Wender·Vista
Bodie Ghost Town
shown on ceramic, 12-inch tileCalifornia · United States
high in the Bodie Hills, above Mono Lake

Bodie Ghost Town

— silver wood the desert is still polishing.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
Above the bench, in a warm oak surround.
Above the bench, in a warm oak surround.
Beside the kettle, propped on the counter.
Beside the kettle, propped on the counter.
Above the linens, in a slim black surround.
Above the linens, in a slim black surround.
On the nightstand, on a light oak stand.
On the nightstand, on a light oak stand.
On a picture ledge, where the light comes in.
On a picture ledge, where the light comes in.
a note from the studio

A boomtown the wind kept. Bodie sits at 8,379 feet in the hills above Mono Lake, where about 110 wooden buildings still stand on the original streets. Chairs at the tables, cans on the shelves, schoolbooks open to the page someone last read. California State Parks calls it arrested decay: not restored, not rebuilt, just held. In summer the road opens and people come in twos and threes, in long coats and no hurry. In winter the road closes and what moves through the doorways is mostly wind.

from the studio
shown in a slim black floating frame · 6 × 6 in
shown in a slim black floating frame · 6 × 6 in
— bring it home

Bodie Ghost Town, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

comes gift-ready
comes gift-ready

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

or build a grouping
or build a grouping

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

about Bodie Ghost Town

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Bodie sits at 8,379 feet in the Bodie Hills of Mono County, California, on the east side of the Sierra Nevada about thirteen miles east of U.S. Route 395 and twenty miles north of Mono Lake. The town grew up around an 1859 gold strike and reached an estimated peak between 7,000 and 10,000 residents by 1879. The mines were already failing by the 1890s. A fire in 1932 destroyed roughly ninety-five percent of what remained, and the last permanent residents left in the years that followed. California State Parks took over in 1962 and preserves about 110 buildings on the original townsite as Bodie State Historic Park, a National Historic Landmark.

the silence

Bodie sits in open sagebrush at the south end of the Bodie Hills, with no other settlement closer than Bridgeport, seventeen miles to the west. California State Parks holds the townsite under arrested decay, a preservation philosophy adopted in the early 1960s: buildings are stabilised but not restored, and the contents of houses, saloons, and stores are left where the last residents put them. Volunteers and rangers slow the rot but do not reverse it. The wind moves steadily through 110 empty doorways, and visitors who walk the dirt streets in late afternoon often remark that they stop talking somewhere around the schoolhouse.

the visit

Bodie State Historic Park is open every day of the year, but vehicle access is seasonal. From roughly late May through October the access road, paved State Route 270 for the first seven miles and unpaved washboard for the last three, is generally passable to standard vehicles when the weather cooperates. A day-use admission is paid at a self-serve kiosk near the entrance. Once snow closes the dirt section, winter access is by snowmobile, snowshoe, or backcountry ski only, and most buildings are locked until spring. The Bodie Foundation partners with California State Parks on preservation and operates the small museum in the former Miners Union Hall during the summer season.

where
United States · Mono County, California
within
Bodie State Historic Park
elevation
2,554 m · 8,379 ft
position
38.2125° N · 119.0128° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
32 km S
Mono Lake
saline lake
21 km W
Bridgeport
Eastern Sierra town
22 km W
Travertine Hot Springs
open-air hot springs
35 km S
Mono Lake South Tufa
tufa formations
N
Bodie Ghost Town
Mono Lake
Bridgeport
Travertine Hot Springs
Mono Lake South Tufa
common questions

What people ask.

A few questions we get about Bodie Ghost Town — and about bringing the piece home.
about the place

Bodie sits at 8,379 feet in the Bodie Hills of eastern California, about thirteen miles east of U.S. Route 395 and twenty miles north of Mono Lake. The nearest town is Bridgeport, seventeen miles to the west. It is preserved as Bodie State Historic Park in Mono County.

After gold strikes in the late 1870s the population peaked between 7,000 and 10,000. By the 1890s the mines were failing. Fires in 1892 and 1932 destroyed most of the town, and the last permanent residents left in the years after. About 110 wooden buildings still stand on the original streets.

Arrested decay is the preservation philosophy California State Parks adopted for Bodie in the early 1960s. Buildings are stabilised but not restored: roofs patched, walls held up, interiors left as the last residents left them, with chairs at tables, cans on shelves, and schoolbooks open to the page someone last read.

From U.S. Route 395 near Bridgeport, take State Route 270 east for about seven paved miles, then continue three miles on unpaved washboard road to the park entrance. The last stretch is rough but normally passable to standard vehicles when the road is open, usually late May through October.

Most visitors come in July, August, and early September, when the road is open and the days are warm. Late spring and early autumn are quieter and the light is softer. Winter access is by snowmobile, snowshoe, or backcountry ski only, and most buildings are locked until the road reopens in spring.

Yes. A day-use fee is paid at a self-serve kiosk near the entrance. The Bodie Foundation, the park's nonprofit preservation partner, also accepts donations and sells memberships that support ongoing stabilisation of the buildings.

Most buildings are locked, but you can look through the windows at interiors left as residents left them. The former Miners Union Hall is open as a small museum during the summer season. The Bodie Foundation also runs scheduled ranger-led interior tours of the Standard Mill when staffing allows.

about the piece in your home

It has been a meaningful gift for customers who have stood in the schoolhouse or watched the wind move down the empty main street. The dirt road, the silver wood, the long quiet. Anyone who has been there once tends to remember it. A Small or Medium with a handwritten note from the studio carries well.

The piece reads mountain-modern, Western contemporary, and warm minimalist. The Voynich palette pulls silver-greys, weathered browns, sagebrush green, and dusk blue, so it sits comfortably in rooms with reclaimed wood, woven wool, and unfussy brass or matte black hardware. It does not work as well in a high-pastel or cottage setting.

It fits the current weathered-modern and desert-modern trend cycle: silvered woods, sun-bleached palettes, and historical-place subjects rendered in painterly rather than literal terms. It also reads at home in mountain-modern and quiet-luxury interiors where greys, browns, and dusty blues dominate the palette.

Above a standard eighty-inch sofa or a six-foot console, a single Large works as a centred anchor at roughly two-thirds the width of the furniture below. A 4-tile Mural reads stronger above an oversized sofa; a 9-tile Mural takes the wall entirely and is the choice for a feature wall.

Yes. Request the Dura Satin or Matte finish for any installation that may see steam, splash, or repeated wiping. Both finishes are scratch-resistant and intended for wet vertical settings like backsplashes and shower walls. The standard Glossy finish is intended for dry-wall display and framed pieces.

A soft microfibre cloth and clean water is all that is needed. Avoid abrasive sponges, scouring powders, and ammonia-based cleaners; these can dull the surface over time. The colour lives in the ceramic surface itself, so it will not fade with normal cleaning.

Yes. Every WenderVista piece is original to Reid Wender and our family studio in Knoxville, Tennessee. We do not license stock imagery and we do not sell prints of paintings we did not make. Each tile is hand-finished in-house before it ships.

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