Wender·Vista
Florence Duomo
shown on ceramic, 12-inch tileItaly
above old Florence, between the Arno and the hills

Florence Duomo

— the dome the light keeps coming back to.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
Above the bench, in a warm oak surround.
Above the bench, in a warm oak surround.
Beside the kettle, propped on the counter.
Beside the kettle, propped on the counter.
Above the linens, in a slim black surround.
Above the linens, in a slim black surround.
On the nightstand, on a light oak stand.
On the nightstand, on a light oak stand.
On a picture ledge, where the light comes in.
On a picture ledge, where the light comes in.
a note from the studio

Brunelleschi closed the dome in 1436 and Florence has been answering to it ever since. The cathedral sits in old Florence between the Arno and the hills of Fiesole, faced in white Carrara, green Prato, and pink Maremma marble that catches different light at every hour. The dome is brick. Four million of them, set in a herringbone pattern that holds itself up without a centring frame, an engineering method no one had managed before. From a window in Oltrarno, or a rooftop in San Lorenzo, it's the thing the eye finds first.

from the studio
shown in a slim black floating frame · 6 × 6 in
shown in a slim black floating frame · 6 × 6 in
— bring it home

Florence Duomo, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

comes gift-ready
comes gift-ready

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

or build a grouping
or build a grouping

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

about Florence Duomo

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Cathedral of Santa Maria del Fiore stands at the centre of Florence, in Tuscany, on a site occupied by the older church of Santa Reparata since the fourth century. Construction of the present cathedral began in 1296 under the architect Arnolfo di Cambio and continued in stages for over 140 years, with the dome completed by Filippo Brunelleschi in 1436. The complex includes the cathedral, the freestanding bell tower designed by Giotto in 1334, and the octagonal Baptistery of San Giovanni, which is older than both and dates to at least the 11th century. The Historic Centre of Florence has been a UNESCO World Heritage Site since 1982.

the stone

The cathedral's exterior is faced in three marbles quarried in three different parts of central Italy: white from Carrara, green from Prato, and pink from the Maremma region of southern Tuscany. The dome itself is the work of Filippo Brunelleschi, completed in 1436 and built from roughly four million bricks set in a self-supporting herringbone pattern. At about 45 metres in diameter at its base and around 114 metres to the top of the lantern, it was the largest masonry dome in the world for centuries, and remains the largest brick dome ever built. Brunelleschi worked without a wooden centring frame, an engineering choice contemporaries thought impossible until they watched it hold.

the visit

Entry to the cathedral itself is free, but the dome, the campanile, the baptistery, the crypt of Santa Reparata, and the Opera del Duomo Museum all require a combined ticket booked through the cathedral's official site. The dome climb is 463 steps with no lift, and reservations for a specific time slot are required to manage crowds in the narrow corridors between the dome's two shells. Giotto's Campanile is 84.7 metres tall and a separate climb of 414 steps. The complex is open most days, with the cathedral itself closed to tourists on Sundays during services. Early morning and late afternoon slots tend to be quieter than the midday hours, when most coach tours arrive.

where
Italy · Florence, Tuscany
position
43.7731° N · 11.2564° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
1 km S
Piazza della Signoria
civic square
1 km S
Palazzo Vecchio
town hall
1 km S
Uffizi Gallery
museum
1 km S
Ponte Vecchio
medieval bridge
1 km SE
Basilica of Santa Croce
basilica
2 km S
Piazzale Michelangelo
overlook
5 km NE
Fiesole
hill town
N
Florence Duomo
Piazza della Signoria
Palazzo Vecchio
Uffizi Gallery
Ponte Vecchio
Basilica of Santa Croce
Piazzale Michelangelo
Fiesole
common questions

What people ask.

A few questions we get about Florence Duomo — and about bringing the piece home.
about the place

Filippo Brunelleschi won the 1418 commission and completed the dome in 1436. He devised a self-supporting herringbone brickwork that needed no wooden centring, an engineering method considered impossible by his contemporaries and unmatched in scale for centuries afterward.

The facade and walls are faced in three Italian marbles: white from Carrara, green from Prato, and pink from the Maremma region of southern Tuscany. The combination is the signature polychrome scheme of Florentine Gothic and reads warm in late-afternoon light.

The dome rises about 114 metres to the top of the lantern and roughly 116 metres to the top of the cross. The interior diameter at the base is about 45 metres, which made it the largest masonry dome in the world when finished in 1436.

Construction began in 1296 under Arnolfo di Cambio on the site of the older church of Santa Reparata. The structure took more than 140 years to complete, with Brunelleschi's dome finished in 1436. The adjacent Baptistery of San Giovanni is older and dates to at least the 11th century.

Yes. The cathedral, the dome, Giotto's Campanile, and the Baptistery of San Giovanni are all part of the Historic Centre of Florence, inscribed on the UNESCO World Heritage List in 1982.

The octagonal Baptistery of San Giovanni stands directly opposite the cathedral's main facade and predates it by centuries. Its bronze east doors, designed by Lorenzo Ghiberti between 1425 and 1452, are known as the Gates of Paradise, a phrase coined by Michelangelo.

Yes. The climb is 463 steps with no lift, and a timed reservation through the cathedral's official ticket office is required. The route passes between the dome's two shells and ends on the lantern terrace, with a wide view across Florence and the Tuscan hills.

about the piece in your home

It's been a meaningful gift for many of our customers with roots or memories in Tuscany. The Duomo is the figure Florentines and returning travellers picture first when they think of the city. A Small or a Coaster Set with a handwritten note from the studio carries well.

The warm marbles and the brick dome read well against Italianate, traditional, and Tuscan-modern rooms. It also lands surprisingly well in a Maximalist or Jewel-tone interior, where the polychrome facade can hold its own against deeper wall colours and antique wood.

Renewed interest in warm-traditional and Italian-inspired interiors has pulled Tuscan motifs back into rotation. The Duomo tile sits inside that direction without leaning on caricature, and the muted polychrome of the marble works comfortably beside antique wood and warm whites.

A single Large reads well above a smaller console or in a hallway. Above a standard sofa, a 4-tile Mural anchors the wall more confidently. For a long credenza or a foyer, a 9-tile Mural gives the dome the scale it has in the city.

Yes, in the Dura Satin or Matte finish. Both are scratch-resistant and tolerant of steam and water, which suits them to a backsplash, a powder room, or a shower wall. The Glossy finish is reserved for framed wall art in dry rooms.

A microfibre cloth and water are enough for routine cleaning. Avoid abrasive sponges and harsh solvents. The colour is slowly infused into the ceramic surface beneath a thin glossy finish, so it doesn't lift or wear with normal handling.

Yes. Every WenderVista piece is original work from a single studio in Knoxville, Tennessee. The painting is not licensed from a stock library and is not reproduced from another studio's catalogue. The art is chosen and signed off by Reid Wender, the curator.

if this one stayed with you

A few you might also love.

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— a collection

The Italian Dolomites,
painted slow.

The valleys between Cortina and Val Gardena, the tarns you walk an hour to see, the towers that turn the colour of a banked fire just before dark. Wander the collection by valley, by season, or follow the path Reid walked.

Tre Cime
Braies
Misurina
Sorapis
Cinque Torri
Sassolungo
Marmolada