Wender·Vista
Ruby ghost town
shown on ceramic, 12-inch tileArizona
in the Pajarito Mountains, near the Mexican border

Ruby ghost town

— a mining town the desert quietly closed.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

A preserved ghost town in the Pajarito Mountains of southern Arizona, about four miles north of the border. Ruby was a lead, zinc and silver camp that worked through the 1920s and 1930s and shut down for good in 1941, when the last ore train left and the company houses were locked. Most of the buildings are still standing — the schoolhouse, the jail, the mine office, the company store — held in place by dry desert air and private stewardship. Two small lakes sit at the floor of the canyon, and the road in is unpaved gravel that turns to clay after rain. from the studio

from the studio
Ruby ghost town
— bring it home

Ruby ghost town, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Ruby ghost town

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Ruby sits in the Pajarito Mountains of Santa Cruz County, about four miles north of the U.S.–Mexico border and roughly 50 miles southwest of Tucson. The settlement grew up around the Montana Mine, which produced lead, zinc and silver from the 1870s onward and was Arizona's leading lead and zinc producer through the 1930s. The town reached a peak population of about 1,200 residents in the mid-1930s, with a post office, a school, and a small commercial main street. Mining ended in 1941, the post office closed in 1942, and the residents left. The site is now privately owned and is one of the best-preserved ghost towns in the American West.

the stone

About two dozen original buildings still stand on site, including the 1936 schoolhouse, the mercantile, the mine superintendent's house, and the small stone jail. Most are simple wood-frame structures with adobe footings, weathered to grey under more than 80 years of high-desert sun. The headframe over the Montana Mine shaft, the mill foundations and several ore-car rails remain in place along the canyon floor. The dry climate, the remoteness, and decades of resident caretakers have kept the buildings from collapsing in the way many Arizona mining camps did. The town is held in private trust and is operated as a paid-access historic site.

the visit

Ruby is reached by Ruby Road (Forest Road 39), a gravel route that runs roughly 12 miles west from Interstate 19 at Amado, through Coronado National Forest. The road is generally passable by high-clearance two-wheel-drive vehicles in dry weather; rain can make the final mile slick clay. The site is privately owned, open by paid day-use permit and camping reservation, and is staffed by caretakers who collect the fee at the gate. Two small lakes — once mine settling ponds — hold bass and bluegill and are open to fishing with an Arizona licence. Carry water; there is no fuel or food on the road in.

where
United States · Santa Cruz County, Arizona
elevation
1,280 m · 4,200 ft
position
31.4600° N · 111.2300° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
at the lake
Coronado National Forest
national forest
20 km N
Arivaca
small town
18 km SE
Pena Blanca Lake
reservoir
35 km E
Nogales
border town
N
Ruby ghost town
Coronado National Forest
Arivaca
Pena Blanca Lake
Nogales
common questions

What people ask.

A few questions we get about Ruby ghost town — and about bringing the piece home.
about the place

Ruby is in the Pajarito Mountains of Santa Cruz County, about 50 miles southwest of Tucson and four miles north of the Mexican border. It is reached by Ruby Road from Interstate 19 at Amado.

Yes. Ruby is a privately preserved mining ghost town with about two dozen original buildings still standing, including the schoolhouse, jail and mine office. The town was abandoned after the Montana Mine closed in 1941.

The Montana Mine produced lead, zinc and silver, and was Arizona's leading lead and zinc producer through the 1930s. Mining ended in 1941, and the post office closed in 1942 after the workers left.

Yes, by paid day-use permit from the private owners. The site is staffed by on-site caretakers who collect the fee at the gate. Camping and fishing are also available by reservation.

Ruby Road, also signed as Forest Road 39, runs about 12 miles west from Amado on Interstate 19. The route is gravel and best driven in a high-clearance vehicle in dry weather.

Yes. Two small lakes on site, originally built as mine settling ponds, hold largemouth bass and bluegill. Fishing is permitted with an Arizona licence and the site's day-use fee.

about the piece in your home

It carries well for collectors of mining-camp history, southwest historians and ghost-town travellers. A Small or Medium reads cleanly in a study or library; the studio includes a handwritten note.

The weathered timber, desert palette and stained-glass treatment work in southwest-contemporary, rustic-modern and warm industrial rooms. It also holds against natural plaster and aged-leather furniture.

Yes. Rustic-modern leans on a single saturated colour piece against warm wood and unfinished steel. The tile gives the wall a grounded focal point without leaning kitschy or western-themed.

Above a sofa, the Large works as a single anchor; for a longer wall, a 4-tile Mural lets the canyon read across the room. Above a console, a Medium or paired Smalls is the usual choice.

Yes, in the Dura Satin or Matte finish. Both are scratch-resistant and built for damp rooms, including shower walls and kitchen backsplashes.

A soft microfibre cloth with plain water clears everyday dust. In a kitchen or bath installation, a damp cloth with mild soap takes off splash residue. No abrasive cleaners.

Yes. The painting is original to the studio, hand-finished in Knoxville, and not licensed from any third party. The colour lives in the ceramic surface, slowly infused under high heat and pressure.

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