Wender·Vista
Ashcroft ghost town Elk Range Ceramic Art Tile
shown on ceramic, 12-inch tileColorado · United States
ten miles south of Aspen, up the Castle Creek valley

Ashcroft ghost town Elk Range Ceramic Art Tile

— the town the silver left behind.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
Above the bench, in a warm oak surround.
Above the bench, in a warm oak surround.
Beside the kettle, propped on the counter.
Beside the kettle, propped on the counter.
Above the linens, in a slim black surround.
Above the linens, in a slim black surround.
On the nightstand, on a light oak stand.
On the nightstand, on a light oak stand.
On a picture ledge, where the light comes in.
On a picture ledge, where the light comes in.
a note from the studio

Nine wooden buildings still standing in Castle Creek valley, ten miles south of Aspen. For one short year in the early 1880s, Ashcroft outgrew Aspen. Then the silver thinned and the town emptied. What remains, a hotel, the post office, the general store, has gone silver-grey in the high mountain sun. The road is paved to the trailhead and closed past it from late autumn through spring. The Elk Mountains hold the valley quiet. Most days, only the wind through the boards.

from the studio
shown in a slim black floating frame · 6 × 6 in
shown in a slim black floating frame · 6 × 6 in
— bring it home

Ashcroft ghost town Elk Range Ceramic Art Tile, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

comes gift-ready
comes gift-ready

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

or build a grouping
or build a grouping

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

about Ashcroft ghost town Elk Range Ceramic Art Tile

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Ashcroft sits at roughly 9,500 feet in the Castle Creek valley, ten miles south of Aspen in the Elk Mountains of Pitkin County, Colorado. Silver ore was struck on Castle Peak in 1880 and the camp incorporated the following year. By 1883 the population had climbed to about 2,000, briefly making Ashcroft larger than its neighbour Aspen, with two newspapers, a Wells Fargo office, and a string of hotels and saloons along the main street. The high-grade veins played out within a few years and most residents had left by the early 1890s. The town site is now part of the White River National Forest and has been preserved since 1974 by the Aspen Historical Society.

the silence

What remains is roughly nine standing structures, weather-stripped to a uniform silver-grey by more than a century of dry mountain wind. A hotel, the post office, the general store, and a row of cabins line dirt streets that once held two newspapers and a Wells Fargo office. The 1956 Mike Todd production of Around the World in 80 Days used Ashcroft as a Klondike location. Castle Creek runs cold past the meadow on the west edge. There are no power lines, no resident population, no shops. Visitors arrive in summer and walk the boards quietly. The Elk Range, capped by Castle Peak at 14,265 feet, holds the bowl still.

the visit

Access is from Castle Creek Road out of Aspen, a paved drive of about eleven miles that passes the Toklat valley before reaching the Ashcroft turnout. The Aspen Historical Society has managed the site since 1974 under permit from the US Forest Service and posts seasonal interpreters in summer. Admission is a small donation. The grounds remain open through the year, but the upper road closes to vehicles from late autumn until snow clears, often May; in winter Ashcroft becomes a Nordic ski destination, with groomed track tracing the same valley floor. Photography is welcome. Entering the buildings is not. Plan a clear morning; afternoon thunderstorms are common in the Elk Mountains from July through August.

— informed by Aspen Historical Society
where
United States · Pitkin County, Colorado
within
White River National Forest
elevation
2,895 m · 9,500 ft
position
39.0264° N · 106.7964° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
16 km N
Aspen
mountain town
8 km SW
Castle Peak
14,265-foot fourteener
16 km NW
Maroon Bells
twin peaks
13 km W
Conundrum Hot Springs
alpine hot springs
32 km E
Independence Pass
alpine pass
3 km N
Toklat
historic Castle Creek lodge
N
Ashcroft ghost town Elk Range Ceramic Art Tile
Aspen
Castle Peak
Maroon Bells
Conundrum Hot Springs
Independence Pass
Toklat
common questions

What people ask.

A few questions we get about Ashcroft ghost town Elk Range Ceramic Art Tile — and about bringing the piece home.
about the place

Ashcroft is a preserved silver-mining ghost town in Pitkin County, Colorado, about ten miles south of Aspen up the Castle Creek valley, at roughly 9,500 feet in the Elk Mountains. It sits within the White River National Forest.

Prospectors struck silver on Castle Peak in 1880 and the town incorporated in 1881. By 1883 the population had reached about 2,000, briefly making Ashcroft larger than neighbouring Aspen, with two newspapers, a Wells Fargo office, and a long row of hotels and saloons.

The high-grade silver veins on Castle Peak played out within a few years of the strike. When the larger Smuggler and Aspen mines began producing in the mid-1880s, miners and businesses moved north to Aspen, and Ashcroft was largely empty by the early 1890s.

Yes. The Aspen Historical Society has stewarded the site since 1974 on US Forest Service land. Visitors can walk the grounds and view roughly nine standing buildings from the exterior. Summer interpreters give context. A small donation is requested at the gate.

Late June through September, when the upper Castle Creek Road is open and the valley meadow is in wildflower. Mornings are clearer; afternoon thunderstorms are common in July and August. In winter the road closes and Ashcroft becomes a Nordic ski destination.

The 1956 Mike Todd production of Around the World in 80 Days, starring David Niven, used Ashcroft as a Klondike location. The standing wooden structures from that shoot remain identifiable on the town site today.

The Ashcroft town site sits at roughly 9,500 feet, or about 2,895 metres. Castle Peak, the mountain that gave the town its silver, rises to 14,265 feet at the head of the valley and is one of Colorado's named fourteeners.

about the piece in your home

Many Aspen residents have walked Castle Creek to Ashcroft on a summer afternoon or skied the valley in winter. A Medium tile or a framed Small carries that morning back. A Coaster with a handwritten note from the studio works for a smaller gesture.

The silvered wood and Elk Range palette suit Mountain-modern interiors, rustic-refined cabins, and warm Minimalist rooms. The piece reads quiet and weathered rather than ornamental. It anchors a hallway or sits well in a library against unfinished wood.

Yes. Mountain-modern leans on weathered timber, restrained palettes, and place-specific artwork over generic Western imagery. A Colorado ghost-town tile with the Elk Range behind it reads as a regional anchor in that style. The Medium and Large sizes carry that read best.

A single Large reads at eye level above a standard sofa or console. For a wider wall, a 4-tile Mural creates a horizontal panel; a 9-tile Mural fills a larger living-room wall and lets the Castle Creek valley breathe at full scale.

Yes. Order the Dura Satin or Matte finish for high-humidity rooms; the colour lives in the ceramic surface beneath a sealed finish, so steam and splash do not affect it. Glossy is best kept to drier wall installations and framed pieces.

A soft microfibre cloth with plain water handles everyday dust and fingerprints. For kitchen splatter, a small amount of mild soap is fine. No abrasive cleansers, no scouring pads, no ammonia, no citrus oil.

Yes. The Ashcroft piece is original to Reid Wender and Wender Studios. The studio does not licence outside artists or stock libraries. Every WenderVista tile is hand-finished in-house in Knoxville, Tennessee.

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