— — the colour the West borrowed.
“Europe's one true desert, an hour inland from the Almería coast. Eroded badlands and dry ramblas the colour of pale clay, ringed by the Sierra de los Filabres. Sergio Leone built three western towns here in the 1960s and shot the trilogy that taught a generation what the West looked like. The light at four in the afternoon is the colour that came home with the film.
Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.
Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.
Tabernas sits in the Almería province of Andalusia, in a rain shadow cast by the Sierra Nevada and the Sierra de los Filabres. Annual rainfall stays under 250 millimetres, which gives it the designation of mainland Europe's only semi-arid desert. The badlands cover roughly 280 square kilometres and are managed as the Paraje Natural Desierto de Tabernas. The A-92 motorway threads the basin and connects the town of Tabernas to Almería city, about 30 kilometres south.
The light here is what drew the directors. The basin sits at around 400 metres elevation with more than 3,000 hours of sun a year, the highest total in mainland Europe. By late afternoon the ridges of weathered marl turn copper, then rose, then a dry violet just before the sun drops behind the Filabres. Cinematographer Tonino Delli Colli shot Sergio Leone's Dollars trilogy in this light between 1964 and 1966, and the colour stayed in the celluloid.
Three film-set parks survive on the basin floor: Oasys MiniHollywood near the A-92, Fort Bravo Texas Hollywood a few kilometres east, and Western Leone closer to the Rambla de Tabernas. Each runs daily shows and keeps the saloon facades from the Dollars films standing. Almería airport is the closest gateway, 30 kilometres south. Spring and autumn are the practical windows for a visit; July afternoons regularly clear 40°C on the open ground.