— — the port where Saint Nicholas came to rest.
“A working Adriatic port on the heel of Italy, with the old town of Bari Vecchia wrapped around the Basilica of San Nicola. The relics of Saint Nicholas have rested here since 1087, brought across the sea from Myra by Bari sailors. In the morning, women on Via Arco Basso fold orecchiette by hand on wooden boards in front of their doorways, the same way their grandmothers did.
Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.
Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.
Bari is the capital of Puglia, on the Adriatic coast of southern Italy. The metropolitan area holds about 750,000 people, the second-largest city of the south after Naples. Its port is the busiest passenger harbour on the Italian Adriatic, with daily ferries to Albania, Croatia, Greece, and Montenegro. The city splits cleanly between Bari Vecchia, the old walled town on a peninsula, and the 19th-century grid of Borgo Murattiano, laid out under Joachim Murat in 1813.
The Basilica di San Nicola was begun in 1087 to hold the relics of Saint Nicholas, taken from Myra in Lycia by sixty-two Bari sailors that same year. It is one of the first and purest examples of Apulian Romanesque, a style that spread along the coast through the 12th century. A short walk away, the Cathedral of San Sabino, finished 1292, holds an 11th-century crypt and a rose window above its west front.
The Adriatic has shaped Bari since antiquity. The natural harbour, sheltered by the old town's peninsula, made the city a Byzantine, then Norman, then Aragonese port. Today the lungomare, Bari's seafront promenade, runs more than four kilometres along the water and counts as one of the longest in Italy. The colour of the sea here is the clean blue-green of the southern Adriatic, deepest in late afternoon when the light turns sideways across the limestone houses.