Wender·Vista
Plain of Jars
shown on ceramic, 12-inch tileLaos
on the Xiangkhouang plateau in northern Laos

Plain of Jars

— a field of stone vessels older than the questions asked of them.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

A high grassland in Xiangkhouang province, eastern Laos, where thousands of carved stone jars stand in clusters across the hills around Phonsavan. The largest are over two metres tall and weigh several tonnes; the smallest sit at knee height. They were cut and placed between roughly 500 BCE and 500 CE, almost certainly for burial. The same plateau was the most heavily bombed ground in the world during the Secret War, and the cleared paths through each site are still marked with white-and-red stones.

from the studio
Plain of Jars
— bring it home

Plain of Jars, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Plain of Jars

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Plain of Jars covers a rolling upland in Xiangkhouang province in northern Laos, roughly 1,000 to 1,200 metres above sea level, with the town of Phonsavan as the usual base. More than ninety jar sites have been recorded across the plateau, holding upwards of two thousand carved stone vessels in sandstone, granite, and limestone. UNESCO inscribed the megalithic jar sites of Xiengkhuang on the World Heritage list in 2019. The jars are now generally dated to the Iron Age, roughly 500 BCE to 500 CE, and are understood to be funerary.

the stone

The largest jar, at Site 1 near Ban Ang, stands about three metres tall and is estimated to weigh around six tonnes. The stone for most jars is thought to come from quarries up to ten kilometres away, with no clear evidence of how they were moved. The pioneering survey of the sites was carried out in the 1930s by the French archaeologist Madeleine Colani, who excavated a nearby limestone cave and concluded the jars were used as primary burial vessels.

the visit

Phonsavan, the provincial capital, is reached by a 45-minute flight from Vientiane or a hard ten-hour drive across the mountains. Site 1, Site 2, and Site 3 are the three openly visitable clusters within an hour of town and have been cleared of unexploded ordnance left from the 1964 to 1973 US bombing campaign. Visitors must keep to the marked paths between the white-and-red MAG marker stones. The MAG visitor centre in Phonsavan explains the ongoing clearance.

where
Laos · Phonsavan, Xiangkhouang Province
elevation
1,100 m · 3,609 ft
position
19.4314° N · 103.1531° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
8 km W
Phonsavan
provincial town
8 km SE
Site 1 (Ban Ang)
jar site
35 km SE
Muang Khoun
old capital
N
Plain of Jars
Phonsavan
Site 1 (Ban Ang)
Muang Khoun
common questions

What people ask.

A few questions we get about Plain of Jars — and about bringing the piece home.
about the place

The jars cover an upland plateau in Xiangkhouang province in northern Laos, around 1,000 to 1,200 metres above sea level. The town of Phonsavan, the provincial capital, is the usual base for visits.

The jars are generally dated to the Iron Age, roughly 500 BCE to 500 CE. Recent excavations have confirmed human remains and grave goods, supporting the long-held view that they are funerary.

More than ninety jar sites have been recorded across the plateau, holding upwards of two thousand carved stone vessels in sandstone, granite, and limestone. The largest stands about three metres tall.

The French archaeologist Madeleine Colani led the first thorough survey in the 1930s. Her excavation of a nearby limestone cave produced the foundational evidence for the funerary interpretation still in use.

Yes. UNESCO inscribed the Megalithic Jar Sites of Xiengkhuang on the World Heritage list in 2019, recognising their cultural importance and the open archaeological questions they still hold.

The three main sites have been cleared of unexploded ordnance by MAG and other agencies, and are safe on the marked paths between white-and-red stones. Off-path walking on the plateau is not safe; clearance continues in surrounding areas.

about the piece in your home

It has been a meaningful gift for many of our Southeast Asia travellers. The Plain of Jars is one of the most memory-holding places in Laos. A Medium with a handwritten studio note carries the high-plateau quiet.

The piece sits naturally in Earth-toned Modern, Wabi-Sabi, and Archaeological-modern rooms. The grass-green and weathered-stone palette plays against teak, raw linen, and aged brass without crowding the wall.

Yes. The current taste for object-led, study-room interiors favours single grounded references over busy gallery walls. A Medium in Glossy reads well above a low bookshelf or console.

Above a standard sofa, a single Large reads cleanly. Above a wider piece, a 4-tile Mural carries the wall. For a long study or hallway, a 9-tile Mural holds the room.

Yes. Order the Dura Satin or Matte finish for vertical installation in damp rooms. The colour is infused into the ceramic surface and will not lift with humidity or cleaning.

A soft microfibre cloth and water is all the surface needs. Skip abrasive pads and solvent cleaners. The colour lives in the ceramic itself, not in a topcoat that could be worn away.

Yes. Every WenderVista piece is original work by Reid Wender, made in the studio in Knoxville, Tennessee. Nothing is licensed in or reproduced from another artist.

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