Wender·Vista
Chapel of the Holy Cross
shown on ceramic, 12-inch tileArizona
above Sedona, between the Twin Buttes

Chapel of the Holy Cross

the rock that learned to hold a cross.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

A modernist chapel built into a sandstone spur on the south edge of Sedona, between the Twin Buttes. Marguerite Brunswig Staude drew the first sketches in the early 1930s and saw it finished in 1956. The cross is ninety feet. From the road below, the building reads less as architecture set onto rock than as rock that learned to stand up straight.

from the studio
Chapel of the Holy Cross
— bring it home

Chapel of the Holy Cross, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Chapel of the Holy Cross

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Chapel of the Holy Cross stands on a 250-foot red-sandstone spur south of Sedona, Arizona, inside Coconino National Forest. Sculptor Marguerite Brunswig Staude commissioned the design in the early 1930s and worked through several sites, including a shelved Hungarian location, before settling on the present one. Architects Anshen and Allen of San Francisco completed the building in 1956. The site lies at about 4,500 feet between two formations locally known as the Twin Buttes, and the Roman Catholic Diocese of Phoenix operates the chapel today.

the light

The front of the chapel faces roughly southwest and catches the long afternoon, when the sandstone behind the cross moves from rust through ember to red-bronze. Sedona sits in a transition zone above four thousand feet, and the angle of the late sun is steeper than further south in the Sonoran. Late October between four and five p.m. is the most cited hour, when contrast between the white concrete cross and the warming cliff peaks. Summer monsoon clouds break the light into intervals.

the visit

The chapel is reached by a half-mile spur off State Route 179, about three miles south of the Sedona Y. A ramped walkway climbs from the lower parking area to the chapel entry. Hours are generally 9 a.m. to 5 p.m. daily, with a Monday-evening prayer service at 5. Admission is free and donations support upkeep. Parking fills by mid-morning in spring and fall; the city's Sedona Shuttle covers the trailhead from town. Tripods inside the chapel are not permitted.

where
United States · Sedona, Yavapai County, Arizona
within
Coconino National Forest
elevation
1,372 m · 4,500 ft
position
34.8316° N · 111.7672° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
4 km S
Bell Rock
sandstone butte
5 km W
Cathedral Rock
sandstone formation
5 km N
Sedona
town
4 km S
Courthouse Butte
sandstone butte
N
Chapel of the Holy Cross
Bell Rock
Cathedral Rock
Sedona
Courthouse Butte
common questions

What people ask.

A few questions we get about Chapel of the Holy Cross — and about bringing the piece home.
about the place

On the south edge of Sedona, Arizona, in Coconino National Forest. The site sits on a 250-foot red-sandstone spur between two formations locally called the Twin Buttes, about three miles south of central Sedona.

Construction finished in 1956, more than two decades after Marguerite Brunswig Staude began the project. The architects of record were Anshen and Allen of San Francisco; the cost at completion was about three hundred thousand dollars.

Staude described the moment of inspiration as a drive past the newly finished Empire State Building in 1932. She wanted a modern Catholic chapel whose architecture made the cross structural rather than ornamental.

Yes. It is operated by the Roman Catholic Diocese of Phoenix and holds a regular Monday-evening prayer service. The space is otherwise open to visitors of any faith during daytime hours.

Ninety feet from base to tip. The reinforced-concrete cross is structural; it carries part of the building's load between the two natural sandstone pillars that flank it.

about the piece in your home

Often yes. The chapel is among the most recognised images of northern Arizona, and the wider framing gives the rock setting full presence. A Medium with a handwritten studio note carries well.

Reads well in southwestern, mid-century modern, and warm-minimal rooms. The cross and red rock hold graphic clarity that suits a clean wall without competing artwork.

Desert-modern is leaning toward terracotta, oxblood, and bone palettes anchored by one architectural focal point. The Voynich treatment of this subject fits the direction without slipping into literal southwestern décor.

A single Large reads cleanly above a standard sofa. A 4-tile Mural opens the rock setting at full scale, and a 9-tile Mural works above a long sectional or a stairwell wall.

Yes, in Dura Satin or Matte finish. Both resist scratching and water spotting, and the colour holds in steam and in direct afternoon sun.

A soft microfibre cloth and water. No solvents, no abrasive pads. The colour is slowly infused into the ceramic surface under high heat and pressure, beneath a thin protective finish.

Yes. One studio, no licensing. Reid Wender curates each WenderVista piece, and the stained-glass and alcohol-ink visual language is the studio's own.

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