Wender·Vista
Aoshima
shown on ceramic, 12-inch tileJapan
off the coast of Miyazaki, on Japan's southern Kyūshū

Aoshima

— a shrine inside a ring of stone washboards.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

A small subtropical island off Miyazaki's coast, ringed by a strange wave-cut shelf of sandstone the locals call Oni no Sentakuita — the Devil's Washboard. A short footbridge, the Yayoi-bashi, runs out across the shallow water to the island. At the centre sits Aoshima Jinja, a vermilion shrine half-shaded by a grove of betel palms. The ema racks are stacked with painted shells. Kuroshio current keeps the air warm and the palms green through the winter. The whole island is a circle you can walk in about thirty minutes. from the studio

from the studio
Aoshima
— bring it home

Aoshima, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Aoshima

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Aoshima is a small subtropical island off the southern coast of Miyazaki City, in Miyazaki Prefecture on Kyūshū, the southernmost of Japan's four main islands. The island is roughly 1.5 kilometres in circumference, ringed by a wave-cut shelf of sandstone known as Oni no Sentakuita — the Devil's Washboard — formed over millions of years as alternating layers of sandstone and mudstone weathered into long parallel ridges. Aoshima is connected to the mainland by the Yayoi-bashi footbridge, about 250 metres long. The island lies within Nichinan Kaigan Quasi-National Park and is designated a Natural Monument.

the stone

The Devil's Washboard is the rock formation most visitors come for. The ridges run for hundreds of metres around the island, exposed at low tide and washed by the breakers at high tide, the result of weathering on a Miocene-age sedimentary sequence about ten million years old. The island's interior is held by a grove of betel palms and other subtropical species — some 200 plant species recorded inside the small circumference — a relic warm-climate flora that has been protected as a National Natural Monument since 1923. Walking the loop trail around the shore takes roughly thirty minutes at an easy pace.

the year

Aoshima Shrine sits at the centre of the island, vermilion against the palms, dedicated to Yamasachi-hiko and his consort Toyotama-hime — figures from the Kojiki, the oldest Japanese chronicle. The shrine is closely tied to marriage and safe childbirth, and the racks of ema prayer plaques are stacked with painted shells rather than wooden tablets. On 17 January each year the shrine holds Hadaka Mairi, a winter pilgrimage in which participants wade through the cold sea to the island. In late July the Aoshima Shrine Naked Boat Festival, Funahiki Matsuri, draws crowds along the beach.

where
Japan · Miyazaki City, Miyazaki Prefecture
within
Nichinan Kaigan Quasi-National Park
position
31.8056° N · 131.4736° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
at the lake
Aoshima Shrine
Shinto shrine in the island grove
5 km S
Horikiri Pass
coastal viewpoint on Route 220
25 km S
Udo Shrine
cliff-cave Shinto shrine
13 km N
Miyazaki City
prefectural capital
N
Aoshima
Aoshima Shrine
Horikiri Pass
Udo Shrine
Miyazaki City
common questions

What people ask.

A few questions we get about Aoshima — and about bringing the piece home.
about the place

Off the southern coast of Miyazaki City, in Miyazaki Prefecture on Japan's island of Kyūshū. The island sits within Nichinan Kaigan Quasi-National Park, reached by the 250-metre Yayoi-bashi footbridge from the mainland.

Oni no Sentakuita is a wave-cut shelf of sandstone and mudstone ridges that rings the island, formed by weathering of a Miocene-age sedimentary sequence about ten million years old. The ridges are exposed at low tide.

Aoshima Shrine is dedicated to Yamasachi-hiko and Toyotama-hime from the Kojiki and is closely tied to marriage and safe childbirth. Visitors leave painted shells on the ema racks rather than the wooden tablets used elsewhere.

Hadaka Mairi on 17 January is a winter pilgrimage in which participants wade the cold sea to the island. The Funahiki Matsuri in late July, the Naked Boat Festival, draws large summer crowds along the beach.

The loop trail around the shore runs about 1.5 kilometres and takes roughly thirty minutes at an easy pace. The interior is small and covered in a grove of betel palms and other subtropical species protected as a Natural Monument.

The Kuroshio current keeps Aoshima mild year-round, with summers warm and humid and winters gentle by Japanese standards. Spring and autumn are the calmest seasons; the betel palms stay green even in January.

about the piece in your home

Aoshima is one of Miyazaki's most loved places, woven into local memory through the shrine and the washboard rocks. A Keepsake or Small with a handwritten note from the studio carries the island home.

The vermilion and sea-blue of the artwork sit well with Japandi interiors, warm Japanese-modern rooms with raw wood and washi, and biophilic spaces that want a single quiet focal piece.

Yes. Painterly shrine and coastal scenes — fine-art rather than touristic — are a steady current in Japandi and biophilic rooms. The Medium and Large both work as a focal piece without crowding the wall.

Above a standard sofa, a single Large is the simplest choice. For a wider wall, a 4-tile Mural carries the scale; a 9-tile Mural suits a long entry wall or a stairwell where the eye travels.

Yes, in the Dura Satin or Matte finish. Both are scratch-resistant and built for vertical installations in damp rooms. The Glossy finish is for framed wall pieces and show areas away from steam and splash.

A soft microfibre cloth with plain water is all the tile needs. Skip ammonia, vinegar, and abrasive sponges. The colour lives in the ceramic surface beneath a thin glossy finish, so it will not wear off with normal cleaning.

Yes. Every WenderVista piece is original to our family studio in Knoxville, Tennessee. No licensing, no third-party art. Reid Wender chooses each place that enters the atlas and the work is hand-finished in-house.

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