
— a Roman ruin built for one fair, then kept.
“A Beaux-Arts rotunda and curved colonnade on a small lagoon in the Marina District of San Francisco. Bernard Maybeck designed it for the 1915 Panama-Pacific International Exposition, the fair the city threw to announce its full recovery from the 1906 earthquake. The whole exposition was meant to come down at the end of the year. The Palace was loved enough that it stayed. The original was plaster and burlap over a wood frame, beautiful and crumbling by the 1950s. A 1965 reconstruction in poured concrete kept the form and the lagoon; a 2009 seismic retrofit brought it forward again. The swans still work the water. The columns do what Maybeck wanted: stand as a ruin that was never one.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.
Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.
Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.
Three or five different vistas, hung together — a chapter of places you've been, or want to go.
The Palace of Fine Arts is a Beaux-Arts rotunda and curved colonnade in the Marina District of San Francisco, set on a 17-acre site with an artificial lagoon. Bernard Maybeck designed it for the 1915 Panama-Pacific International Exposition, a fair that ran from February through December of that year and drew about 19 million visitors over its run. The exposition stretched along the northern waterfront from Fort Mason to the Presidio. The Palace was the only major exposition structure preserved; the rest of the fairgrounds came down at the end of 1915, leaving the rotunda and colonnade as a single survivor. The site is bordered by Lyon, Bay, and Baker streets, west of Crissy Field.
The original structure was plaster, hemp, and burlap over a wood frame, intended to stand only for the duration of the 1915 fair. By the 1950s it was visibly crumbling. A community campaign supported by the philanthropist Walter S. Johnson and matching funds from the State of California financed a full reconstruction in poured concrete, completed in 1965. The reconstructed columns and frieze hold Maybeck's original forms: Corinthian capitals, a band of weeping women on the rotunda dome, and an octagonal ring of urns. A 2009 seismic retrofit by the City of San Francisco strengthened the colonnade for current code. The lagoon was reshaped and the surrounding garden replanted as part of the project.
The grounds at 3601 Lyon Street are open to the public twenty-four hours a day, and there is no admission charge. The rotunda colonnade is reached by paved paths from any side of the lagoon. The adjacent Palace of Fine Arts Theatre, on the south side of the lagoon, operates as an event and performance venue under separate management. Parking is on Bay, Baker, and Beach streets. The site is a short walk from the Marina Green and from the southern end of the Golden Gate Bridge approach. Sunset light hits the columns from the west and brings up the warm peach tones in the concrete; swans and Canada geese are usually on the lagoon at dawn.