— — the tower the city kept building toward.
“The fortress-palace at the south end of Piazza della Signoria, where the bell tower rises straight off the rusticated stone and the copy of the David still keeps the door. Florence's working town hall for seven centuries. The square in front fills and empties through the day; the building does not change colour with the hour the way the river does.
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Palazzo Vecchio sits on the south side of Piazza della Signoria in Florence, the political centre of the Tuscan capital since 1299, when Arnolfo di Cambio began the design. The Torre di Arnolfo rises 94 metres above the square, its crenellations doubling as the city's medieval clock. The palace served as the seat of the Florentine Republic, then briefly housed the Medici grand dukes before the family moved across the Arno to the Pitti in 1565.
The lower walls are pietraforte, the warm grey-brown sandstone quarried from the hills south of the Arno and used across medieval Florence. The rusticated blocks were cut to read as defensive even after the palace's military function ended. Inside, the Salone dei Cinquecento opens fifty-four metres long under a coffered ceiling Giorgio Vasari painted between 1563 and 1565. The David at the door is a replica; Michelangelo's original moved to the Accademia in 1873.
The Museo di Palazzo Vecchio is open most days from nine in the morning, with the tower accessible by a separate ticket and closed in heavy rain. Children under six are not permitted on the tower stairs, which climb 223 steps to the walk above the bells. The square outside is free and busiest in late afternoon, when the light reaches the loggia and the street musicians settle in by the fountain of Neptune.