Wender·Vista
Old Summer Palace
shown on ceramic, 12-inch tileQing dynasty
in northwest Beijing, beyond the old summer hunting grounds

Old Summer Palace

— the ruin the empire left where the palace had been.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

The Yuanmingyuan, the Garden of Perfect Brightness, stood northwest of Beijing for a hundred and fifty years as the chief residence of the Qing emperors. Anglo-French forces sacked and set fire to it in October 1860 at the end of the Second Opium War. The ruins of the European-style stone pavilions, designed under the Qianlong Emperor in the eighteenth century, still stand in the park where the wood-and-tile halls have not.

from the studio
Old Summer Palace
— bring it home

Old Summer Palace, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Old Summer Palace

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Yuanmingyuan covers about 350 hectares in Beijing's Haidian District, north of the Tsinghua and Peking university campuses and east of the surviving Summer Palace at Yiheyuan. It is laid out as three interconnected gardens, Yuanmingyuan proper, Changchunyuan, and Qichunyuan, with lakes, canals, and artificial hills. The site was developed from 1707 under the Kangxi Emperor and expanded through the eighteenth century under Yongzheng and Qianlong. It operated as the main court of the Qing emperors for much of the year, with the Forbidden City reserved for ceremony.

the stone

The Xiyang Lou, or Western Mansions, is the surviving fragment most photographed today. The complex of European-style stone pavilions and fountains was designed by the Jesuit court artists Giuseppe Castiglione and Michel Benoist for the Qianlong Emperor between 1747 and 1783, in a Baroque idiom adapted to Chinese siting. Almost all the wood and lacquered halls of the gardens were lost in the 1860 sack. The carved marble façades of the Xiyang Lou, of harder Western stone, were left as ruins and have been deliberately preserved in that state since the 1980s as a national memorial.

the year

On 18 October 1860, under the orders of Lord Elgin, British and French troops looted and set fire to the Yuanmingyuan over three days at the end of the Second Opium War. The Qing court under the Xianfeng Emperor had already fled to the summer palace at Chengde. An estimated 1.5 million objects were carried off, many now held in European and North American collections. The site was reopened as a public park in 1988 and remains, in Chinese public memory, a marker of the century of humiliation.

where
China (Qing dynasty) · Haidian District, Beijing
within
Yuanmingyuan Park
elevation
50 m · 164 ft
position
40.0078° N · 116.2987° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
3 km W
Summer Palace (Yiheyuan)
imperial garden
2 km S
Tsinghua University
university
2 km S
Peking University
university
11 km W
Fragrant Hills Park
park
N
Old Summer Palace
Summer Palace (Yiheyuan)
Tsinghua University
Peking University
Fragrant Hills Park
common questions

What people ask.

A few questions we get about Old Summer Palace — and about bringing the piece home.
about the place

The Yuanmingyuan covers about 350 hectares in Haidian District in northwest Beijing, north of Tsinghua and Peking universities and east of the present Summer Palace at Yiheyuan.

The garden was begun under the Kangxi Emperor in 1707 and expanded through the eighteenth century by his Qing successors Yongzheng and Qianlong, who used it as the principal court for much of the year.

British and French troops looted and set fire to the gardens over three days in October 1860, under Lord Elgin, at the end of the Second Opium War. An estimated 1.5 million objects were carried away.

The Xiyang Lou, or Western Mansions, are Baroque stone pavilions designed for the Qianlong Emperor by the Jesuit court artists Giuseppe Castiglione and Michel Benoist between 1747 and 1783. Their carved marble façades survived the 1860 fire.

Yes. The site reopened as a public park in 1988 and is open daily, with a separate ticketed area for the Xiyang Lou ruins. It is reached by Beijing Subway Line 4, Yuanmingyuan station.

Yiheyuan, the standing Summer Palace, was rebuilt by the Empress Dowager Cixi in the 1880s on an older site nearby. The Yuanmingyuan is older, larger, and preserved as a ruin.

about the piece in your home

The piece reads well for readers of Qing history, students of Chinese garden design, and anyone with family ties to Beijing. A Small or Medium with a studio note travels with weight.

The tile sits well in Chinoiserie-modern and Asian-contemporary rooms, against dark wood, lacquer, and pale plaster. It also holds its own in a Minimalist study where one quiet piece does the work.

The piece fits the heritage-modern direction that pairs antique reference with restrained contemporary furniture. The visual treatment of the stone keeps the colour subdued, not theatrical.

A single Large covers most sofas and consoles. A four-tile Mural extends the field; a nine-tile Mural reads from across the room. The Medium suits a console or narrow hallway.

Yes, in Dura Satin or Matte. Both shed steam and splashes and resist scratching. The Glossy finish is reserved for dry framed wall display.

A soft microfibre cloth and water. Skip abrasive sprays and bleach-based cleaners. The colour lives in the ceramic surface and will not wear with cleaning.

Yes. Every WenderVista piece is curated by Reid Wender and produced in our Knoxville studio. The visual language is ours and is not licensed elsewhere.

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