Wender·Vista
Madinat Al-Zahra
shown on ceramic, 12-inch tileSpain
in the foothills of the Sierra Morena, eight kilometers west of Córdoba

Madinat Al-Zahra

— a caliph's city that lasted seventy years.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

A vast tenth-century palace city built into the south slope of the Sierra Morena, terraced down toward the Guadalquivir plain. Abd al-Rahman III began it in 936 as the new capital of the Caliphate of Córdoba; it was sacked and abandoned by 1010, less than a lifetime after the first stone was set. What remains is the upper terrace, the Hall of Abd al-Rahman III with its carved alabaster panels, and a long quiet field of foundations under the olives. The site became a UNESCO World Heritage property in 2018. from the studio

from the studio
Madinat Al-Zahra
— bring it home

Madinat Al-Zahra, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Madinat Al-Zahra

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Madinat al-Zahra, also written Medina Azahara, is the ruined palace city of the Umayyad Caliphate of Córdoba, about eight kilometers west of Córdoba on the south flank of the Sierra Morena. Construction began in 936 under Caliph Abd al-Rahman III as a new capital separate from the older city, organised across three descending terraces with the palace at the top, gardens and administration in the middle, and a residential quarter on the lowest level. The site was sacked during the Fitna of al-Andalus around 1010 and abandoned, then forgotten under farmland until excavations began in 1911.

the stone

The signature space is the Salón Rico, the reception hall of Abd al-Rahman III, lined with carved limestone and stucco panels in a dense vegetal style known as ataurique. The hall's central horseshoe arch sits between aisles separated by reused Roman and Visigothic columns, a deliberate gesture of inheritance. Excavation has revealed only about ten percent of the city's roughly 112 hectares, but the recovered carving is detailed enough that fragments have been refitted to within a centimeter. Conservation is led by the Conjunto Arqueológico, with the on-site museum opened in 2009 and awarded the Aga Khan Award in 2010.

the visit

The visit begins at the museum on the plain, where a free exhibition lays out the site's history and recovered pieces. A shuttle bus runs continuously up the two kilometers to the archaeological terraces; private cars cannot drive to the upper site. Entry to the archaeological zone is free for EU citizens and a small fee for others, and the site closes on Mondays. The walk through the ruins from top to bottom takes about ninety minutes; spring and autumn are recommended over the high heat of July and August, when the south-facing terraces become difficult.

where
Spain · Córdoba, Andalusia
elevation
200 m · 656 ft
position
37.8881° N · 4.8678° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
8 km E
Córdoba (historic centre)
UNESCO old town
8 km E
Mezquita-Catedral
former Great Mosque
1 km N
Sierra Morena foothills
mountain range
N
Madinat Al-Zahra
Córdoba (historic centre)
Mezquita-Catedral
Sierra Morena foothills
common questions

What people ask.

A few questions we get about Madinat Al-Zahra — and about bringing the piece home.
about the place

The ruined tenth-century palace city of the Caliphate of Córdoba, built by Abd al-Rahman III from 936 as a new capital. It was sacked around 1010 and abandoned, then rediscovered through excavation beginning in 1911.

Abd al-Rahman III had proclaimed the Caliphate of Córdoba in 929 and wanted a ceremonial capital that expressed Umayyad sovereignty, separate from the older city. The new city projected the caliphate's authority to visiting embassies.

Less than seventy-five years. Construction began in 936 and continued under his son al-Hakam II, but during the civil war known as the Fitna of al-Andalus the city was sacked and burned around 1010 and never reoccupied.

Roughly ten percent of the estimated 112-hectare site. The upper terrace, including the reception hall known as the Salón Rico, is the most fully excavated and restored part of the city.

Yes. The Caliphate City of Medina Azahara was inscribed on the UNESCO World Heritage List in 2018 for its outstanding testimony to the urban civilisation of al-Andalus at its height.

Start at the on-site museum on the plain, eight kilometers west of Córdoba. A shuttle bus runs continuously up to the archaeological terraces. The site closes on Mondays and is best visited in spring or autumn.

about the piece in your home

It has been a meaningful gift for customers connected to Andalusia and to Islamic art. A Medium or Large with a handwritten note from the studio reads as a serious recognition rather than a souvenir.

The ochre, ivory, and deep-blue palette suits Spanish Colonial Revival, Moorish-influenced Mediterranean rooms, and warm libraries with carved wood. It sits beautifully against lime-washed plaster walls.

Yes. The Mediterranean Heritage direction favors carved-stone references, ochre and limestone palettes, and pieces that reward close looking. A Large above a console anchors the room.

Above a standard sofa we recommend a single Large or a four-tile Mural. Above a narrower console, a Medium or a three-tile horizontal arrangement holds the wall without crowding it.

Yes, in the Dura Satin or Matte finish. Both are scratch-resistant and tolerate humidity and direct splash, which makes them safe for a backsplash, a powder room, or a shower surround.

A soft microfibre cloth and clean water are enough. For a kitchen tile, a drop of mild dish soap removes cooking residue. Avoid abrasive pads and ammonia-based sprays, which can dull the surface over time.

Yes. Every WenderVista piece is original to the studio, painted in our stained-glass and alcohol-ink visual language by Reid Wender. We do not license other artists' work and we do not reproduce existing paintings.

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