— — a snow cone the road bends to keep in view.
“A dormant stratovolcano on the Greater Caucasus crest, 5,054 metres, where the Russian republic of North Ossetia meets Georgia. The Georgian Military Road threads the Darial Gorge below it; the small church of Tsminda Sameba sits on a green shoulder at Stepantsminda, framing the peak in nearly every photograph ever taken of the mountain. In Georgian myth the chained giant Amirani still waits inside it. from the studio
Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.
Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.
Mount Kazbek, known in Georgian as Mkinvartsveri (the ice-crested), rises to 5,054 metres on the Greater Caucasus watershed where Russia's republic of North Ossetia-Alania meets Georgia's Mtskheta-Mtianeti region. It is the seventh-highest summit of the Caucasus and a dormant stratovolcano, with its last eruption dated to around 750 BCE. Glaciers cover an estimated 135 square kilometres of its flanks, feeding the Terek and Aragvi river systems and shaping the Darial Gorge below.
The classic climbing window is July through September, when the upper Gergeti and Devdoraki glaciers settle and the route from Stepantsminda over the Maili plateau opens. Winter buries the upper road in snow and avalanches close long sections of the Georgian Military Road. The local pilgrimage to Tsminda Sameba peaks in summer; in autumn the village of Stepantsminda turns gold along the Tergi river before the first heavy snows close the season.
The peak is built of andesitic lava flows from successive late-Quaternary eruptions, stacked over older Caucasus basement rock. The small Gergeti Trinity Church on the 2,170-metre shoulder above Stepantsminda was built in the 14th century from local trachyte and granite. For centuries it served as the high refuge for Mtskheta's church treasures during invasions. Today it is one of the most recognised silhouettes in the southern Caucasus, set against Kazbek's snow.