— — the blue that gave the mosque its other name.
“The Sultan Ahmed Mosque stands on the high ground of old Istanbul, across a public square from the Hagia Sophia. It was built between 1609 and 1617 for Sultan Ahmed I. Inside, more than twenty thousand Iznik tiles in blue and turquoise line the upper walls, which is why English speakers have called it the Blue Mosque since the nineteenth century. Six minarets rise from its courtyard.
Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.
Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.
The Sultan Ahmed Mosque sits on the Sultanahmet ridge of old Istanbul, in the Fatih district on the European side of the Bosphorus, facing the Hagia Sophia across a small public garden. Construction ran from 1609 to 1617 under Sultan Ahmed I, on the site of the old Byzantine Great Palace. The architect was Sedefkâr Mehmed Ağa, a student of the Ottoman master Sinan. The mosque's six minarets were controversial at the time, since Mecca's Masjid al-Haram then had the same number; a seventh was added in Mecca to settle the matter.
The inside of the mosque takes its English name from more than twenty thousand handmade Iznik tiles fitted to its upper walls and galleries. The tiles were produced in the workshops of Iznik (ancient Nicaea), about 130 kilometres east of Istanbul, at the high point of Ottoman ceramic art. The palette ranges from a deep cobalt to a copper-green turquoise, with carnation, tulip, and cypress motifs drawn in white and red. Light enters through more than two hundred stained-glass windows, and the colour reads softly in the cool of the central prayer hall.
The Sultan Ahmed Mosque is an active place of worship, open to visitors outside the five daily prayer times. Entry is free; modest dress is required, and shoes are removed at the door. Headscarves are provided for women at the visitor entrance on the north side. The best light inside falls in the late afternoon, when the western sun reaches the blue tiles through the lower windows. Outside in the central square, the Hippodrome of ancient Constantinople is still legible in the stones underfoot, and the Hagia Sophia stands a hundred metres away.