Wender·Vista
Petrified Forest Newspaper Rock close
shown on ceramic, 12-inch tileArizona
in Petrified Forest National Park, on the Painted Desert plateau

Petrified Forest Newspaper Rock close

— six hundred marks left on one stone by people who stayed.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

A single sandstone boulder on the Painted Desert plateau, covered in more than six hundred petroglyphs cut by Ancestral Puebloan hands between roughly 650 and 2,000 years ago. The view is from the overlook above; the trail down was closed in the 1990s to protect the surface. Spotting scopes are mounted at the rail. From a distance the rock reads as one quiet conversation that nobody has finished. — from the studio

from the studio
Petrified Forest Newspaper Rock close
— bring it home

Petrified Forest Newspaper Rock close, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Petrified Forest Newspaper Rock close

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Newspaper Rock is a large sandstone boulder on the Painted Desert plateau inside Petrified Forest National Park, in Apache County, Arizona. It sits at roughly 5,479 feet of elevation along the main park road, about six miles south of the Painted Desert Visitor Center off Interstate 40. The boulder face holds more than 650 individual petroglyphs cut by Ancestral Puebloan people who lived in the region between roughly 650 CE and the early 1400s. The park itself was set aside as a national monument in 1906 and elevated to a national park in 1962.

the stone

The rock is Triassic Chinle Formation sandstone, the same red-and-buff layer that holds most of the park's petrified wood. The petroglyphs were pecked through the dark desert varnish on the boulder's south face to expose the lighter stone beneath. Motifs include spirals, bighorn sheep, lizards, human figures, hand prints, and a set of geometric symbols whose meaning is no longer known with any certainty. The downhill viewing trail was closed in the mid-1990s after decades of foot traffic began to damage the surface; today the rock is viewed only from the upper overlook.

— informed by NPS — Newspaper Rock
the visit

The overlook is a short paved path from the parking pull-off on the main park road. Two free park spotting scopes are mounted at the rail; the petroglyphs are too small to read clearly with the naked eye from the viewing distance. The park is open daily except December 25, with entrance fees collected at the north and south entrances along Interstate 40 and US 180. Photographs of the rock face come out best in late afternoon when raking sunlight crosses the varnished surface and the carvings throw small shadows.

— informed by NPS — Plan Your Visit
where
United States · Apache County, Arizona
within
Petrified Forest National Park
elevation
1,670 m · 5,479 ft
position
34.9925° N · 109.7869° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
10 km N
Painted Desert Visitor Center
park visitor center
45 km W
Holbrook
Route 66 town
100 km W
Winslow
Route 66 town
130 km NE
Canyon de Chelly
national monument
N
Petrified Forest Newspaper Rock close
Painted Desert Visitor Center
Holbrook
Winslow
Canyon de Chelly
common questions

What people ask.

A few questions we get about Petrified Forest Newspaper Rock close — and about bringing the piece home.
about the place

A large sandstone boulder inside Petrified Forest National Park whose south face carries more than 650 petroglyphs cut by Ancestral Puebloan people between roughly 650 CE and the early 1400s.

No. The downhill trail closed in the mid-1990s to protect the surface from foot-traffic damage. Viewing is from a paved overlook above; two free spotting scopes are mounted at the rail.

Most are between about 650 and 2,000 years old. They were made by Ancestral Puebloan people who farmed and lived along the Puerco River drainage that runs through the park today.

Spirals, bighorn sheep, lizards, human figures, hand prints, and geometric symbols. Some appear to track astronomical events; the meanings of others are no longer known with certainty.

About six miles south of the Painted Desert Visitor Center along the main park road, at roughly 5,479 feet of elevation on the high plateau north of the Puerco River ruins.

Late afternoon, when low raking sunlight crosses the dark varnished face of the rock and the pecked carvings throw small shadows. Midday flattens the surface and washes the contrast out.

about the piece in your home

Yes. Newspaper Rock is a specific, well-loved landmark for visitors and archaeologists alike. A Small or Medium with a handwritten note from the studio reads as careful and informed.

Southwest-modern, desert-modern, and warm earth-tone interiors. The reds and ochres of the Chinle sandstone settle next to wood, leather, and woven wool.

It fits the desert-modern direction that has been steady for several seasons. The mark-making on the stone reads as quiet pattern, which works well in rooms otherwise kept plain.

Above a sofa, a single Large or a 4-tile Mural holds the wall. Above a console or a sideboard, a Medium sits well. For a feature wall, a 9-tile Mural carries the room.

Yes, in the Dura Satin or Matte finish. Both are scratch-resistant and stand up to humidity, splashes, and daily wiping. The Glossy finish is for dry wall installations only.

A damp microfibre cloth and clean water. No solvents, no abrasive pads. The colour lives inside the ceramic surface beneath a thin glossy finish, so day-to-day cleaning is the same as a tile floor.

Yes. Every WenderVista piece is original to the studio, curated by Reid Wender, and produced in-house. We do not license the artwork to third parties.

if this one stayed with you

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