— the city where the Renaissance learned to see.
“The Arno cuts the city in two and the Ponte Vecchio still stands where it has since the fourteenth century, goldsmiths' shops hanging over the water. Above the rooftops the dome holds — Brunelleschi's red-tile cap, the one no one knew how to build until he did. From Piazzale Michelangelo the whole city reads in terracotta and stone. The hills of Fiesole rise behind.
Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.
Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.
Florence is the capital of Tuscany, set on the Arno River at the centre of a basin held by the Mugello hills to the north and the Chianti hills to the south. The historic centre, a UNESCO World Heritage site since 1982, fits within the medieval walls in about five square kilometres. The city holds roughly 380,000 residents. Florence is the birthplace of the Renaissance and the home seat of the Medici, whose patronage from the fifteenth through eighteenth centuries shaped most of what visitors come to see.
The city is built in pietra serena, a soft grey sandstone quarried in the hills above Fiesole, trimmed with white marble from Carrara. The Duomo's dome, completed by Filippo Brunelleschi in 1436, spans 45 metres without internal scaffolding — the largest masonry dome ever raised. The Ponte Vecchio, the only Florentine bridge spared by the retreating German army in 1944, has carried goldsmiths' shops since 1593. The Vasari Corridor runs from the Palazzo Vecchio across the bridge to the Pitti Palace.
Florence is best read on foot. The historic centre is a thirty-minute walk end to end, and the main galleries — the Uffizi, the Accademia where Michelangelo's David stands, the Bargello — sit within five minutes of each other. Timed entry is required at the Uffizi, the Accademia, and the dome climb of Santa Maria del Fiore. The crowds thin from November through February. Piazzale Michelangelo, twenty minutes uphill on foot, holds the view that puts the whole city in one frame.