Wender·Vista
Pammakaristos Church
shown on ceramic, 12-inch tileTurkey
in the Fatih district of Istanbul, above the Golden Horn

Pammakaristos Church

— the gold that survived the centuries.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

A small Byzantine church on the fifth hill of old Constantinople, holding onto a side chapel of fourteenth-century mosaics that almost nothing else in the city kept. The main building has been a mosque since 1591, called Fethiye Camii. The parekklesion next door is the museum, and it is where the gold ground still catches what light comes through the narrow windows. Visitors come up the slope from the Golden Horn and stand for a long time without speaking. from the studio

from the studio
Pammakaristos Church
— bring it home

Pammakaristos Church, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Pammakaristos Church

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Pammakaristos Church sits on the fifth hill of historic Constantinople, in the Çarşamba quarter of the Fatih district, looking down toward the Golden Horn. The main church dates to the late eleventh or early twelfth century under the Komnenian dynasty, with a smaller side chapel, the parekklesion, added around 1310 by Maria Doukaina Palaiologina as a funerary chapel for her husband Michael Glabas. After the Ottoman conquest the building served as the seat of the Ecumenical Patriarchate from 1456 until 1587, then was converted to a mosque in 1591 by Murad III and renamed Fethiye Camii.

the stone

The exterior is recessed brick and stone in the Komnenian banded technique, with blind arches and a small dome. The parekklesion holds the surviving treasure: a deesis in the apse, a Pantokrator ringed by twelve prophets in the dome, and named saints across the vaults. The mosaics were uncovered between 1949 and 1960 by the Byzantine Institute of America under Paul Underwood, working alongside the team that cleaned the Chora. Since 1949 the parekklesion has been a museum administered with the wider monuments of the Fatih district, while the main hall remains an active mosque.

the visit

The parekklesion museum keeps short hours and is reached on foot from the Fener and Balat neighborhoods along the Golden Horn, about a fifteen-minute uphill walk from the ferry stop. The main mosque is open between prayer times. Photography is permitted in the museum but flashes are not, and the small interior holds at most twenty visitors at once before it feels crowded. The site is roughly four kilometers northwest of Hagia Sophia and is often paired with a visit to the Chora, which sits another two kilometers further along the old land walls.

where
Turkey · Fatih, Istanbul
position
41.0289° N · 28.9461° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
2 km NW
Chora Church
Byzantine church museum
1 km N
Fener
historic neighborhood
4 km SE
Hagia Sophia
Byzantine cathedral
N
Pammakaristos Church
Chora Church
Fener
Hagia Sophia
common questions

What people ask.

A few questions we get about Pammakaristos Church — and about bringing the piece home.
about the place

A Byzantine church on the fifth hill of Istanbul. The main building has been the Fethiye Mosque since 1591, while the attached parekklesion, built around 1310, is now a museum displaying its original Palaiologan mosaics.

The mosaics in the parekklesion date to about 1310, commissioned by Maria Doukaina Palaiologina as part of a funerary chapel for her husband, the general Michael Glabas Tarchaneiotes.

They were uncovered between 1949 and 1960 by the Byzantine Institute of America under Paul Underwood, the same team that cleaned the mosaics at the Chora Church nearby.

Yes. The Ecumenical Patriarchate of Constantinople used Pammakaristos as its seat from 1456 until 1587, after Hagia Sophia became a mosque and before the Patriarchate moved to its current location in Fener.

Sultan Murad III converted it in 1591 to commemorate Ottoman victories in Georgia and Azerbaijan, renaming it Fethiye Camii, the Mosque of Conquest. The conversion sealed off the parekklesion, which preserved its mosaics.

Walk uphill about fifteen minutes from the Fener ferry stop on the Golden Horn. The parekklesion museum keeps short hours; the main mosque is open between prayer times. It pairs naturally with the Chora, two kilometers northwest.

about the piece in your home

It has been a meaningful gift for customers in both groups. The parekklesion mosaics are a touchstone for anyone who studies the Palaiologan period. A Small or Medium with a handwritten card carries well.

The deep gold and indigo palette sits well in Jewel-tone Maximalist rooms, in libraries with warm wood, and in older interiors with plaster walls. It does not belong in a cool minimalist scheme.

Yes. The Old-World Layered look favors gilded surfaces, Byzantine and Eastern Mediterranean references, and pieces with a sense of age. A Large above a console reads as an heirloom rather than a print.

Above a standard sofa we recommend a single Large or a four-tile Mural. Above a narrower console, a Medium or a three-tile horizontal arrangement holds the wall without crowding it.

Yes, in the Dura Satin or Matte finish. Both are scratch-resistant and tolerate humidity and direct splash, which makes them safe for a backsplash, a powder room, or a shower surround.

A soft microfibre cloth and clean water are enough. For a kitchen tile, a drop of mild dish soap removes cooking residue. Avoid abrasive pads and ammonia-based sprays, which can dull the surface over time.

Yes. Every WenderVista piece is original to the studio, painted in our stained-glass and alcohol-ink visual language by Reid Wender. We do not license other artists' work and we do not reproduce existing paintings.

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