Wender·Vista
Lalitpur
shown on ceramic, 12-inch tileNepal
across the Bagmati from Kathmandu, in the Kathmandu Valley

Lalitpur

— — the city of fine arts.

— Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
— On the nightstand, a 6-inch on a walnut stand
— Among the books, a 6-inch leaning into the spines
— Beside the kettle, a 12-inch propped
— Down a quiet hall, an 18-inch floating off the wall
— Above the fire, the 24-inch in a walnut surround
— a note from the studio

“The old Newar city of Patan, on the south bank of the Bagmati. A square of red brick and dark carved wood, ringed by temples that have stood since the Malla kings. The metalworkers' lanes still ring at first light. Krishna Mandir, all stone, holds the centre. Pigeons lift off the courtyards in one motion. The 2015 earthquake took down several of the pavilions; the rebuilding is patient, done by the same families who built them the first time. — from the studio

from the studio
Lalitpur
— bring it home

Lalitpur, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
— size
6 × 6 in
15 cm
— weighs
1.6 lb
solid in the hand
— surface
ceramic, hand-finished
art rests beneath a thin glossy finish
— from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

— about Lalitpur

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
— the place

Lalitpur, historically known as Patan, is the third-largest city of Nepal and one of three royal Newar cities of the Kathmandu Valley, along with Kathmandu and Bhaktapur. It lies on the south bank of the Bagmati River at about 1,400 metres above sea level. Patan Durbar Square, the historic heart, has been inscribed on UNESCO's World Heritage List since 1979 as part of the Kathmandu Valley site. The city has been continuously inhabited for at least seventeen centuries; inscriptions place a settlement here as early as 299 CE under the Licchavi dynasty.

— the stone

Patan Durbar Square holds the densest concentration of pre-modern architecture in the valley. Krishna Mandir, completed in 1637 under King Siddhi Narsingh Malla, is built entirely of stone in a shikhara style rare in a valley of brick and timber, with carved reliefs of the Mahabharata and Ramayana running its three tiers. The Royal Palace, the Mul Chowk and the Sundari Chowk surround the square in red brick and tiered pagoda roofs. The 2015 Gorkha earthquake collapsed several monuments; reconstruction has used traditional joinery and the same lineage of Newar craft families.

— the visit

Lalitpur is a 20-minute drive or short taxi ride from central Kathmandu and Tribhuvan International Airport. Patan Durbar Square charges a foreign-visitor fee that funds heritage conservation; a multi-day pass is available. The Patan Museum, housed in the restored Keshav Narayan Chowk, is widely regarded as one of South Asia's finest small museums. October and November are the clearest months, with daytime highs around 22°C and dry weather following the monsoon. The metalworkers' quarter around Oku Bahal is best in the early morning, when the hammering begins.

— informed by Patan Museum
— where
Nepal · Lalitpur District, Bagmati Province
— elevation
1,400 m · 4,593 ft
— position
27.6766° N · 85.3206° E
— the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
5 km N
Kathmandu
capital city
13 km E
Bhaktapur
Newar city
1 km N
Bagmati River
river
N
Lalitpur
Kathmandu
Bhaktapur
Bagmati River
— common questions

What people ask.

A few questions we get about Lalitpur — and about bringing the piece home.
— about the place

Yes. Lalitpur is the official name of the city historically called Patan, one of the three royal Newar cities of the Kathmandu Valley. Both names remain in use; the Patan Durbar Square keeps the older name in everyday and tourist usage.

Patan Durbar Square is one of seven monument zones in the Kathmandu Valley World Heritage Site, inscribed in 1979 for its concentration of Newar Malla-era palaces, temples and courtyards. Krishna Mandir, completed in 1637, is the centrepiece.

Krishna Mandir is a three-tiered stone shikhara temple built in 1637 under King Siddhi Narsingh Malla. Unlike the brick-and-timber pagodas around it, the entire structure is carved stone, with relief friezes of the Mahabharata and Ramayana running the lower tiers.

Yes. The April 2015 Gorkha earthquake collapsed several monuments in Patan Durbar Square. Reconstruction has been ongoing since, using traditional Newar joinery and the same craft families that built the original structures.

October and November are the clearest months, with daytime highs around 22°C and dry post-monsoon weather. March and April are also pleasant. The monsoon arrives in June and the valley sees significant rain through September.

— about the piece in your home

Yes. Patan is one of the most beloved places in the Kathmandu Valley, particularly for Newar families. A Small or Medium with a handwritten studio note carries that recognition gracefully across distance.

The deep reds, gold and stained-glass blues read well in jewel-tone maximalist rooms, Indo-modern interiors with carved teak, and warm minimalist spaces where one tile carries the colour. It also lifts a quiet room with brass accents.

Yes. The current heritage-modern direction pairs specific places with restrained frames. A named Newar tile sits naturally in that vocabulary, particularly in a dark walnut frame or a brass standoff above a console.

Above a console, a single Large reads well. Above a sofa, step up to a 4-tile Mural or a 9-tile Mural for the right visual weight. The Mural's grid suits the stained-glass treatment of the temple architecture.

Yes. Choose the Dura Satin or Matte finish for any wall that may catch steam. For a pooja niche, the Glossy finish reads richer under warm lamp light. All three finishes are wipe-clean.

A soft microfibre cloth with plain water handles everyday dust. For occasional residue, a damp cloth with a drop of mild dish soap. Avoid abrasive pads and bleach-based sprays, which can dull the surface over time.

Yes. Every WenderVista piece is original to our family studio in Knoxville, Tennessee. We do not license images in or out. The colour is slowly infused into the ceramic surface under high heat and pressure, then hand-finished.

— if this one stayed with you

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