Wender·Vista
St Bartholomew-the-Great
shown on ceramic, 12-inch tileUnited Kingdom
in Smithfield, just inside the old City wall of London

St Bartholomew-the-Great

— Norman stone the Great Fire never reached.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

A priory church founded in 1123 by Rahere, a courtier of Henry I, and the oldest surviving parish church in the City of London. The half-timbered gatehouse on Little Britain leans over the lane; behind it the Norman choir keeps its round arches and squat columns intact. Smithfield's meat market still runs at dawn just outside. The interior is dim enough at any hour that candles do the work.

from the studio
St Bartholomew-the-Great
— bring it home

St Bartholomew-the-Great, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about St Bartholomew-the-Great

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

St Bartholomew-the-Great stands at West Smithfield in the City of London, founded in 1123 as the church of an Augustinian priory by the courtier Rahere. The nave was lost in the Dissolution under Henry VIII in 1539, but the Norman choir, ambulatory, and Lady Chapel survived, making it the oldest parish church still standing within the historic City walls. The Tudor gatehouse on Little Britain dates to 1595 and was rediscovered in 1916 when a Zeppelin bomb shook plaster from its half-timbered front.

the stone

The choir is pure Norman Romanesque: round arches on cylindrical piers about 1.5 metres across, carrying a heavy triforium above. The masonry is Kentish ragstone faced with Caen limestone, the same combination Bishop Gundulf used at the Tower of London a generation earlier. The Great Fire of 1666 stopped a few streets short of Smithfield, sparing the choir. Centuries of City coal smoke darkened the stone before the 1860s restoration by Sir Aston Webb, who pulled back the worst of the Victorian additions and left the twelfth-century bones visible.

the visit

The church is open to visitors most weekdays and Saturday mornings, with an admission charge of around £6 that supports the parish. Choral Eucharist runs Sunday mornings at 11; Choral Evensong on alternate Sundays at 18:30. Closest Underground stations are Barbican and Farringdon, both about five minutes' walk. The building has stood in for medieval London in films including Shakespeare in Love (1998) and Four Weddings and a Funeral (1994), so first-time visitors often recognise the choir before they place it.

where
United Kingdom · City of London, England
position
51.5188° N · 0.0995° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
0.1 km N
Smithfield Market
Victorian meat market
0.5 km NE
Barbican Centre
arts complex
0.8 km S
St Paul's Cathedral
cathedral
N
St Bartholomew-the-Great
Smithfield Market
Barbican Centre
St Paul's Cathedral
common questions

What people ask.

A few questions we get about St Bartholomew-the-Great — and about bringing the piece home.
about the place

It was founded in 1123 by Rahere as an Augustinian priory church. The Norman choir and ambulatory survive from that period, making it the oldest parish church still standing inside the City of London.

No. The fire of 1666 burned out a few streets short of Smithfield. The medieval choir and Tudor gatehouse came through untouched, which is why so much twelfth-century fabric is still visible inside.

Rahere was a courtier and possible jester to Henry I who took monastic vows after a near-fatal illness on pilgrimage. He founded the priory of St Bartholomew in 1123 and is buried in a fifteenth-century tomb on the north side of the choir.

Notably Shakespeare in Love (1998), Four Weddings and a Funeral (1994), The Other Boleyn Girl (2008), and Sherlock Holmes (2009). The Norman choir reads convincingly as any medieval English interior.

Farringdon and Barbican Underground stations are both about a five-minute walk. The entrance is through the half-timbered Tudor gatehouse on Little Britain, off West Smithfield, beside the open square.

Yes, around £6 for visitors, which supports the working parish. Admission is free for those attending services, and the church is open most weekdays and Saturday mornings.

about the piece in your home

It carries well for someone tied to the City, to a London parish, or to Anglican tradition. The Norman choir is one of the quietest places left in the City. A Small or Medium with a handwritten note travels well.

The warm stone and stained-glass tones settle into traditional English, library-dark, and quiet maximalist rooms. It holds its own on a deep green or burgundy wall, or beside dark wood panelling.

Above a standard sofa the Large reads cleanly as a single tile; a 4-tile Mural carries more weight. Above a console table, a Medium at eye level is the natural choice.

Yes, in the Dura Satin or Matte finish. Both stand up to steam, splashes, and daily wiping. The Glossy finish is reserved for dry walls and framed display.

A dry microfibre cloth for routine dust; lightly damp microfibre for anything stuck. No solvents or abrasives. The colour is slowly infused into the ceramic surface under high heat and pressure and will not lift.

Yes. Every piece in the atlas is original to Wender Studios in Knoxville, Tennessee, hand-finished in-house. We do not license the work to other studios or print houses.

if this one stayed with you

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