Wender·Vista
Chapel of the Holy Cross close
shown on ceramic, 12-inch tileArizona
above Sedona, between the Twin Buttes

Chapel of the Holy Cross close

a cross the rock chose to hold.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

The cross set into the cliff above Sedona, seen from close enough to read the marks in the concrete. Marguerite Brunswig Staude pulled the shape from a drive past the Empire State Building in 1932 and waited twenty-four years to build it. The red rock takes the weight without comment. Spring keeps the wind down.

from the studio
Chapel of the Holy Cross close
— bring it home

Chapel of the Holy Cross close, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Chapel of the Holy Cross close

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Chapel of the Holy Cross sits on a 250-foot spur of red sandstone on the south edge of Sedona, Arizona, within the Coconino National Forest. Marguerite Brunswig Staude commissioned the design in the early 1930s after a drive past the new Empire State Building, and the building was finished in 1956 with architects Anshen and Allen of San Francisco. The site lies at roughly 4,500 feet between two formations locally called the Twin Buttes. The Roman Catholic Diocese of Phoenix operates the chapel.

the stone

The chapel rises directly out of Permian-age red sandstone of the Schnebly Hill Formation, the same iron-stained layer that gives every butte in Sedona its colour. Staude's design plants a ninety-foot cross between two natural rock pillars and ties the chapel walls into the spur with reinforced concrete poured against the cliff. The structure has no traditional foundation on the cross side; the sandstone is the structure. Seventy monsoon seasons of summer storms and winter freezes have left the join intact.

the visit

The chapel is reached by a half-mile spur off State Route 179, about three miles south of the Sedona Y. A ramped walkway climbs from the lower parking area. Hours are generally 9 a.m. to 5 p.m. daily, with a Monday-evening prayer service at 5. Admission is free and donations support upkeep. Parking fills by mid-morning in spring and fall; the city's Sedona Shuttle covers the trailhead from town. Photography is permitted; tripods inside the chapel are not.

where
United States · Sedona, Yavapai County, Arizona
within
Coconino National Forest
elevation
1,372 m · 4,500 ft
position
34.8316° N · 111.7672° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
4 km S
Bell Rock
sandstone butte
5 km W
Cathedral Rock
sandstone formation
5 km N
Sedona
town
N
Chapel of the Holy Cross close
Bell Rock
Cathedral Rock
Sedona
common questions

What people ask.

A few questions we get about Chapel of the Holy Cross close — and about bringing the piece home.
about the place

Sculptor Marguerite Brunswig Staude commissioned the design after seeing the Empire State Building in 1932. Architects Anshen and Allen of San Francisco completed the working drawings, and construction finished in 1956.

The reinforced-concrete cross at the front of the chapel stands ninety feet from base to tip. It is structural, carrying part of the load between the two natural sandstone pillars on either side.

The cliff is Permian-age Schnebly Hill Formation sandstone, deposited around 275 million years ago. Iron oxide in the grains gives the spur the rust and ember colours seen throughout Sedona.

Yes. The chapel is operated by the Roman Catholic Diocese of Phoenix and holds a regular Monday-evening prayer service. The space is otherwise open to visitors of any faith.

No. Admission is free. A donation box near the lower entry supports building upkeep, and a small gift area sits beneath the chapel.

about the piece in your home

Often yes. The chapel is one of the most recognised images in northern Arizona, and the close framing carries the architecture more than the panorama. A Medium with a handwritten studio note travels well.

Reads well in southwestern, mid-century modern, and warm-minimal rooms. The white cross against the red sandstone holds graphic clarity that suits a clean wall without competing décor.

Desert-modern is leaning toward terracotta, oxblood, and bone, with one architectural focal point. The Voynich palette on this subject fits that direction without becoming literal southwestern décor.

A single Large reads cleanly above a standard sofa. A 4-tile Mural lets the cross and rock pillars read at full scale from across a room.

Yes, in Dura Satin or Matte finish. Both resist scratching and water spotting, and the colour holds in steam and in direct afternoon sun.

A soft microfibre cloth and water. No solvents, no abrasive pads. The colour is slowly infused into the ceramic surface under high heat and pressure, beneath a thin protective finish.

Yes. One studio, no licensing. Reid Wender curates each WenderVista piece, and the stained-glass and alcohol-ink visual language is the studio's own.

if this one stayed with you

A few you might also love.

Hand-picked by the eye that found Sorapis. Same air, same kind of quiet.