— a working city the Renaissance never stopped using.
“A Tuscan city most travellers skip on the train to Florence. Prato has been weaving wool since the twelfth century and still does, the looms now run by a generation that grew up between Italian and Wenzhou Chinese. The Duomo holds a relic of Mary's girdle; Donatello carved the outdoor pulpit. The Bisenzio runs through it. Quieter than Florence on a Sunday afternoon.
Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.
Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.
Prato sits in central Tuscany along the Bisenzio river, about seventeen kilometres northwest of Florence. With roughly 195,000 residents it is the second-largest city in Tuscany and the third-largest in central Italy. The historic centre is ringed by intact medieval walls and centred on the Piazza del Duomo, where the cathedral of Santo Stefano holds Donatello's outdoor pulpit. Long a textile capital, the city now hosts one of the largest Chinese communities in Europe, a generation deep into the wool trade.
The Castello dell'Imperatore was built between 1237 and 1248 by order of Frederick II of Hohenstaufen, the only Swabian-Norman castle north of the old Cassia road. Its white-stone square plan and eight square towers face the Romanesque church of Santa Maria delle Carceri across the piazza, Giuliano da Sangallo's late-fifteenth-century work in green and white marble. The castle's parapets are open to walk; the view runs from the Duomo's striped facade to the Apennine foothills closing the city to the north.
Five times a year, on Easter, May 1, August 15, September 8, and Christmas, the Bishop of Prato climbs to the outdoor pulpit of the Duomo and shows the Sacra Cintola, the wool-and-thread girdle the city has held since 1141. Donatello and Michelozzo built the pulpit specifically for this rite, finishing in 1438. The relief panels of dancing children are now in the Museo dell'Opera; the pulpit on the corner of the cathedral is a copy. The crowd in the piazza is mostly local.