
— — a tower made of broken plates and patience.
“Seventeen interconnected sculptural towers on a small triangular lot at 1727 East 107th Street, in the Watts neighborhood of South Los Angeles. Sabato Rodia, an Italian-immigrant tile-setter, built them by himself from 1921 to 1954. Thirty-three years of work, alone, without scaffolding, without machine equipment, without help. The frames are steel rebar and chicken wire under hand-mixed mortar. The surfaces are pressed with broken glass, china, tile, sea shells, and bottle caps Rodia gathered from the neighborhood. The tallest tower stands ninety-nine and a half feet. In 1959 the City tried to pull them down; a stress test failed to move the tallest tower, and they have stood ever since.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.
Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.
Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.
Three or five different vistas, hung together — a chapter of places you've been, or want to go.
The Watts Towers stand on a triangular lot at 1727 East 107th Street, in the Watts neighborhood of South Los Angeles, about ten miles south of downtown. The site holds seventeen interconnected sculptural towers and a perimeter wall, all built between 1921 and 1954 by Sabato Rodia, an Italian-born tile and concrete worker who lived on the property. The tallest tower reaches 99.5 feet. The site is owned by the State of California and operated by the City of Los Angeles Department of Cultural Affairs through the adjoining Watts Towers Arts Center. The towers were designated a National Historic Landmark in 1990 and listed as California Historical Landmark No. 993.
The towers are built without a single weld, bolt, or rivet. Rodia hand-bent steel rebar around chicken wire, wrapped each form in cement mortar, and pressed broken material into the wet mortar as he climbed. The decorative skin is largely commercial waste of the 1920s through 1950s: green Squirt and 7-Up bottles, blue Milk of Magnesia bottles, Bauer pottery, Malibu tile, Pacific Clay, dinner plates, sea shells, and mirror fragments. In 1959, after Rodia had given the property away and moved north, the City declared the towers unsafe and ordered them dismantled. An October 1959 stress test pulled at the tallest tower with about ten thousand pounds of horizontal force and could not move it. The demolition order was rescinded.
The Watts Towers Arts Center, at the southwest end of the lot, runs guided tours of the towers Thursday through Sunday for a small per-person fee. Tour size is limited; weekend reservations through the Los Angeles Department of Cultural Affairs are advised, and the autumn Watts Towers Day of the Drum and Simon Rodia Jazz Festival fills the property each September. The towers themselves are visible from the surrounding sidewalk at all hours and from the perimeter wall whenever the gate is open. The site is served by the Metro A Line at the 103rd Street/Watts Towers station, about a half-mile walk north. Street parking is available along the cul-de-sac at 107th Street.