Wender·Vista
Mercato Centrale
shown on ceramic, 12-inch tileItaly
in Florence, a block north of the Basilica di San Lorenzo

Mercato Centrale

the morning a city wakes for bread.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
Above the bench, in a warm oak surround.
Above the bench, in a warm oak surround.
Beside the kettle, propped on the counter.
Beside the kettle, propped on the counter.
Above the linens, in a slim black surround.
Above the linens, in a slim black surround.
On the nightstand, on a light oak stand.
On the nightstand, on a light oak stand.
On a picture ledge, where the light comes in.
On a picture ledge, where the light comes in.
a note from the studio

Florence's covered food market, opened in 1874. Iron and glass over a full city block in the San Lorenzo quarter, designed by Giuseppe Mengoni, the architect who drew Milan's Galleria Vittorio Emanuele in the same decade. The ground floor is still a working market: butchers and fishmongers, baskets of porcini, wheels of pecorino, bread on the tables before the morning is fully up. Nerbone has served lampredotto sandwiches at the same counter since 1872. The upper floor reopened in April 2014 as a food hall under the same arches. Florence shops here. Tourists shop here. The light comes through the glass and falls on the copper and the bread. Nothing about the building is quiet.

from the studio
shown in a slim black floating frame · 6 × 6 in
shown in a slim black floating frame · 6 × 6 in
— bring it home

Mercato Centrale, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

comes gift-ready
comes gift-ready

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

or build a grouping
or build a grouping

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

about Mercato Centrale

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Mercato Centrale stands in the San Lorenzo quarter of central Florence, a block north of the Basilica di San Lorenzo and the Medici Chapels, five minutes' walk south of Santa Maria Novella station. The cast-iron-and-glass hall covers a full city block at Piazza del Mercato Centrale, between Via dell'Ariento and Via Sant'Antonino. It was designed by Giuseppe Mengoni, the architect of Milan's Galleria Vittorio Emanuele II in the same decade, and opened in 1874, only a few years after Florence's brief tenure as capital of the new Kingdom of Italy (1865-1871). The building replaced an older open-air market on the same square and was part of the city's late-nineteenth-century civic modernisation. The surrounding streets are still lined with the open-air leather stalls of the wider San Lorenzo market.

the stone

The hall is built in the cast-iron-and-glass vocabulary of nineteenth-century European market architecture, in the lineage of Victor Baltard's Les Halles in Paris (1853-1874), which Mengoni's commission was meant to echo. The iron trusses span the interior without intermediate columns and carry a clerestory band of windows that lets daylight fall straight onto the ground-floor stalls below. The roof is a flattened gable of glass set into the wrought-iron frame. The upper floor, closed for decades after the wholesale trade moved out of the centre, was renovated and reopened on 23 April 2014 as a curated food hall, with about a dozen artisanal vendors arranged beneath the same iron canopy and the original framework left visible from the new dining tables. Most of the structural ironwork is original.

the visit

The ground floor opens Monday through Saturday in the morning hours, traditionally seven to two, and is the place for fresh produce, cheese, charcuterie, fish, bread, and a working lunch at one of the historic counters. Nerbone, the trippaio that has operated inside the market since 1872, still serves the same panino al lampredotto Florentines have eaten standing for over a century. The upper floor opens daily and stays open from late morning through the evening, with about a dozen vendors serving Tuscan pasta, Neapolitan pizza, fish, gelato, wine, and craft beer, plus a cooking school. The market sits five minutes' walk south of Santa Maria Novella station and a block north of the Basilica di San Lorenzo.

— informed by Mercato Centrale Firenze
where
Italy · Florence, Tuscany
position
43.7765° N · 11.2535° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
at the lake
Basilica di San Lorenzo
Renaissance basilica
at the lake
Medici Chapels
Medici mausoleum
1 km SE
Florence Cathedral
Gothic cathedral· on a tile
1 km E
Galleria dell'Accademia
art museum
1 km S
Boboli Gardens
Renaissance garden· on a tile
300 km N
Galleria Vittorio Emanuele II
sister Mengoni hall· on a tile
N
Mercato Centrale
Basilica di San Lorenzo
Medici Chapels
Florence Cathedral
Galleria dell'Accademia
Boboli Gardens
Galleria Vittorio Emanuele II
common questions

What people ask.

