Wender·Vista
Animas Forks ghost town San Juans Ceramic Art Tile
shown on ceramic, 12-inch tileColorado · United States
high in the San Juans, above Silverton

Animas Forks ghost town San Juans Ceramic Art Tile

— a bay window above the last trees.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
Above the bench, in a warm oak surround.
Above the bench, in a warm oak surround.
Beside the kettle, propped on the counter.
Beside the kettle, propped on the counter.
Above the linens, in a slim black surround.
Above the linens, in a slim black surround.
On the nightstand, on a light oak stand.
On the nightstand, on a light oak stand.
On a picture ledge, where the light comes in.
On a picture ledge, where the light comes in.
a note from the studio

The townsite sits at the confluence of three forks of the Animas River, above 11,200 feet, where the timber thins and the wind comes off the high passes. A handful of wooden buildings still stand: the Duncan house with its bay window facing the meadow, the jail, the Gustavson house. The mining camp held about 450 people in 1883. By 1920 it held no one. The Alpine Loop runs through the site now, and most days a few jeeps come up from Silverton. The visitors walk the boards and don't say much.

from the studio
shown in a slim black floating frame · 6 × 6 in
shown in a slim black floating frame · 6 × 6 in
— bring it home

Animas Forks ghost town San Juans Ceramic Art Tile, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

comes gift-ready
comes gift-ready

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

or build a grouping
or build a grouping

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

about Animas Forks ghost town San Juans Ceramic Art Tile

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Animas Forks sits at 11,200 feet in the San Juan Mountains of southwestern Colorado, where the West Fork, North Fork, and main stem of the Animas River meet. The site is in San Juan County, about twelve miles northeast of Silverton, on the Alpine Loop Backcountry Byway. The Bureau of Land Management and the San Juan County Historical Society maintain the surviving wooden buildings, which include the William Duncan house with its prominent bay window, the jail, and the Gustavson house. The town was founded in 1873, briefly published a weekly newspaper called the Animas Forks Pioneer, and was added to the National Register of Historic Places in 1976.

— informed by Wikipedia, BLM
the silence

A 19th-century mining camp emptied within a generation. The first claims at the forks were filed in the early 1870s, the post office opened in 1875, and at its 1883 peak the town held about 450 residents working the silver and gold lodes that fed the Gold Prince and Frisco mills downstream. The Silver Panic of 1893 cut the prices that had built the town. By 1910 the census recorded eight people. By 1920 the town was empty. The buildings that remain stand without their neighbours, their windows facing the meadow and the river forks, the wind through the gaps in the boards the only sound for miles.

— informed by Wikipedia
the visit

The site is reached only by the Alpine Loop Backcountry Byway, a high-clearance four-wheel-drive route that climbs from Silverton up the Animas River, or comes from Lake City and Ouray over Engineer Pass and Cinnamon Pass. The road is generally passable from late June through early October, depending on snow. There is no fee. The Bureau of Land Management has placed interpretive signage along the boardwalk, and the San Juan County Historical Society has stabilised the surviving structures and keeps a small visitor presence in summer. The road is rough, slow, and unpaved. A passenger sedan will not make it. Most jeep tours from Silverton run the loop as a day trip.

— informed by BLM, Wikipedia
where
United States · San Juan County, Colorado
within
Alpine Loop Backcountry Byway
elevation
3,414 m · 11,200 ft
position
37.9300° N · 107.5700° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
19 km SW
Silverton
mining town
8 km SSW
Eureka
ghost town
6 km NE
Engineer Pass
alpine pass
5 km E
Cinnamon Pass
alpine pass
13 km ESE
Handies Peak
14er
N
Animas Forks ghost town San Juans Ceramic Art Tile
Silverton
Eureka
Engineer Pass
Cinnamon Pass
Handies Peak
common questions

What people ask.

A few questions we get about Animas Forks ghost town San Juans Ceramic Art Tile — and about bringing the piece home.
about the place

Animas Forks is a preserved 19th-century mining ghost town in the San Juan Mountains of southwestern Colorado, about twelve miles northeast of Silverton, in San Juan County. It sits at 11,200 feet at the confluence of three forks of the Animas River.

The site is reached by the Alpine Loop Backcountry Byway, a four-wheel-drive road that climbs from Silverton or comes over Engineer Pass and Cinnamon Pass from Lake City. The road is generally open from late June through early October. A passenger car will not make it.

Founded in 1873 and named in 1875, the town reached a peak population of about 450 in 1883. The Silver Panic of 1893 began a long decline. By 1910 the census recorded eight residents. By 1920 the town was empty.

The William Duncan house, built around 1879, is the most photographed structure on the site, with its prominent bay window facing the meadow. The jail, the Gustavson house, and the foundations of the Gold Prince and Frisco mills downstream also remain.

No. The site is on Bureau of Land Management land and is open without charge. The San Juan County Historical Society has stabilised the surviving wooden buildings, and the BLM maintains interpretive signage along the boardwalk through the site.

The townsite sits at 11,200 feet, in alpine tundra at the upper limit of the trees. Snow lingers into June and returns in October. At its founding it was sometimes described as the highest town in the United States.

The town sits at the meeting of three forks of the Animas River: the West Fork, the North Fork, and the main stem. Animas comes from the Spanish El Río de las Ánimas Perdidas en Purgatorio, the river of lost souls in purgatory.

about the piece in your home

Yes. The ghost towns of the San Juan Mountains, including Animas Forks, Eureka, and Capitol City, are a familiar landscape for anyone who has driven the Alpine Loop or worked in the Silverton area. A Small or Medium with a handwritten note from the studio carries well.

The earth-tones of the wooden buildings and the alpine palette of the surrounding tundra read well in Mountain-modern, Western-rustic, and warm-Minimalist rooms. The tile sits comfortably in a Colorado mountain home, a study lined with books, or a hallway gallery wall.

Mountain-modern interiors have moved toward warmer earth-tones and texture-rich wall art over the last few years. The ceramic surface of the WenderVista tile reads with the same warmth as wide-plank oak, leathered stone, or a wool throw. The artwork sits comfortably in that vocabulary.

A single Large reads as a focal piece above a console or a smaller sofa. For a longer sofa or a substantial wall, the 4-tile Mural anchors the room, and the 9-tile Mural is the choice for a fireplace surround or a feature wall.

Yes, with the Dura Satin or Matte finish. Both are scratch-resistant, repel water, and have been used in showers and backsplashes. The Glossy finish is intended for framed wall art and show pieces, not for wet rooms.

A microfibre cloth and clean water. The colour is slowly infused into the ceramic surface under high heat and pressure and lives beneath a thin glossy finish, so there is no surface coating to lift. No abrasives, no chemical cleaners.

Yes. The Animas Forks tile is original to Wender Studios. The studio paints in a distinctive stained-glass and alcohol-ink visual language, and every piece is hand-finished in-house. The artwork is not licensed from any other artist or stock library.

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