the mine, toward Imogene Pass, the route is high-clearance four-wheel-drive only.

The camp took its name from the gray jays, known locally as camp birds, that scavenged the miners' food at the original site. Thomas Walsh registered the name when he consolidated the claims in 1896.

Imogene Pass sits at 13,114 feet, roughly two thousand feet above the mine. It is the second-highest drivable pass in Colorado and connects the Ouray side of the Sneffels Range to Telluride on the other.

about the piece in your home

It has worked well as a gift for many of our customers from the region. The Camp Bird story is part of how Ouray remembers itself, and the artwork holds the basin's high colour. A Small or Medium with a handwritten note from the studio travels well.

The piece's saturated jewel tones and stained-glass contour read well in Mountain-modern, Western Modern, and Jewel-tone Maximalist rooms. It anchors a cabin office or a hallway in a Colorado home, and it lifts a more restrained space when paired with weathered wood.

Yes. The current alpine-modern direction pairs unfinished oak and stone with one bold colour anchor; a glossy Medium or Large of Camp Bird gives that anchor without the literalism of a vintage mining poster. The ceramic finish keeps the piece warm rather than slick.

For a sofa or console between six and seven feet, a single Large reads cleanly. For longer runs, a 4-tile Mural carries more weight; for a feature wall, a 9-tile Mural is the right scale. The smaller sizes get lost above a full sofa.

Yes, in the Dura Satin or Matte finish. Both are scratch-resistant and handle the moisture and temperature changes of a bathroom or a backsplash. The Glossy finish is reserved for framed wall pieces away from direct steam and splash.

A microfibre cloth and warm water are enough for routine cleaning. For the Dura Satin and Matte in a kitchen, a mild dish soap is fine. No abrasive pads, no bleach. The colour lives in the surface and does not lift.

Yes. Every WenderVista piece is original work from a single studio in Knoxville, Tennessee. We do not licence, syndicate, or resell other artists' images. The Camp Bird Mine artwork was made for our atlas of places.

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