Wender·Vista
Saint Martin's Church
shown on ceramic, 12-inch tileSwitzerland
in the old town of Chur, eastern Switzerland

Saint Martin's Church

— the light Giacometti put into the glass.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

The late-Gothic parish church above the cobbled lanes of Chur, oldest town north of the Alps. The tower clock still keeps the hour for the Bündner valleys below. Inside, the windows are Augusto Giacometti's, set during the First World War — blues and ochres that wake up by mid-morning and hold the nave until the afternoon light moves on. Nobody hurries through. The pews are dark, the stone is cool, the silence between the bells is part of the building. from the studio

from the studio
Saint Martin's Church
— bring it home

Saint Martin's Church, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Saint Martin's Church

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

St. Martin's Church (Martinskirche) sits above the medieval old town of Chur, the cantonal capital of Graubünden and one of the oldest continuously settled places north of the Alps. The current late-Gothic three-aisled hall was completed in 1491 after a fire destroyed the earlier Romanesque building, and the slender tower was raised in 1716. The church has been the principal Reformed parish of Chur since the Reformation reached Graubünden in 1526. It stands at roughly 593 metres, a short walk from the Plessur and the cathedral hill.

the light

The three chancel windows are by Augusto Giacometti, the Graubünden-born painter and cousin of the sculptor Alberto. He installed them in 1919, near the end of the First World War, working in deep cobalt, ochre and rose. The composition reads almost abstractly until the eye finds the figures of the Nativity, the Crucifixion and the Resurrection. The glass turns on slowly in the morning and burns through the nave around eleven, when the Alpine sun clears the rooftops on the south side of the old town.

the visit

The church is open daily, free of charge, with the hours posted at the south door; services are in German. The old town of Chur is car-free, so visitors arrive on foot from the station, about ten minutes uphill past the Obertor gate. The town itself is reachable by direct hourly trains from Zürich (around 75 minutes) on the SBB network, and is the launching point for the Rhaetian Railway lines to St. Moritz and the Bernina. Photography is permitted; flash is asked to be kept off near the windows.

where
Switzerland · Chur, Graubünden
elevation
593 m · 1,945 ft
position
46.8499° N · 9.5329° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
at the lake
Cathedral of St. Mary of the Assumption
Romanesque cathedral
at the lake
Obertor
medieval gate
at the lake
Rätisches Museum
regional museum
4 km S
Brambrüesch
alpine ridge
N
Saint Martin's Church
Cathedral of St. Mary of the Assumption
Obertor
Rätisches Museum
Brambrüesch
common questions

What people ask.

A few questions we get about Saint Martin's Church — and about bringing the piece home.
about the place

The present late-Gothic building was completed in 1491, replacing a Romanesque church destroyed by fire in 1464. The tower was raised in 1716. The parish itself is much older, with roots in the early medieval bishopric of Chur.

Augusto Giacometti, the Graubünden painter and cousin of Alberto Giacometti, designed the three chancel windows in 1917 and 1919. They depict the Nativity, the Crucifixion and the Resurrection in deep cobalt and ochre.

It is Reformed (Protestant), and has been since the Reformation reached Graubünden in 1526. The nearby Cathedral of St. Mary of the Assumption is the Roman Catholic seat of the Diocese of Chur.

Direct SBB trains run hourly from Zürich Hauptbahnhof to Chur in about 75 minutes. Chur is also the western terminus of the Rhaetian Railway's Albula and Bernina lines toward St. Moritz and Tirano.

The Giacometti windows read strongest between mid-morning and early afternoon, when the south-facing sun clears the surrounding rooftops. Winter light is lower and warmer; summer light is brighter and bluer.

Archaeological finds at Welschdörfli place continuous settlement at Chur back roughly 5,000 years, which is generally cited as the oldest continuously inhabited place in Switzerland north of the Alps.

about the piece in your home

It has been a meaningful gift for our customers from the canton. The Martinskirche tower is one of the first things you see walking up from the station, and the Giacometti windows are a quiet point of local pride.

The cobalt and ochre of the windows pair well with Alpine modern, jewel-tone maximalist, and warm minimalist rooms. It holds its own against dark walnut, oiled oak, and unpolished stone.

Yes. Stained-glass-derived imagery has returned to interior design through the renewed interest in heritage craft and ecclesiastical art. The piece reads as devotional without being overtly liturgical.

A single Large reads well above a console up to about five feet wide. Above a standard sofa, the 4-tile Mural sits in proportion; for a long wall, the 9-tile Mural is the right scale.

Yes. Order the Dura Satin or Matte finish for any vertical install near water or heat. The colour lives in the ceramic surface and is unaffected by steam, splash, or kitchen oils.

A microfibre cloth and clean water are enough. No abrasives, no ammonia, no bleach. The thin glossy or satin finish wipes clean and does not need sealing or waxing.

Yes. The art is made in our studio by Reid Wender, and is not licensed in or out. Every WenderVista piece is a single-studio work.

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