Broadmoor Colorado Springs Front Range Ceramic Art Tile

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

The Broadmoor is in Colorado Springs, Colorado, at the foot of Cheyenne Mountain in the Front Range. Elevation 6,230 feet. It is roughly twenty minutes from downtown Colorado Springs and about an hour and fifteen minutes south of Denver.

The Broadmoor opened on June 29, 1918. Spencer Penrose financed and built it, with Warren and Wetmore, the firm behind Grand Central Terminal, drawing the elevations. It has operated continuously as a luxury resort for over a century.

Warren and Wetmore, the New York firm that also designed Grand Central Terminal in 1913, drew the original hotel. The shell is Italian Renaissance with a Mediterranean pink stucco exterior and red tile roof. Spencer Penrose commissioned the work in 1916.

It holds the longest unbroken run of AAA Five Diamond awards of any hotel in the world, first earned in 1976 and held every year since. It is one of very few US resorts to hold both Forbes Five Stars and AAA Five Diamonds continuously.

Cheyenne Lake sits in the middle of the property, between the Main Building and the South Tower. It mirrors Cheyenne Mountain and the pink stucco facade. The lake was built as part of the original 1918 grounds and is not natural.

Cheyenne Mountain rises to 9,565 feet to the south and west of The Broadmoor. It is home to NORAD's Cheyenne Mountain Complex, completed in 1966. From the hotel grounds, the mountain forms the dominant horizon.

The Anschutz Corporation, Philip Anschutz's holding company, has owned The Broadmoor since 2011. Spencer Penrose's El Pomar Foundation, established in 1937, was the long-running owner during the twentieth century.

It has been a meaningful gift for many customers with ties to the place: a retired guest, an Air Force Academy graduate, a couple married in Cheyenne Lodge. The Small with a handwritten note from the studio travels well; the Medium reads more like a framed painting.

The pink stucco and Front Range blue read well against Mountain-modern, Western-traditional, and warm Transitional rooms. Walnut, leather, and a little brass help. It also lands well in a Colorado mountain cabin or a Denver loft with brick and warm wood.

Yes. Mountain-modern interiors and warm Transitional rooms have leaned into pink and terracotta accents against deep navy and forest green over the last several seasons. The Broadmoor tile sits naturally in that vocabulary, especially in a Colorado or Mountain-West home.

Above a console, a single Large reads well. Above a sofa, a 4-tile Mural is the most common choice and lets the lake and the mountain breathe at full scale. For a long entry wall, a 9-tile Mural carries the whole architecture.

Yes. Order the Dura Satin or Matte finish for bathrooms, kitchens, showers, or any vertical installation that gets splashed or steamed. Glossy is reserved for framed wall pieces and show shelves where the surface won't be touched daily.

A soft microfibre cloth and warm water. The colour lives in the ceramic surface itself, beneath a thin glossy finish, so it won't scratch or fade under normal use. Avoid abrasive cleaners and never use a bleach-based spray.

Yes. The Broadmoor is one of over thirty thousand places in the WenderVista atlas, all hand-curated by Reid Wender and painted in our distinctive stained-glass and alcohol-ink visual language. We hold the artwork; nothing is licensed in or out.