Wender·Vista
Monument Valley Forrest Gump Point
shown on ceramic, 12-inch tileArizona
on US-163, looking south toward Monument Valley

Monument Valley Forrest Gump Point

— the road that runs straight at the buttes.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

A pull-off on US-163 about thirteen miles north of the Arizona-Utah line, looking back south toward the Monument Valley buttes. The frame is the one from the closing scene of the 1994 film, the road running dead straight into the sandstone. Traffic is light most of the day and cars stop in the road for the picture. The buttes change colour by the hour as the sun moves across them. Morning gives the side facing east; the late afternoon gives the side most people remember. The land south of the line belongs to the Navajo Nation; the viewpoint sits in Utah, but the buttes do not.

from the studio
Monument Valley Forrest Gump Point
— bring it home

Monument Valley Forrest Gump Point, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Monument Valley Forrest Gump Point

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Forrest Gump Point is an informal name for a roadside view on US-163 about 13 miles north of the Arizona-Utah border, near mile marker 13 in San Juan County, Utah. The road runs south from there straight toward the Monument Valley buttes on the Navajo Nation. The viewpoint became widely known after the 1994 film Forrest Gump used the spot for the scene in which the title character ends his cross-country run. US-163 itself is a National Scenic Byway between Bluff, Utah and Kayenta, Arizona, and the Monument Valley stretch is its most photographed segment.

the light

The buttes south of the viewpoint are de Chelly Sandstone, an iron-rich Permian formation. The red the rock takes in the last hour of sunlight is the colour the iron oxide gives back to a low-angle warm beam, and it shifts by the minute. Morning lights the east faces and leaves the road in long shadow; late afternoon lights the west faces and turns the road itself amber. The drive is roughly four hours from Page, Arizona and three hours from Moab, Utah, which puts most travellers on the road at the wrong hour for the best light.

the visit

There is no official facility, sign, or parking lot — just a wide shoulder on US-163. Visitors should pull fully off the pavement; traffic moves at 65 miles per hour on this stretch and the buttes draw eyes off the road. Photographers who stand in the lane have caused crashes. The viewpoint sits in Utah, but the buttes themselves are on the Navajo Nation, and entering the valley itself requires a Navajo guide and the Navajo Tribal Park entrance at the end of US-163 in Arizona. Spring and fall give the easier light and the lighter traffic.

— informed by Navajo Nation Parks
where
United States · Navajo Nation, near the Arizona–Utah border (viewpoint on US-163 in San Juan County, Utah)
elevation
1,500 m · 4,921 ft
position
37.1043° N · 109.9914° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
24 km S
Monument Valley Tribal Park
Navajo Tribal Park
18 km N
Mexican Hat, Utah
river town
22 km S
Goulding's Trading Post
historic trading post
50 km S
Kayenta, Arizona
Navajo town
N
Monument Valley Forrest Gump Point
Monument Valley Tribal Park
Mexican Hat, Utah
Goulding's Trading Post
Kayenta, Arizona
common questions

What people ask.

A few questions we get about Monument Valley Forrest Gump Point — and about bringing the piece home.
about the place

On US-163 about 13 miles north of the Arizona-Utah border, in San Juan County, Utah, near mile marker 13. The road points south from there straight toward the Monument Valley buttes on Navajo land.

The 1994 film Forrest Gump filmed the scene in which the title character ends his cross-country run at this stretch of US-163. The name is informal and is not posted on any official sign.

The pull-off itself is in Utah, just north of the Arizona line. The Monument Valley buttes you see in the frame are on the Navajo Nation, straddling the Arizona-Utah border to the south.

Yes. Monument Valley is a Navajo Tribal Park, administered by the Navajo Nation since 1958. Entry into the valley itself requires the tribal park fee and, off the main loop, a Navajo guide.

Use the wide shoulder and pull fully off the pavement. Traffic moves at highway speed and visitors standing in the lane have caused crashes. There is no parking lot or official facility at the spot.

A National Scenic Byway running from Bluff, Utah south through Mexican Hat into Arizona, ending at Kayenta. The Monument Valley stretch is the most photographed segment of the road.

about the piece in your home

It carries well for travellers who drove US-163 between Moab and the Grand Canyon. The view from this pull-off is the one most people end the day on, and the frame is instantly familiar.

Southwest, desert-modern, and Mountain-modern rooms. The red sandstone and asphalt-grey palette suits leather, dark wood, and unbleached linen. Also reads well in a cabin or lodge room with brass.

Yes. The straight-road-into-the-landscape composition has been a steady thread in contemporary Americana wall art. It reads as place-specific rather than generic open-road imagery.

Above a sofa, a single Large or a 4-tile Mural carries the wall. Above a narrow console, a Medium is usually right. For a long wall behind a sectional, the 9-tile Mural holds the room.

Yes, in the Dura Satin or Matte finish. Both are scratch-resistant and made for vertical wet-area installation — backsplashes, shower walls, powder rooms. The Glossy finish is for dry display.

A soft microfibre cloth, dry or barely damp with water. No abrasive pads, no household cleaners with grit or solvent. The colour lives in the surface, so it does not wear with ordinary wiping.

Yes. Every WenderVista piece is original to the studio, curated by Reid Wender and hand-finished in Knoxville. We do not license artwork from outside the studio.

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