A few questions we get about Mercato Centrale — and about bringing the piece home.
about the place

Mercato Centrale stands in the San Lorenzo quarter of central Florence, a block north of the Basilica di San Lorenzo and the Medici Chapels, and five minutes' walk south of Santa Maria Novella station. The cast-iron-and-glass hall covers a full city block at Piazza del Mercato Centrale.

The architect was Giuseppe Mengoni, who also designed Milan's Galleria Vittorio Emanuele II in the same decade. Construction ran from 1870 to 1874, and the building opened in 1874, only a few years after Florence served as the brief first capital of the new Kingdom of Italy.

The ground floor is a working food market: butchers, fishmongers, cheesemongers, bakers, fresh-produce stalls, and dry-goods vendors. Several historic counters serve Florentine street food, including Nerbone, the trippaio that has sold lampredotto sandwiches inside the market since 1872.

The upper floor reopened on 23 April 2014 as a curated food hall under the original iron-and-glass canopy. About a dozen artisanal vendors serve Tuscan pasta, Neapolitan pizza, Sicilian fish, gelato, wine, and craft beer. There is also a cooking school on the same floor.

The traditional ground-floor market opens Monday through Saturday in the morning hours, traditionally seven to two. The upper-floor food hall opens daily and stays open through the evening. Hours have shifted in recent years; the official site lists current opening times for both floors.

Lampredotto is a Florentine street-food sandwich made from the slow-simmered fourth stomach of a cow, served in a roll dipped in the broth and finished with salsa verde or chilli. Nerbone, inside the Mercato Centrale, has been one of the city's two best-known trippai for over a century.

The Basilica di San Lorenzo and the Medici Chapels are a block south. The Florence Cathedral is about five hundred metres southeast. The Galleria dell'Accademia, with Michelangelo's David, is roughly six hundred metres east. Santa Maria Novella station is five minutes' walk west.

about the piece in your home

It works well for customers with Florence ties. Mercato Centrale is where many Florentines still shop for the week's meat, cheese, and fish, and where many visitors had a memorable meal under the iron roof. A Small or Medium with a handwritten note carries well for a former resident, a chef, or anyone who spent an afternoon in San Lorenzo.

Our treatment of the Mercato Centrale carries stained-glass blues and greens, ironwork blacks, warm copper, and the ochres and terracottas of Tuscan still-life. It sits well in warm Italian-modern interiors, Italianate Maximalist rooms, and modern-trattoria kitchens. It also reads well against deep jewel-tone walls in a study or dining room.

It pairs with the warm-minimalist and Italian-modern direction that combines deep wood, brass, and stained-glass colour against pale walls. Market and food-hall art is a current accent in serious home kitchens. The piece reads well above a coffee bar, beside a wine rack, or as a single tile near a working range.

Above a standard sofa or console, a single Large reads as a focal piece without crowding the wall. For larger rooms or above a long banquette, a four-tile Mural carries the iron arches and the depth of the hall better. For a statement wall, a nine-tile Mural lets the architecture breathe across the width.

Yes, on the Dura Satin or Matte finish. The colour is slowly infused into the ceramic surface under high heat and pressure and lives beneath a non-glaring sheen that resists humidity, steam, and cooking splatter. The Mercato Centrale palette reads well above a range, behind a coffee bar, or as a kitchen backsplash.

A soft microfibre cloth and warm water are enough. For stubborn marks, add a drop of mild dish soap. Avoid abrasive sponges, bleach, and ammonia-based cleaners, which can dull the finish over time. The colour will not lift; it lives within the ceramic surface.

Yes. Reid Wender is the curator and the eye behind every WenderVista piece. The artwork is original to our family studio in Knoxville, Tennessee, and is not licensed from any third party. Each piece is hand-finished in our studio.

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