Wender·Vista
Tomb of the Virgin Mary
shown on ceramic, 12-inch tilePalestine
in the Kidron Valley below the Mount of Olives

Tomb of the Virgin Mary

the stone steps go down, then down again.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

An underground sanctuary in the Kidron Valley at the foot of the Mount of Olives, a short walk below the Garden of Gethsemane. The Crusader facade opens onto a long flight of stone steps descending into the rock, where Greek Orthodox, Armenian, Syriac, Coptic and Ethiopian communities each keep a corner. The air is cool. Lamps hang low. The studio's tile holds the dark of the descent more than the daylight at the door.

from the studio
Tomb of the Virgin Mary
— bring it home

Tomb of the Virgin Mary, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Tomb of the Virgin Mary

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Tomb of the Virgin Mary, also called the Church of the Sepulchre of Saint Mary, sits in the Kidron Valley in East Jerusalem, between the Old City walls and the Mount of Olives. The present cruciform underground church dates to the Crusader twelfth century, built over a Byzantine sanctuary that itself enclosed a rock-cut tomb attributed by Eastern Christian tradition to the burial place of Mary. The site is administered jointly by the Greek Orthodox and Armenian Apostolic patriarchates, with smaller shares held by the Syriac, Coptic and Ethiopian churches.

the stone

A single broad staircase of forty-seven worn limestone steps descends from the Crusader facade to the underground church, the only entry. Halfway down, on the right, a small chapel marks a tradition of the tomb of Joachim and Anne, Mary's parents; on the left, that of Joseph. At the base, the rock-cut tomb itself stands as a free-standing aedicule, faced in marble and lit by hanging oil lamps from the several communities that share the sanctuary.

the visit

The tomb is open to visitors most days from roughly six in the morning to noon and again from two to five in the afternoon, without an entry fee. Modest dress covering shoulders and knees is required, as at all the Jerusalem holy sites. Photography is permitted at the discretion of the resident clergy and is generally tolerated outside services. The Garden of Gethsemane and the Church of All Nations stand a few minutes' walk uphill across the Jericho Road.

where
Palestine · Kidron Valley, East Jerusalem
position
31.7799° N · 35.2392° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
0.1 km N
Garden of Gethsemane
olive grove
0.5 km E
Mount of Olives
ridge
0.4 km W
Lions' Gate
Old City gate
N
Tomb of the Virgin Mary
Garden of Gethsemane
Mount of Olives
Lions' Gate
common questions

What people ask.

A few questions we get about Tomb of the Virgin Mary — and about bringing the piece home.
about the place

Eastern Christian tradition identifies the rock-cut tomb at the centre of the underground church as the burial place of Mary, mother of Jesus, before her assumption. Roman Catholic tradition honours the site without holding the same dogmatic claim.

The present underground church was built in the twelfth century by the Crusaders over a sixth-century Byzantine sanctuary. The rock-cut tomb itself is older and predates both structures.

The Greek Orthodox and Armenian Apostolic patriarchates share primary custody. The Syriac, Coptic and Ethiopian churches each keep a smaller altar under the Status Quo agreement that governs the major Jerusalem holy sites.

It stands in the Kidron Valley below the Mount of Olives, immediately across the Jericho Road from the Garden of Gethsemane. The walk from Lions' Gate in the Old City takes about ten minutes downhill.

No. The church is open to visitors without charge during morning and afternoon hours. Modest dress and quiet conduct are expected, and donations to the lamp fund are accepted at the side altars.

Forty-seven worn limestone steps descend in a single broad flight from the Crusader facade to the floor of the underground church. The tomb stands at the far end of the lower chamber.

about the piece in your home

Yes. The tomb is one of the principal Marian sites in the Jerusalem itinerary and is meaningful to Orthodox, Catholic and Oriental Christian recipients. A Keepsake with a handwritten studio note travels well.

Sits well in a quiet devotional corner, a study, or a hallway lined with iconography. The deep stone tones also work with warm neutral rooms and traditional interiors anchored by wood and brass.

Yes. The current direction in faith-aware design favours quiet stone palettes, low light and single anchored images over crowded gallery walls. The tile reads in that register without being decorative about it.

A single Large anchors a wall above a prayer bench, console or reading chair. A Mural is generally too large for the contemplative register of this image; the Medium or Large is the natural choice.

Yes, in the Dura Satin or Matte finish. Both resist scratching and humidity and are intended for vertical installations like backsplashes, shower walls and powder rooms.

A soft microfibre cloth and clean water. The colour lives in the surface beneath a thin glossy finish, so no special cleaner is needed and no abrasive pad should be used.

Yes. Every WenderVista piece is curated by Reid Wender and finished in the Knoxville studio. There is no outside licensing and no third-party reseller.

if this one stayed with you

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