— — the room where Las Meninas keeps the light.
“Spain's national painting museum, set along the Paseo del Prado between the Retiro park and Atocha station. Velázquez, Goya, El Greco, Bosch — eight centuries of European painting under one neoclassical roof opened in 1819. The galleries hold a particular hush. The room with Las Meninas is the one most visitors stop in twice, once on the way in and once on the way out.
Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.
Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.
The Museo Nacional del Prado opened on 19 November 1819 in a Juan de Villanueva building originally designed as a natural-history cabinet for Charles III. Its core holding is the Spanish royal collection, augmented across two centuries by donations and acquisitions. The museum now lists more than 8,200 paintings, of which roughly 1,300 hang in the public galleries. The Villanueva building, the Casón del Buen Retiro and the Jerónimos extension by Rafael Moneo together cover about 60,000 square metres.
Juan de Villanueva designed the original building in 1785 in late Spanish neoclassical style, with a long granite-and-brick facade running along the Paseo del Prado. The Civil War damaged parts of the structure; restoration finished in 1968. Rafael Moneo's 2007 extension wrapped the cloister of the adjacent Jerónimos church into the museum, adding 16,000 square metres of galleries, conservation studios and shop without breaking the line of the older facade.
The Prado sits on the Paseo del Prado opposite the Thyssen-Bornemisza, a few minutes' walk from Atocha station and the Retiro park. It opens Monday to Saturday from 10 a.m. to 8 p.m. and Sunday until 7 p.m., with free entry in the last two hours each day. The main visitors' entrance is the Puerta de los Jerónimos, behind the seated bronze of Velázquez. Photography is not permitted in the galleries.